2025 臺大電影節 NTU Movie Fest｜一場迷戀的解剖 An Anatomy of Obsession
⏰ 放映時間 Screening Date：𝟎𝟑/𝟏𝟎 𝐌𝐨𝐧. —— 𝟎𝟑/𝟏𝟔 𝐒𝐮𝐧.
🧭 放映地點 Venue：國立臺灣大學 第一學生活動中心 怡仁堂 Auditorium, 1st Student Activity Center, NTU
Google map >> https://g.co/kgs/GGgsJs8
🔸該場次有映後座談 There will be a Q&A session after screening
🔹影片非英文發音且無英文字幕 Non-English language film without English subtitles
︎⋆˖ ┈︎┈︎┈︎┈︎┈︎┈︎ ▸ 每日場次與片單介紹︎ ︎◂ ┈︎┈︎┈︎┈︎┈︎┈︎ ˖⋆
🎬 𝘿𝙖𝙮 𝟭 ┈┈ ▸ 𝟑/𝟏𝟎 𝐌𝐨𝐧. 𝟏𝟖:𝟑𝟎
《 綑著你，困著我 》𝑻𝒊𝒆 𝑴𝒆 𝑼𝒑! 𝑻𝒊𝒆 𝑴𝒆 𝑫𝒐𝒘𝒏! 🔸🔹
佩卓・阿莫多瓦 Pedro Almodóvar｜西班牙 Spain｜1989｜Color｜101 mins｜15+
西班牙文發音，中文字幕 In Spanish, with Mandatin subtitles
☆ 1990 柏林影展金熊獎提名 The Golden Bear Nominee, Berlin International Film Festival
☆ 1991 哥雅獎 15 項大獎提名 15 Nominations, Goya Awards
☆ 1991 凱撒獎最佳外語片提名 Best Foreign Film Nominee, César Awards
自幼在孤兒院長大，長年被關在精神病院的李奇，對外面的世界一無所知。直到二十三歲，法官宣判他「沒病」，獲精神病院的「開釋」，才終於重返社會。李奇對家庭滿是憧憬，決心成家立業，過上「正常人」的生活。偶然瞥見的雜誌，將他引領至喜愛的色情片女星瑪麗亞，他異想天開，闖進瑪麗亞家中將其綁架。綑綁、毆打等樣樣「惡行」的背後，卻是真摯純粹的愛慕。然而，強摘的果實，究竟會是什麼滋味？
當王子與公主的戲碼，變成綁架犯與色情片女星，加上名導阿莫多瓦鮮明濃豔的標誌性感官刺激，童話故事一秒變調，成為性愛與暴力堆砌的慾望城堡。單純赤誠的「喜歡」，演變成激烈的你追我跑。最後，繩索是綑住了她，卻也絆住了自己的腳。
Raised in an orphanage and later confined to a psychiatric hospital, Ricky knows little of the world beyond its walls. At twenty-three, a judge declares him "cured," granting him release and a chance to start anew. Yearning for a family and a "normal" life, Ricky's path crosses with a magazine featuring his favorite adult film star, Marina. Consumed by a wild fantasy, he breaks into her home and kidnaps her—an act of violence cloaked in his pure, albeit twisted, love. They all say, “Good things come with patience.” Well, what exactly would happen if we don’t wait?
In Tie Me Up! Tie Me Down!, the traditional “prince and princess” narrative is turned on its head—transforming into a perilous interplay between a kidnapper and a porn star. With Almodóvar’s signature vivid colors and provocative style, the director constructs a castle of desire built from sex and violence. Ricky’s pure, childlike love spirals into an intense game of pursuit and evasion. In the end, although the ropes bind her, he too becomes entangled.
