The Nazi flag of the Azov battalion

更新 發佈閱讀 2 分鐘

Even further to my previous comment, in your video 3:28, you clearly show. Does that not bother you, that you support a fascistic regime? A racist regime that has no scruple to discriminate against civilians who happen to be of a different culture? Why don't you post the Poroshenko speech of 2014 where he emphatically declared that Russian people will not be allowed to work, they will not get any pensions and their children will not be allowed any education? As Poroshenko said, let their children live in caves. Is that what you believe a democratic country should look like? My opinion is that you are a political criminal representing the wrong side of humanity.

https://www.youtube.com/watch?v=d0ruk_Sap5w


留言
avatar-img
Mei Wechner的沙龍
12會員
112內容數
Curiosity sparks a lifelong commitment to explore, question, and understand, fostering personal growth
Mei Wechner的沙龍的其他內容
2024/03/18
The West brings bombs, and the Chinese bring help and trade (the Belt and Road Initiative).
Thumbnail
2024/03/18
The West brings bombs, and the Chinese bring help and trade (the Belt and Road Initiative).
Thumbnail
2024/03/17
This is the conclusion of "How the world works":"All matter (spacetime) was born at the moment of the Big Bang. Over billions of years, matter was for
Thumbnail
2024/03/17
This is the conclusion of "How the world works":"All matter (spacetime) was born at the moment of the Big Bang. Over billions of years, matter was for
Thumbnail
2024/03/13
The giant grouper was suffering from a condition known as barotrauma: Barotrauma occurs when they are rapidly brought from deep water to the...
Thumbnail
2024/03/13
The giant grouper was suffering from a condition known as barotrauma: Barotrauma occurs when they are rapidly brought from deep water to the...
Thumbnail
看更多
你可能也想看
Thumbnail
賽勒布倫尼科夫以流亡處境回望蘇聯電影導演帕拉贊諾夫的舞台作品,以十段寓言式殘篇,重新拼貼記憶、暴力與美學,並將審查、政治犯、戰爭陰影與「形式即政治」的劇場傳統推到台前。本文聚焦於《傳奇:帕拉贊諾夫的十段殘篇》的舞台美術、音樂與多重扮演策略,嘗試解析極權底下不可言說之事,將如何成為可被觀看的公共發聲。
Thumbnail
賽勒布倫尼科夫以流亡處境回望蘇聯電影導演帕拉贊諾夫的舞台作品,以十段寓言式殘篇,重新拼貼記憶、暴力與美學,並將審查、政治犯、戰爭陰影與「形式即政治」的劇場傳統推到台前。本文聚焦於《傳奇:帕拉贊諾夫的十段殘篇》的舞台美術、音樂與多重扮演策略,嘗試解析極權底下不可言說之事,將如何成為可被觀看的公共發聲。
Thumbnail
柏林劇團在 2026 北藝嚴選,再次帶來由布萊希特改編的經典劇目《三便士歌劇》(The Threepenny Opera),導演巴里・柯斯基以舞台結構與舞台調度,重新向「疏離」進行提問。本文將從觀眾慾望作為戲劇內核,藉由沉浸與疏離的辯證,解析此作如何再次照見觀眾自身的位置。
Thumbnail
柏林劇團在 2026 北藝嚴選,再次帶來由布萊希特改編的經典劇目《三便士歌劇》(The Threepenny Opera),導演巴里・柯斯基以舞台結構與舞台調度,重新向「疏離」進行提問。本文將從觀眾慾望作為戲劇內核,藉由沉浸與疏離的辯證,解析此作如何再次照見觀眾自身的位置。
Thumbnail
本文深入解析臺灣劇團「晃晃跨幅町」對易卜生經典劇作《海妲.蓋柏樂》的詮釋,從劇本歷史、聲響與舞臺設計,到演員的主體創作方法,探討此版本如何讓經典劇作在當代劇場語境下煥發新生,滿足現代觀眾的觀看慾望。
Thumbnail
本文深入解析臺灣劇團「晃晃跨幅町」對易卜生經典劇作《海妲.蓋柏樂》的詮釋,從劇本歷史、聲響與舞臺設計,到演員的主體創作方法,探討此版本如何讓經典劇作在當代劇場語境下煥發新生,滿足現代觀眾的觀看慾望。
Thumbnail
《轉轉生》為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,融合舞蹈、音樂、時尚和視覺藝術,透過身體、服裝與群舞結構,回應殖民歷史、城市經驗與祖靈記憶的交錯。本文將從服裝設計、身體語彙與「輪迴」的「誕生—死亡—重生」結構出發,分析《轉轉生》如何以當代目光,形塑去殖民視角的奈及利亞歷史。
Thumbnail
《轉轉生》為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,融合舞蹈、音樂、時尚和視覺藝術,透過身體、服裝與群舞結構,回應殖民歷史、城市經驗與祖靈記憶的交錯。本文將從服裝設計、身體語彙與「輪迴」的「誕生—死亡—重生」結構出發,分析《轉轉生》如何以當代目光,形塑去殖民視角的奈及利亞歷史。
Thumbnail
好希望你地去睇一下此片, 給我最深刻的2段, 39:41, 那位老伯, 他講了些什麼?? 另外50:18, 她和他又講了些什麼?? 39:41 I hope that future generations will not know war, especially a fraternal war
Thumbnail
好希望你地去睇一下此片, 給我最深刻的2段, 39:41, 那位老伯, 他講了些什麼?? 另外50:18, 她和他又講了些什麼?? 39:41 I hope that future generations will not know war, especially a fraternal war
Thumbnail
This is hatred and genocide
Thumbnail
This is hatred and genocide
Thumbnail
Zelensky is a Neo-Nazi, a war criminal!
Thumbnail
Zelensky is a Neo-Nazi, a war criminal!
Thumbnail
I wonder when they will come to bomb me like Darya Dugina! ( I am on Russians side, I am not on your side! Why? because you are Nazis!) ? You told me
Thumbnail
I wonder when they will come to bomb me like Darya Dugina! ( I am on Russians side, I am not on your side! Why? because you are Nazis!) ? You told me
Thumbnail
Zelensky's communal values
Thumbnail
Zelensky's communal values
Thumbnail
https://www.youtube.com/watch?v=d0ruk_Sap5w
Thumbnail
https://www.youtube.com/watch?v=d0ruk_Sap5w
追蹤感興趣的內容從 Google News 追蹤更多 vocus 的最新精選內容追蹤 Google News