位在碼頭附近的市場

越冷的地方越愛吃冰

感覺比較像夜市那種

大部分都是賣吃的

P.S. 到了這裡才知道嚕嚕米是芬蘭的

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               padding: 1px 0.25rem;                font-family: Menlo, Consolas, Monaco, monospace;                font-size: 94%;              }            </style></head><body><div class="article-container"><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">位在碼頭附近的市場</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">越冷的地方越愛吃冰</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">感覺比較像夜市那種</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">大部分都是賣吃的</span></p><p class="graf--p" dir="ltr"><span style="white-space: pre-wrap;">P.S. 到了這裡才知道嚕嚕米是芬蘭的</span></p><ul class="lexical__ul"><li value="1" class="graf--li"><span style="white-space: pre-wrap;">老農貿市場</span></li><li value="2" class="graf--li"><a href="https://maps.app.goo.gl/7BGvhWVydNz6kXUM9?g_st=ipc" target="_blank" rel="noreferrer noopener"><span style="white-space: pre-wrap;">Eteläranta, 00130 Helsinki, 芬蘭</span></a></li></ul><div class="graf--img center"><div class="lexical__imageWrapper"><img src="https://images.vocus.cc/8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg" data-src="https://resize-image.vocus.cc/resize?norotation=true&quality=80&url=https%3A%2F%2Fimages.vocus.cc%2F8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg&width=740&sign=x-HGNM2mxopGqMTFQMP8y7Sicde0z56ukc5rU1RM_Pw" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg" data-lowquality="false" data-width="3023" data-height="3023" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; 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以行動支持創作者！付費即可解鎖

贊助珍奶

旅行美食

【旅行流水帳—芬蘭】1 烏斯佩斯基大教堂

本文深度解析賽勒布倫尼科夫的舞臺作品《傳奇：帕拉贊諾夫的十段殘篇》，如何以十段殘篇，結合帕拉贊諾夫的電影美學、象徵意象與當代政治流亡抗爭，探討藝術在儀式消失的現代社會如何承接意義，並展現不羈的自由靈魂。

釀電影，啜一口電影的美好。

《傳奇：帕拉贊諾夫的十段殘篇》：一場跨越時空的藝術對話，在舞臺上重現自由靈魂

本文分析導演巴里・柯斯基（Barrie Kosky）如何運用極簡的舞臺配置，將布萊希特（Bertolt Brecht）的「疏離效果」轉化為視覺奇觀與黑色幽默，探討《三便士歌劇》在當代劇場中的新詮釋，並藉由舞臺、燈光、服裝、音樂等多方面，分析該作如何在保留批判核心的同時，觸及觀眾的觀看位置與人性幽微。

陳沅綦的沙龍

柏林劇團《三便士歌劇》：巴里．柯斯基的經典再造，與布萊希特劇場的當代轉向

5 月將於臺北表演藝術中心映演的「2026 北藝嚴選」《海妲・蓋柏樂》，由臺灣劇團「晃晃跨幅町」製作，本文將以從舞台符號、聲音與表演調度切入，討論海妲・蓋柏樂在父權社會結構下的困境，並結合榮格心理學與馮．法蘭茲對「阿尼姆斯」與「永恆少年」原型的分析，理解女人何以走向精神性的操控、毀滅與死亡。

黃郁書的沙龍

《海妲．蓋柏樂》：女性困境與「永恆少年」的毀滅衝動

《轉轉生》（Re:INCARNATION）為奈及利亞編舞家庫德斯．奧尼奎庫與 Q 舞團創作的當代舞蹈作品，結合拉各斯街頭節奏、Afrobeat／Afrobeats、以及約魯巴宇宙觀的非線性時間，建構出關於輪迴的「誕生—死亡—重生」儀式結構。本文將從約魯巴哲學概念出發，解析其去殖民的身體政治。