🎬 𝘿𝙖𝙮 𝟮 ┈┈ ▸ 𝟑/𝟏𝟏 𝐓𝐮𝐞. 𝟏𝟖:𝟑𝟎
《 真寵 》𝑻𝒉𝒆 𝑭𝒂𝒗𝒐𝒖𝒓𝒊𝒕𝒆
尤格・藍西莫 Yorgos Lanthimos｜愛爾蘭、英國、美國 Ireland, UK, USA｜2018｜Color｜120 mins｜15+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 2018 威尼斯影展評審團大獎、最佳女演員 Grand Jury Prize and Best Actress, Venice International Film Festival
☆ 2019 英國電影學院獎最佳英國電影、最佳原創劇本、最佳女主角、最佳女配角、最佳美術指導、最佳服裝設計、最佳化妝與髮型設計 Best British Film, Best Original Screenplay, Best Leading Actress, Best Supporting Actress, Best Production Design, Best Costume Design, and Best Makeup and Hair, BAFTA Awards
☆ 2019 奧斯卡金像獎最佳女主角 Best Leading Actress, the Academy Awards
十八世紀的大不列顛，宮外英法戰爭烽火連天，宮內則是另一個戰場：女王的閨蜜公爵夫人莎拉深諳女王的脆弱，把持帝國實權，同時把女王服侍得服服貼貼；而年輕聰敏的新進宮女艾碧嘉則是緊抓著擺脫底層的機會，直擊女王的心靈缺口，以體貼和溫柔換得女王青睞。兩人爭奪女王的寵愛，背後究竟有幾分真心，又有幾分是對權力的貪戀？風雨飄搖的國家與瞬息萬變的愛，誰又爭得了真正的寵？
艾瑪・史東與瑞秋・懷茲同台交鋒，奧莉薇雅・柯爾曼精湛演繹安妮女王，獲頒威尼斯影后。這是一場三個女人的生存角力，只有權力值得崇拜。當慾望與野心交織，當人們的目光被權力蒙蔽，激情、嫉妒與背叛便如影隨形，註定掀起一場腥風血雨。
In 18th-century Britain, while war rages with France, a different battle unfolds within the palace. The Duchess Sarah, the Queen’s closest confidante, expertly controls both the fragile ruler and the empire’s affairs. But when Abigail, a clever and ambitious new maid, arrives, she seizes the opportunity to climb out of obscurity, winning the Queen’s favor through tenderness and charm. As the two women vie for the Queen’s affection, where does true emotion end and the lust for power begin?
Emma Stone and Rachel Weisz engage in a fierce rivalry, while Olivia Colman’s masterful performance as Queen Anne earned her the Best Actress award at Venice. This is a survival game between three women, where only power is worthy of worship. When ambition clouds judgment and desire fuels betrayal, passion, jealousy, and treachery are bound to erupt in a storm of blood and intrigue.
🎬 𝘿𝙖𝙮 𝟯 ┈┈ ▸ 𝟑/𝟏𝟐 𝐖𝐞𝐝. 𝟏𝟖:𝟑𝟎
《 鬼魅浮生 》𝑨 𝑮𝒉𝒐𝒔𝒕 𝑺𝒕𝒐𝒓𝒚
大衛・羅利 David Lowery｜美國 USA｜2017｜Color｜92 mins｜18+
英文、西班牙文發音，中文、英文字幕 In English and Spanish, with Mandarin and English subtitles
☆ 2017 波士頓影評人協會獎最佳剪輯 Best Editing, the Boston Society of Film Critics Awards
因意外而離世的 C，化作鬼魂回到與情人 M 一起生活的房子裡，陪伴在 M 身邊，看著愛人從撕心裂肺，到傷痛癒合，而後離開。空蕩的屋子，新的住客搬進又搬離，接著面臨拆除的命運，散不掉的魂魄依舊凝滯原地。無止盡的漫長等待，只因思念難以遏止，以及對愛人所留下那張紙條的懸想。
「你在等誰呢？」「我⋯⋯我也忘了。」執著銘刻心底，連綿好幾個年歲，循環不滅。而愛人留下的那張紙條，是否能將輪迴終結？
After a tragic accident, C returns home as a ghost. He lingers silently in the house he once shared with M, watching over her as she grieves, heals, and eventually moves on. The empty house witnesses new tenants come and go, until it faces demolition. Yet, C’s spirit remains, trapped in an endless cycle of waiting—haunted by longing and the mystery of a note left behind by M.
