我想先講講Wallace與他的「朋友們」,我覺得這本書最讓我喜愛的點之一就是角色的刻畫以及彼此間複雜的關係。大家可能不知道(?),但我近期發現一個會讓我喜歡一本書的點,就是對於一群角色之間的互動細膩的呈現,我很愛讀到那種情緒堆疊累積、角色間的衝突、矛盾的感情等,不只是表面上的對話,更吸引人的是檯面下的暗潮洶湧,像是我的愛書If We Were Villains。這本書中,Wallace有一群與他互稱為「朋友」的人,總共可能有十個上下,儘管人數眾多,每個人都有著非常鮮明、獨特的個性,而且與其他角色的互動關係也都有意思,我最喜歡的部分都是這群朋友相聚對話的部分,那種衝突與張力呈現的很棒。
Real Life是一本會讓你氣憤、難過、無力的書,但更重要的是它會讓你深思,看到種族歧視最真實的一面。
後話
幾部提到這本的Booktube影片 : (算是讓我找來讀的動力XD)
摘句
It always seemed to him that when people were sad for you, they were sad for themselves, as if your misfortune were just an excuse for them to feel what it was they wanted to feel. Sympathy was a kind of ventriloquism. (Ch. 1)
No one is going to say, Well, Wallace, it’s okay if you don’t have your part of the data. You were being treated poorly. And there is the other thing—the shadow pain, he calls it, because he cannot say its real name. Because to say its real name would be to cause trouble, to make waves. To draw attention to it, as though it weren’t in everything already.(Ch. 2)
The most unfair part of it, Wallace thinks, is that when you tell white people that something is racist, they hold it up to the light and try to discern if you are telling the truth. As if they can tell by the grain if something is racist or not, and they always trust their own judgment. It’s unfair because white people have a vested interest in underestimating racism, its amount, its intensity, its shape, its effects. They are the fox in the henhouse. (Ch.2)
This is why Wallace never tells anyone anything. This is why he keeps the truth to himself, because other people don’t know what to do with your shit, with the reality of other people’s feelings. They don’t know what to do when they’ve heard something that does not align with their own perception of things.(Ch.3)
It is why he does not trust memory. Memory sifts. Memory lifts. Memory makes due with what it is given. Memory is not about facts. Memory is an inconsistent measurement of the pain in one’s life.(Ch.4)
What Roman is referring to is instead a deficiency of whiteness, a lack of some requisite sameness. This deficiency cannot be overcome. The fact is, no matter how hard he tries or how much he learns or how many skills he masters, he will always be provisional in the eyes of these people, no matter how they might be fond of him or gentle with him.(Ch.4)
Kindness is a debt, Wallace thinks. Kindness is something owed and something repaid. Kindness is an obligation.(Ch.4)
They do not understand that for them it will get better, while for him the misery will only change shape.(Ch.4)
There will always be this moment. There will always be good white people who love him and want the best for him but who are more afraid of other white people than of letting him down. It is easier for them to let it happen and to triage the wound later than to introduce an element of the unknown into the situation. No matter how good they are, no matter how loving, they will always be complicit, a danger, a wound waiting to happen. There is no amount of loving that will ever bring Miller closer to him in this respect. There is no amount of desire. There will always remain a small space between them, a space where people like Roman will take root and say ugly, hateful things to him. It’s the place in every white person’s heart where their racism lives and flourishes, not some vast open plain but a small crack, which is all it takes.(Ch.4)
Perhaps friendship is really nothing but controlled cruelty. Maybe that’s all they’re doing, lacerating each other and expecting kindness back. (Ch.6)
The truly awful thing about beauty is that it reminds us of our limits. Beauty is a kind of unrelenting cruelty. It takes the truth, hones it to a terrifying keenness, and uses it to slice us to the bone.(Ch.7)