所以閱讀那些貼在牆上的文字仍是有趣的多，光是把文字截斷再印出來印得閃爍而垂直就讓看法變得不同凡響。策展團隊的子題文案口吻堂而皇之滿是悶頭寫出的狀聲，「未來猶如俄羅斯輪盤」、「解放文明及其不滿」等種種僅供無限解讀訴諸色彩旋繞模式，讓我想起寫過的論文與不經討價還價的詩。

文化生活

觀點

旅遊美食

鬼月雜記：義大利式煩燥，日曜日式散步

午夜先生的沙發

Say Sue Me "Where We Were Together" (Damanbly067) 
Order on Vinyl/Digital/CD https://saysueme.bandcamp.com/album/say-sue-me-where-we-were-together 

0:00 Let it begin 
5:38 But I like you 
9:48 Old town 
13:40 Ours 
17:21 Funny and Cute 
20:59 i Just Wanna Dance 
23:11 B Lover 
26:07 After Falling Asleep 
29:56 Here 
34:07 The Courage To Become Somebodys Past 
37:48 Coming to the End


The surf-inspired indie rock/pop quartet from Busan, South Korea release their sophomore album ‘Where we were together’ on Damnably/ Electric Muse April 13th, recorded by Chun Hakju at Mushroom Recording in Seoul & Mastered by Matthew Barnhart at Chicago Mastering Service.
Friends since 5th grade Jaeyoung Ha (Bass) and Byungkyu Kim (guitar) met drummer Semin Kang at high school and played in bands together since winter of 2012, when one day they were drinking tea and beer at a tea shop in Nampo-dong, and Sumi Choi arrived. They liked her speaking voice and immediately offered her a spot as the vocalist in a new band that would become Say Sue Me. Sumi turned out to be a natural at songwriting. Semin sadly suffered trauma from a fall. New drummer Changwon Kim stands in while they await Semin’s recovery.

The album could not be anything but a tribute to and dealing with the emotional fallout of losing a friend and band-mate.
“We made 5 of the songs on Where We Were Together with Semin before his accident, and of the remaining songs on the album 4 of them (LET IT BEGIN, FUNNY AND CUTE, B LOVER, ABOUT THE COURAGE TO BECOME SOMEONE’S PAST) are about Semin or made with him in mind.
Although we can't be together right now, we decided to give the album this title because it reminded us of everything we've shared with Semin. And what's more, sometimes we've thought if we make this album a wish to return to the place we were together, some powerful spell might rise up. Who knows if it's even possible but sometimes we think maybe it could work.”
The bands main influences are 60’s Surf and 90’s Indie-Rock, and the sound on ‘Where we were together’ is more polished partly due to the recording in a proper studio for the first time and partly because they’ve grown more confident and ambitious with their compositions. 

Recent Press:
NPR “…jangly indie-pop, handclap-rich girl-group classics and the lightly rumbling sounds of early surf-rock. At once stylish and timeless…” 
Pitchfork “…its vibrant and catchy instrumentation does so much work, “Old Town” suggests less the ache of being alone in a city than it does the tingly feeling that accompanies a life-changing milestone.” 
KEXP “…jangle-pop hooks, stunning vocal melodies, and intricate guitarwork that stands up proudly against some of their influences like Yo La Tengo and Pavement…”
Billboard “…with a growing buzz surrounding their jangly single, “Old Town,” Korean indie quartet Say Sue Me is on the up-and-up…” 
Uproxx “…you don’t need to fully grasp the backstory to get sucked into its feverish tempo and go-for-broke delivery, with the band’s innate ear for a warm melody striking by the time the chorus kicks in.” 
Stereogum “The seven-minute slow burn “Coming To The End” evokes late-album indie-rock epics such as Yo La Tengo’s “We’re An American Band” or Pavement’s “Fillmore Jive”…"
The Fader “Really sweet, melodic rock that makes me feel like I’m in high school.”
Links 
https://www.facebook.com/SaySueMe1/ 
https://twitter.com/SaySueMe 
https://www.instagram.com/saysueme/
https://open.spotify.com/artist/4tvbo17gXpYgSr8sTlkaby?si=D74p_VSFRBG2Ro_cG2hT_Q

#saysueme

Say Sue Me - Where We Were Together (Damnably/Electric Muse) [FULL STREAM]

創作

故鄉的哀嘆是蒼白的 / 而紅葉的陣雨是詩的聲響 / 那裡還有青色輕氣球 / 玻璃色的少女 / 乾燥的帽子或繭或茶包 / 像海鳥的影子翩翩地今天也飛越過海角去了

電影戲劇

關於《日曜日式散步者》：路過一首用詩描述的詩

一些心情
一些回應
一些你
一些角色
很多我
假裝沒事或是
很有事

APOW's即興。音樂。創作

2016 Grand Prize of Taiwanese Competition, TIDF 台灣競賽首獎
2016 Best Documentary of Golden Horse Award 金馬獎最佳紀錄片  
2015 CPH:DOX 哥本哈根國際紀錄片影展2016 IFF Rotterdam 鹿特丹國際影展

黃亞歷HUANG Ya-li
台灣Taiwan｜2015｜DCP｜B&W, Colour｜161 min

風車詩社，是台灣1930年代出現的現代文學詩人團體，反映了20世紀西方現代主義進入亞洲，先到日本、再至台灣的文化移動路徑，亦經歷了日治中期、皇民化運動、國民政府來台與二二八事件。這部獨特的散文電影全片以重演與檔案影像構成，以豐富素材再現時代視覺與詩人的精神圖像，娓娓道來歷史的艱難。

After forty years of Japanese colonial rule, Taiwan’s first modern art group, Le Moulin Poetry Society, emerged in the 1930s with their poetic protest against the colonial power’s cultural superiority. Regarding the Surrealists as their absolute role models, Le Moulin poets composed poetry in an uncompromising and sophisticated style to confront the turbulent era they lived in.

#2017TIDF巡迴展
02.18 - 02.26 台中｜大墩文化中心、沙鹿電影藝術館（沙鹿深波分館）
03.17 - 03.26 台南｜台灣文學館
04.21 - 04.23 雲林｜68電影館
05.12 - 05.14 花蓮｜秀泰影城
06.02 - 06.04 台東｜秀泰影城

TIDF Website：http://www.tidf.org.tw
Facebook：https://www.facebook.com/TIDF.info
English Facebook: https://www.facebook.com/tidf.eng

【2017 TIDF On Tour】得獎影片｜日曜日式散步者 Le Moulin

情感

每每我總希望避免重看《日耀日式散步者》，因為其驚愕又諷刺的結局，總讓我心痛不已，這部的作品，以演員用日語呈現詩人李張瑞的私密獨白，也再現了風車詩社成員從台灣日治時期到國民黨來台時期之間文學思考。詩人對本土的堅持，對法國詩人考克多的「詩人之血」的傳承，最終換來的是一紙獨裁者的死刑宣告，思緒也消失殆盡