Obsessions echo through the years, looping infinitely. Could the note M left hold the key to breaking this cycle? A Ghost Story is a poignant reflection on love, loss, and the inescapable pull of memory, which invites us to ponder what lingers after we’re gone.
🎬 𝘿𝙖𝙮 𝟰 ┈┈ ▸ 𝟑/𝟏𝟑 𝐓𝐡𝐮. 𝟏𝟖:𝟑𝟎
《 巴西 》𝑩𝒓𝒂𝒛𝒊𝒍
泰瑞・吉蘭 Terry Gilliam｜英國、美國 UK, USA｜1985｜Color｜143 mins｜6+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1986 英國金像獎最佳美術設計、最佳視覺特效 Best Production Design and Best Visual Effects, BAFTA Awards
☆ 1986 洛杉磯影評人協會最佳影片、最佳導演、最佳劇本 Best Picture, Best Director, and Best Screenplay, Los Angeles Film Critics Association Awards
☆ 1986 奧斯卡金像獎最佳原創劇本、場景設計提名 Best Original Screenplay and Best Production Design Nominee, the Academy Awards
未來世界某處，社會執迷於秩序，信仰著科層，政府建立滴水不漏的情報系統防堵恐怖攻擊，卻因為一隻蒼蠅弄錯了名單，害死一名無辜百姓。資訊部門的山姆奉命去冤死者家裡送支票，卻意外遇見自己的夢中情人吉爾，陷入瘋狂的迷戀。追尋吉爾的過程中，山姆飽受體制的刁難，逐漸被捲入難以脫身的漩渦，直到自我完全被消磨殆盡。
一部復古未來主義的科幻傑作，大膽的美術設計令人目不暇給，使用錯綜複雜的管線與自動化裝置，展現機械化社會的壓迫感與工業頹廢的獨特美學。敘事幽默而荒誕，鋒利刻畫出體制的荒謬，即使放到現代仍具警示意味。
In a dystopian future, society is obsessed with order and worships bureaucracy as an absolute system. The government’s tightly controlled intelligence network is designed to prevent terrorism, but a minor clerical mistake caused by a single fly leads to the wrongful arrest and death of an innocent man. Sam, a low-ranking official, is sent to deliver compensation to the victim’s family but instead encounters Jill, a woman who has appeared in his dreams. Drawn to her, he becomes consumed by an uncontrollable obsession. As he searches for Jill, he faces endless obstacles within the system, losing himself until he is completely erased by it.
A landmark of retro-futuristic science fiction, Brazil captivates with its bold production design, crafting a world of tangled pipes and relentless automation that reflects the crushing weight of a mechanized society. Blending dark humor with sharp political satire, the film delivers a powerful critique of authoritarian control and the absurdity of unchecked bureaucracy. Even decades later, its themes remain a chilling and relevant warning.
🎬 𝘿𝙖𝙮 𝟱 𝑝𝑡.𝟷┈︎┈︎ ▸ 𝟑/𝟏𝟒 𝐅𝐫𝐢. 𝟏𝟓:𝟑𝟎
《 未來犯罪 》𝑪𝒓𝒊𝒎𝒆𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑭𝒖𝒕𝒖𝒓𝒆
大衛・柯能堡 David Cronenberg｜加拿大、法國、希臘、英國 Canada, France, Greece, UK｜2022｜Color｜107 mins｜18+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 2022 坎城影展金棕櫚獎提名 Best Feature Film Nominee, Cannes Film Festival
☆ 2023 加拿大影視獎最佳化妝、最佳特效 Best Makeup, Best Special Effects, Canadian Screen Awards
一場深入血肉之間的科幻春夢。在未來世界，人體不再受限於傳統生理規則，而是進化出無限增殖的新器官。著名表演藝術家索爾擁有這種能力，與搭檔卡普莉絲透過現場手術切除器官，以此進行駭人的新生儀式——在這個未來，肉體切割成為性愛儀式，傷害成為欲望發洩，疼痛被取代，痛苦轉化為歡愉，世界不再有痛楚的界線。
柯能堡藉此探索人類身體的極限，挑戰社會對欲望、快感與進化的定義。當苦痛變成美學，當血肉成為語言，身體的未來究竟是解放，還是異化？這是一場關於變異與欲望的狂想，在冰冷的未來，赤裸撕開人性的皮膚。
A sci-fi fever dream that delves deep into the flesh. In a future where the human body is no longer bound by traditional biological constraints, it evolves to produce endlessly proliferating new organs. Celebrated performance artist Saul possesses this ability, and together with his partner Caprice, he transforms live surgical procedures into terrifying rites of rebirth—here, bodily incision becomes a ritual of eroticism, harm is an outlet for desire, pain is displaced, suffering is transmuted into pleasure, and the boundaries of agony cease to exist.
