《猶大與黑色彌賽亞》，一個背叛者與救世主的故事，相信許多人都一眼就能明白。但是，這個片名除此之外，似乎也沒有給我們太多關於劇情的線索了。事實上，Black一字也是值得探討的，它不只是告訴我們這是個關於黑人的故事，被刻意強調的膚色，我想也代表著那段白種人優越主義仍然存在的日子。

電影戲劇

國際

背叛與救贖

創作

成人

文化生活

當我們說「時間是最好的解藥」是抱著甚麼樣的心態？
把問題擺著，讓時間自然發酵？讓人們慢慢遺忘？還是我們能夠花點時間回頭看看過去的所作所為，對照到今日的我們，看看時間改變了我們什麼？影響了什麼？我想，「歷史」永遠是一面鏡子，反應了時間帶給人們的變化。

【影評+歷史】《猶大與黑色彌賽亞》★★★★☆ 歷史讓我們學到了什麼？

XXY的沙龍

00:00:00 開場引言
00:06:10 基本評分（無雷）
00:16:57 劇情討論（有雷）
01:00:40 推薦或退件時間

【梗你評電影】《猶大與黑色彌賽亞》政治是不流血的戰爭？
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▶ 收看YouTube影片：https://youtu.be/Xy2oDpY_IUQ

▶ 收聽PODCAST聲音：https://open.firstory.me/story/cko4qprucdk0x0834iap7yt8r/platforms
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歡迎收看/收聽【梗你評電影】單元，我們每個禮拜透過討論的方式來解析、評論電影的優缺點，讓你看電影更有梗！

這次【梗你評電影】要來評的電影是《猶大與黑色彌賽亞》；電影的故事設定在1960年代末，美國歷史上最動盪也最關鍵的時刻；美國國內充斥著政治與社會騷動，人們厭倦了越戰、種族歧視、不公不義的社會體制；追求左派思想的黑豹黨也在此時崛起。本片的故事聚焦在黑豹黨伊利諾黨部副主席 佛列德漢普頓，在1969年12月4日凌晨因為被黨內的FBI線民背叛，而在FBI的突襲之中被殺。電影完整還原了這段長期被美國政府忽略的記憶，並透過線民的旁觀視角，還原了這位影響後世黑人民權運動超過半世紀的重要歷史人物。

《猶大與黑色彌賽亞》在本屆奧斯卡金像獎上入圍了包括最佳影片、最佳男配角（丹尼爾卡盧亞、凱斯史坦費爾德）、最佳原創劇本、最佳原創歌曲以及最佳攝影等六個獎項；最終由飾演片中黑豹黨副主席佛列德漢普頓的丹尼爾卡盧亞抱走最佳男配角，以及本片主題曲《為你而戰》（Fight For You）的詞曲演唱H.E.R.、作曲D'Mile、作詞 Tiara Thomas等人抱走最佳原創歌曲，兩個獎項。

不管你對這部電影的評價是好是壞，都歡迎你一同來與我們討論唷！

你也有看過《猶大與黑色彌賽亞》了嗎？
你對這部電影有什麼想法呢？
都歡迎留言分享與我們討論唷！


#電影 #影評 #猶大與黑色彌賽亞 #movie #review #filmcritics #JudasandtheBlackMessiah #丹尼爾卡盧亞 #凱斯史坦費爾德 #danielkaluuya #lakeithstanfield #奧斯卡 #最佳男配角 #最佳原創歌曲 #oscars #academyawards


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【梗你評電影】《猶大與黑色彌賽亞》政治是不流血的戰爭？ | Judas and the Black Messiah | PODCAST XXY + Jericho

Watch the trailer for Judas and the Black Messiah, a movie about the betrayal and assassination of Fred Hampton, chairman of the Black Panther Party.  Starring Daniel Kaluuya and LaKeith Stanfield.  Only in theaters 2021.  “You can murder a revolutionary, but you can’t murder a revolution."