詹育杰的沙龍

《轉轉生 Re:INCARNATION》：Qudus Onikeku、約魯巴哲學與 Afrobeat 的去殖民身體政治

旅行流水帳—芬蘭

Life Eq.的沙龍

住宿推薦—高雄

餵食日誌—廈門

旅行流水帳—台中

單車地圖

旅行流水帳—雲林

旅行流水帳—基隆

工商時間

住宿推薦—花蓮

住宿推薦—台東

旅行流水帳—高雄

住宿推薦—泰國清邁

澳洲遊學

旅行流水帳—新疆

住宿推薦—台北

住宿推薦—廈門

旅行流水帳—宜蘭

住宿推薦—新疆

餵食日誌—彰化

餵食日誌—嘉義

英文學習

兩兩洞六

餵食日誌—上海

成人18禁

旅行流水帳—泰國

住宿推薦—台中

實踐大學

旅行流水帳—新竹

看一本書

餵食日誌—東京

餵食日誌—雲林

餵食日誌—新竹

餵食日誌—台中

住宿推薦—東京

旅行流水帳—南投

旅行流水帳—上海

生活亂寫

餵食日誌—台北

住宿推薦—挪威

住宿推薦—芬蘭

旅行流水帳—台北

電腦小教室

旅行流水帳—苗栗

餵食日誌—苗栗

好物開箱

餵食日誌—桃園

旅行流水帳—桃園

隨手拍拍

住宿推薦—南投

餵食日誌—南投

旅行流水帳—宿霧

小說

旅行流水帳—沖繩

日記

嘮叨一下

餵食日誌—沖繩

餵食日誌—台南

電影戲劇感想

住宿推薦—台南

住宿推薦—嘉義

住宿推薦—沖繩

芬蘭

市場

【旅行流水帳—芬蘭】2 老農貿市場

<p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">位在碼頭附近的市場</span></p><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">越冷的地方越愛吃冰</span></p><p class="lexical__paragraph" dir="ltr"><div class="ad-placeholder" style="min-height: 124px;"></div><span style="white-space: pre-wrap;">感覺比較像夜市那種</span></p><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">大部分都是賣吃的</span></p><p class="lexical__paragraph" dir="ltr"><span style="white-space: pre-wrap;">P.S.&nbsp;到了這裡才知道嚕嚕米是芬蘭的</span></p><ul class="lexical__ul"><li value="1" class="lexical__listItem"><span style="white-space: pre-wrap;">老農貿市場</span></li><li value="2" class="lexical__listItem"><a href="https://maps.app.goo.gl/7BGvhWVydNz6kXUM9?g_st=ipc" target="_blank" rel="noreferrer noopener"><span style="white-space: pre-wrap;">Eteläranta, 00130 Helsinki,&nbsp;芬蘭</span></a></li></ul><div class="lexical__image center"><div class="lexical__imageWrapper"><img src="https://resize-image.vocus.cc/resize?norotation=true&amp;quality=80&amp;url=https%3A%2F%2Fimages.vocus.cc%2F8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg&amp;width=740&amp;sign=x-HGNM2mxopGqMTFQMP8y7Sicde0z56ukc5rU1RM_Pw" fetchpriority="high" data-src="https://resize-image.vocus.cc/resize?norotation=true&amp;quality=80&amp;url=https%3A%2F%2Fimages.vocus.cc%2F8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg&amp;width=740&amp;sign=x-HGNM2mxopGqMTFQMP8y7Sicde0z56ukc5rU1RM_Pw" data-loaded="true" data-original-src="https://images.vocus.cc/8e0992dc-c2e4-40d2-b7d6-b2ea058389cb.jpg" data-lowquality="false" data-width="3023" data-height="3023" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? 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this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; this.dataset.retry = Number(this.dataset.retry)+1;})()" data-istopthreeimage="false" alt="raw-image"></div><div></div></div><div class="lexical__image center"><div class="lexical__imageWrapper"><img src="https://resize-image.vocus.cc/resize?norotation=true&amp;quality=1&amp;url=https%3A%2F%2Fimages.vocus.cc%2Fe26b18da-1b85-4731-8629-5dbfe9be0634.jpg&amp;width=740&amp;sign=jDb-qeGzM3EWfEd1-mh0qEhT3OfXcw9jVnIoSIggA9w" data-src="https://resize-image.vocus.cc/resize?norotation=true&amp;quality=80&amp;url=https%3A%2F%2Fimages.vocus.cc%2Fe26b18da-1b85-4731-8629-5dbfe9be0634.jpg&amp;width=740&amp;sign=8uxeSU4HeUDlnCCEUhlNmku3hDTTWE_UTanK9u98YpI" class="lazy" data-loaded="false" data-original-src="https://images.vocus.cc/e26b18da-1b85-4731-8629-5dbfe9be0634.jpg" data-lowquality="true" data-width="3023" data-height="3023" data-retry="0" onerror="Number(this.dataset.retry) > 4 ? this.src='/static/default-error-img.svg': (() => {this.src=this.dataset.originalSrc; this.dataset.retry = Number(this.dataset.retry)+1;})()" data-istopthreeimage="false" alt="raw-image"></div><div></div></div><p class="lexical__paragraph" dir="ltr"><br></p>