Through this, Cronenberg pushes the limits of the human body, challenging society’s definitions of desire, pleasure, and evolution. When pain becomes aesthetic, when flesh becomes language, is the future of the body one of liberation—or alienation? This is a fevered vision of mutation and desire, peeling back the skin of humanity in a cold and unfeeling future.
🎬 𝘿𝙖𝙮 𝟱 𝑝𝑡.𝟸 ┈︎┈︎ ▸ 𝟑/𝟏𝟒 𝐅𝐫𝐢.𝟏𝟖:𝟑𝟎
《 性、謊言、錄影帶 》𝑺𝒆𝒙, 𝑳𝒊𝒆𝒔, 𝒂𝒏𝒅 𝑽𝒊𝒅𝒆𝒐𝒕𝒂𝒑𝒆 🔸
史蒂芬・索德柏 Steven Soderbergh｜美國 USA｜1989｜Color｜100 mins｜18+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1989 坎城影展金棕櫚獎、最佳男演員獎 Best Feature Film and Best Actor, Cannes Film Festival
☆ 1989 日舞影展觀眾票選獎 Audience Award, Sundance Film Festival
受困於貌合神離的婚姻和壓抑日常，安過著失去欲望的生活，直到丈夫昔日友人葛拉漢登門拜訪，一場揭露徹底打亂安與丈夫和妹妹的微妙關係。宣稱自己性無能的葛拉漢，透過拍攝女性坦誠談論自身性經驗與幻想，治癒過往的創傷，將堆疊的謊言壓縮進一捲捲錄影帶，試圖掩蓋體內的空蕩——
一部關於性與愛而非關情色凝視的電影，玩轉男與女、主動與被動、鏡頭與被攝者的地位轉換，也昭示出性解放的意味及主體性的奪回。
Trapped in a passionless marriage and the monotony of repression, Ann leads a life devoid of desire until her husband’s old friend, Graham, pays an abrupt visit. His arrival unexpectedly upends the delicate balance between Ann, her husband, and her sister. Claiming to be impotent, Graham copes with his past trauma by filming women candidly discussing their sexual experiences and fantasies, compressing layers of deception into reels of videotape in an attempt to fill his own inner void.
Winner of the prestigious Palme d’Or at Cannes, this film is less about erotic voyeurism and more of the dynamics of relationship, sex and love. It subverts the typical power structures, man and woman, active and passive, observer and observed, while hinting at sexual liberation and the reclamation of personal agency.