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Chairman Fred Hampton was 21 years old when he was assassinated by the FBI, who coerced a petty criminal named William O’Neal to help them silence him and the Black Panther Party.  But they could not kill Fred Hampton’s legacy and, 50 years later, his words still echo…louder than ever. 

I am a revolutionary!
         
In 1968, a young, charismatic activist named Fred Hampton became Chairman of the Illinois chapter of the Black Panther Party, who were fighting for freedom, the power to determine the destiny of the Black community, and an end to police brutality and the slaughter of Black people.

Chairman Fred was inspiring a generation to rise up and not back down to oppression, which put him directly in the line of fire of the government, the FBI and the Chicago Police.  But to destroy the revolution, they had to do it from both the outside…and the inside.  Facing prison, William O’Neal is offered a deal by the FBI: if he will infiltrate the Black Panthers and provide intel on Hampton, he will walk free.  O’Neal takes the deal.
         
Now a comrade in arms in the Black Panther Party, O’Neal lives in fear that his treachery will be discovered even as he rises in the ranks.  But as Hampton’s fiery message draws him in, O’Neal cannot escape the deadly trajectory of his ultimate betrayal.
         
Though his life was cut short, Fred Hampton’s impact has continued to reverberate.  The government saw the Black Panthers as a militant threat to the status quo and sold that lie to a frightened public in a time of growing civil unrest.  But the perception of the Panthers was not reality.  In inner cities across America, they were providing free breakfasts for children, legal services, medical clinics and research into sickle cell anemia, and political education.  And it was Chairman Fred in Chicago, who, recognizing the power of multicultural unity for a common cause, created the Rainbow Coalition—joining forces with other oppressed peoples in the city to fight for equality and political empowerment.

“Judas and the Black Messiah” stars Oscar nominee Daniel Kaluuya (“Get Out,” “Widows,” “Black Panther”) as Fred Hampton and LaKeith Stanfield (“Atlanta,” “The Girl in the Spider’s Web”) as William O’Neal.  The film also stars Jesse Plemons (“Vice,” “Game Night,” “The Post”), Dominique Fishback (“The Hate U Give,” “The Deuce”), Ashton Sanders (“The Equalizer 2,” “Moonlight”) and Martin Sheen (“The Departed,” TV’s “The West Wing,” TV’s “Grace & Frankie”).

“Judas and the Black Messiah” is directed by Shaka King, marking his studio feature film directorial debut.  The project originated with King and his writing partner, Will Berson, who co-wrote the screenplay, and Kenny Lucas & Keith Lucas, who co-wrote the story with Berson & King.  King, who has a long relationship with filmmaker Ryan Coogler (“Black Panther,” “Creed,” “Fruitvale Station”), pitched the film to Coogler and Charles D. King (“Just Mercy,” “Fences”), who are producing the film.  The executive producers are Sev Ohanian, Zinzi Coogler, Kim Roth, Poppy Hanks, Ravi Mehta, Jeff Skoll, Anikah McLaren, Aaron L. Gilbert, Jason Cloth, Ted Gidlow, and Niija Kuykendall.

The ensemble cast also includes Algee Smith (“The Hate U Give,” “Detroit”), Darrell Britt-Gibson (“Just Mercy,” “Three Billboards Outside Ebbing, Missouri”), Dominique Thorne (“If Beale Street Could Talk”), Amari Cheatom (“Roman J. Israel, Esq.,” “Django Unchained”), Caleb Eberhardt (“The Post”), and Lil Rel Howery (“Get Out”).

The behind-the-scenes creative team includes director of photography Sean Bobbitt (“12 Years a Slave,” “Widows”), production designer Sam Lisenco (“Shades of Blue”), editor Kristan Sprague (“Random Acts of Flyness”) and costume designer Charlese Antoinette Jones (“Raising Dion”).

The film is a Warner Bros. Pictures presentation, in association with MACRO Films, Participant and BRON Creative, and will be distributed worldwide by Warner Bros. Pictures.