更多且廣，整個觀影旅程宛如一趟情緒過山

本片另一個值得稱許之處，在於它是部成功的「商業電影」，具備超有效率的快節奏敘事，以及不拖泥帶水且目標明確的戲劇事件，它大約只花十多分鐘便清晰地將原世界觀建構完整，接著便開始大肆摧毀乃至重建，約莫半小時，就把上文提及之反例──《別擔心親愛的》──整部片的套路演完，而真正精彩好看的還在後頭。

平息存在焦慮的方法，不外乎勇敢做自己、與自身缺陷和解等等，難免略顯俗套，但本片巧妙在於，它不只處理芭比的困境，也將肯尼從花瓶扶正為主角，解決他的難題，讓這部芭比電影同時也是肯尼電影。如此概念完全可以扣到女性主義之宗旨──不只為女人賦權，更將男人從有毒的陽剛期待中解放。

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《芭比》盡情玩弄人們既有刻板印象，不過，一旦讀懂浮誇表象背後的諷刺，便能體會到妙語如珠的高級酸，角色們幾乎全程用講幹話的嘴臉及語氣，說著太老實、太殘酷的真話。

很難想像這部熱鬧繽紛的暑期電影，所帶出的社會議題，居然比大多數嚴肅、政治正確的電影來得更多且廣，整個觀影旅程宛如一趟情緒過山車，開心大笑中碰上眾多小刺點，如此安排，或許比刻意的堆疊與鋪陳，來得更容易觸動人心。而編導讓議題緊緊纏繞著輕鬆有趣的劇情，減少說教感，也方便觀眾內化並反芻。

電影行銷常常容易言過其實，或給人錯誤期待，而本片上映前病毒式的迷因宣傳，居然十分符合作品調性──畢竟整部電影的視覺風格和笑點節奏，簡直如同一個大型迷因──進而達到相符相乘的加分效果，實屬難得。

別小看《芭比》電影，它可有著精心設計並被扎實執行的多層次翻轉，冒險由芭比察覺身體不對勁而前往現實世界尋找主人展開，當她遇到反應出乎意料的早熟女孩，失寵玩具被傷及自尊、產生不少笑果時，我們不禁懷疑難道故事要開始走向《玩具總動員》路線嗎？