🎬 𝘿𝙖𝙮 𝟲 𝑝𝑡.𝟷 ┈︎┈︎ ▸ 𝟑/𝟏𝟓 𝐒𝐚𝐭. 𝟏𝟑:𝟎𝟎
《 變蠅人 》𝑻𝒉𝒆 𝑭𝒍𝒚
大衛・柯能堡 David Cronenberg｜加拿大 Canada｜1986｜Color｜95 mins｜15+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1987 奧斯卡金像獎最佳化妝 Best Makeup, the Academy Awards
☆ 1988 英國電影學院獎最佳化妝、最佳特效提名 Best Makeup and Best Special Effects Nominee, BAFTA Awards
科學家賽斯研發瞬間傳送技術，卻因實驗失誤與蒼蠅基因融合，開啟人到非人的漸進式轉換。最初，他因變異獲得超人般的體能，迷戀科技帶來的超越感，認為自己已進化為新物種；然而，隨著肉體變異失控，他的身體潰爛、器官脫落，最終化為怪物。
記者維若妮卡在愛與恐懼間掙扎，見證賽斯的崩壞，映照人類面對異變時的曖昧態度。柯能堡透過肉體恐怖隱喻疾病、社會焦慮與科技反噬，並帶出政治諷喻——當人類試圖操控自然，最終卻成了自身實驗的受害者。《變蠅人》不只是變異的驚悚寓言，更是對科學野心、身份與倫理界線的深刻拷問。
Scientist Seth develops a teleportation technology, but a failed experiment fuses his DNA with that of a fly, triggering a gradual transformation from human to non-human. At first, he revels in his newfound superhuman abilities, intoxicated by the transcendence that technology offers, believing himself to be an evolved new species. However, as his mutation spirals out of control, his body decays, his organs deteriorate, and he ultimately becomes a monster.
Journalist Veronica is caught between love and terror, bearing witness to Seth’s disintegration—a reflection of humanity’s ambiguous stance toward mutation. Through body horror, Cronenberg weaves metaphors of disease, social anxieties, and the backlash of technological ambition, layering in political allegory: when humans attempt to dominate nature, they often become the victims of their own experiments. The Fly is not merely a chilling parable of transformation but a profound interrogation of scientific ambition, identity, and the fragile boundaries of ethics.
🎬 𝘿𝙖𝙮 𝟲 𝑝𝑡.𝟸 ┈︎┈︎ ▸ 𝟑/𝟏𝟓 𝐒𝐚𝐭. 𝟏𝟓:𝟑𝟎
《 廚師、大盜、他的妻子與她的情人 》𝑻𝒉𝒆 𝑪𝒐𝒐𝒌, 𝒕𝒉𝒆 𝑻𝒉𝒊𝒆𝒇, 𝑯𝒊𝒔 𝑾𝒊𝒇𝒆 & 𝑯𝒆𝒓 𝑳𝒐𝒗𝒆𝒓
彼得・格林納威 Peter Greenaway｜英國、法國 UK, France｜1989｜Color｜124 mins｜18+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1991 芝加哥影評人協會最佳外語片 Best Foreign Language Film, Chicago Film Critics Association Awards
☆ 1989 Sitges 奇幻影展最佳男演員、最佳攝影、最佳導演、最佳配樂 Best Actor, Best Cinematography, Best Director and Best Original Score, Sitges Film Festival
喬姬娜艷麗優雅，她的丈夫艾伯特則粗鄙無禮，他一面高談闊論用餐禮儀，一面滿口穢言咒罵他人。當喬姬娜隨著艾伯特及其手下走進餐廳，她的目光落到了麥克身上，慾望升溫，沸騰在即。丈夫在餐廳狼吞虎嚥，他們在廚房偷嚐禁果，肉體交纏轉化成緊密的依戀。然而紙包不住火，這場偷情終究難逃艾伯特之眼。麥可慘死，悲憤的喬姬娜則策畫著喪心病狂的復仇，準備好最後的晚餐，誰是這場盛宴中的犧牲者？
彼得・格林納威的創作巔峰，攜手李察・波林傑、邁可・坎邦、海倫・米蘭，並特別邀請法國時尚大師——尚－保羅・高堤耶——操刀服裝設計，華麗陣容共同打造情慾流瀉的血腥餐廳。飲食、慾望、謀殺、酷刑交織在這座精心雕琢的餐廳裡，裸露與暴力大膽上桌，肉體交媾與下刀切肉彼此互文，端出驚世駭俗的感官體驗。擅長「以電影作畫」的格林納威，讓場景以顏色編碼與「三聯畫」形式，呈現出別出心裁的視覺效果，也增添了敘事之外的想像。
Georgina is stunning and elegant, while her husband, Albert, is vulgar and cruel—spouting foul language while he lectures on fine dining etiquette. One evening, as Georgina follows Albert into a lavish restaurant, her eyes meet Michael’s, sparking an undeniable connection, with desire simmering just beneath the surface. As Albert devours his meals in the dining hall, Georgina and Michael taste the forbidden fruit in the kitchen, each encounter deepening their clandestine affair.
However, secrets can’t stay hidden forever.
Upon discovering the affair, Albert’s response is merciless, unleashing his brutality without restraint. In the devastating aftermath, a heartbroken Georgina plans a chilling revenge—culminating in a meticulously prepared "last supper" that promises a shocking conclusion.
The Cook, the Thief, His Wife & Her Lover stands as Peter Greenaway’s masterpiece, a rich tableau where food, desire, and mortality are intricately interlaced. With opulent costumes by fashion icon Jean-Paul Gaultier and a star-studded cast, the film presents a sensory feast. Greenaway, known for "painting with film," uses color-coded sets and triptych-like compositions to craft a stunning visual narrative. Here, violence, lust, and artistic expression merge, serving audiences a bold and unforgettable cinematic experience.
🎬 𝘿𝙖𝙮 𝟲 𝑝𝑡.𝟹 ┈︎┈︎ ▸ 𝟑/𝟏𝟓 𝐒𝐚𝐭. 𝟏𝟖:𝟑𝟎
《 醉好的時光 》𝑨𝒏𝒐𝒕𝒉𝒆𝒓 𝑹𝒐𝒖𝒏𝒅 🔹
湯瑪斯・凡提柏格 Thomas Vinterberg｜丹麥、荷蘭、瑞典 Denmark, Netherlands, Sweden｜2020｜Color｜116 mins｜12+
丹麥文發音，中文字幕 In Danish, with Mandarin subtitles
☆ 2021 奧斯卡金像獎最佳國際影片 Best International Feature Film, the Academy Awards
☆ 2021 英國電影學院獎最佳外語片 Best non-English Film, BAFTA Awards
☆ 2020 歐洲電影獎最佳影片、最佳導演、最佳編劇、最佳男主角 Best Film, Best Director, Best Screenwriter, and Best Actor, European Film Awards
根據一位挪威精神科醫生，人類血液中天生缺乏 0.05% 的酒精濃度。四個面臨中年危機的高中教師厭倦貧瘠的生活，開始定時定量的日常飲酒實驗，隨著微醺，放開拉不下的面子，他們的情感不再受挫，以微醺傻笑面對世界，一切都變得輕盈喜悅。嚐到甜頭的四人一再提升每日攝取量，卻讓這場實驗逐漸歪斜失控，為生活帶來天旋地轉的劇變⋯⋯
丹麥名導湯瑪斯・凡提柏格再度攜手坎城影帝邁茲・米克森，生動描繪北歐飲酒文化與其反映的人生困境。酒精催化人際關係也引出耽溺沉迷、內心深處渴切的不安全感，鏡頭暈眩耳際響起狂歡舞曲，卻在舌根留下灼燒的苦味——Being sober is so boring, isn’t it?
According to a Norwegian psychiatrist, humans are naturally born with a 0.05% alcohol deficiency in their blood. Four high school teachers, each grappling with their own midlife crisis, decide to put this theory to the test, embarking on a controlled daily drinking experiment. As the subtle buzz loosens their inhibitions, they rediscover joy: conversations flow effortlessly, connections deepen, and life feels lighter, more exhilarating. Encouraged by their initial success, they begin increasing their intake until the experiment spirals beyond their control, sending their lives into a dizzying freefall.
Danish auteur Thomas Vinterberg reunites with Cannes Best Actor winner Mads Mikkelsen to craft a vivid exploration of Nordic drinking culture and the existential dilemmas it mirrors. Alcohol becomes both a social lubricant and a destructive force, but also exposes the fragility beneath the surface—addiction, longing, and the desperate search for meaning. Vision swaying in a drunken haze, pulsing party anthems fill the air, the taste of liberation lingers—only to leave behind a burning bitterness at the back of the throat.
"Being sober is so boring, isn’t it?"
🎬 𝘿𝙖𝙮 𝟳 𝑝𝑡.𝟷 ┈︎┈︎ ▸ 𝟑/𝟏𝟔 𝐒𝐮𝐧. 𝟏𝟑:𝟎𝟎
《 宇宙探索編輯部 》𝑱𝒐𝒖𝒓𝒏𝒆𝒚 𝒕𝒐 𝒕𝒉𝒆 𝑾𝒆𝒔𝒕
孔大山 Kong Dashan｜中國 China｜2021｜Color｜117 mins｜0+
中文發音，中文、英文字幕 In Mandarin, with Mandarin and English subtitles
☆ 2022 鹿特丹國際電影節未來之光單元 Bright Future Section, International Film Festival of Rotterdam
☆ 2022 香港國際電影節新秀電影競賽華語單元火鳥電影大獎 Firebird Award, Young Cinema Competition (Chinese Language), Hong Kong International Film Festival
☆ 2021 平遙國際電影節費穆榮譽最佳影片獎、青年評審榮譽最佳影片獎、影迷選擇榮譽獎 Best Film, Feimu Awards; Best Film, Youth Jury Award; Audience Choice Award, Pingyao International Film Festival
科學雜誌《宇宙探索》編輯部的主編唐志軍，數十年如一日的痴迷於尋找地外文明，而雜誌社已日漸式微，唐志軍也成了落魄潦倒、鰥寡孤獨之人。有一天，他接收到了疑似來自宇宙深處的異常信號，但這信號和他的偉大科學夢一樣，極有可能只是夢幻泡影。他召集同是天涯淪落人的夥伴們，帶著那困惑他終生的疑問，再一次踏上尋找外星人旅途 。
北京電影學院新銳導演孔大山一鳴驚人之作。英文片名 Journey to the West 已揭示此作品自《西遊記》汲取的靈感，一群人踏上一條探尋宇宙真理的朝聖之路，表面上是對宏大宇宙的迷戀，實際上卻是向內探索、療癒傷痛的哲學靈修。
Tang Zhijun, the editor-in-chief of Universe Exploration magazine, has spent decades searching obsessively for extraterrestrial life. As the magazine declines, his personal life also falls apart, leaving him alone and struggling. One day, he intercepts a mysterious signal from deep space. It could be proof of alien life, or it could be another illusion. Determined to find answers, he gathers a group of fellow misfits and sets out on one final journey in search of the unknown.
A remarkable debut from emerging director Kong Dashan of the Beijing Film Academy, Journey to the West takes inspiration from the classic Chinese tale, reimagining it as a modern pilgrimage in pursuit of cosmic truth. Beneath its exploration of the universe lies a deeper journey, a search for meaning, healing, and self-discovery.
🎬 𝘿𝙖𝙮 𝟳 𝑝𝑡.𝟸 ┈︎┈︎ ▸ 𝟑/𝟏𝟔 𝐒𝐮𝐧.𝟏𝟓:𝟑𝟎
《 裸體午餐 》𝑵𝒂𝒌𝒆𝒅 𝑳𝒖𝒏𝒄𝒉 🔸
大衛・柯能堡 David Cronenberg｜加拿大、英國、日本 Canada, UK, Japan｜1991｜Color｜115 mins｜18+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1991 紐約影評人協會最佳劇本 Best Screenplay, the New York Film Critics Awards
☆ 1992 美國電影評論家選擇協會最佳導演、最佳劇本 Best Director and Best Screenplay, Critics Choice Association Awards
一場超現實的迷幻旅程，將創作癡迷、藥物成癮與壓抑的身心痛苦編織成一場詭譎幻覺。比爾・李本是蟲害防治員，卻因殺蟲粉末成癮，逐漸迷失於現實與幻覺交錯的異境。在這裡，他的打字機變形為昆蟲，潛意識中的創傷與慾望化作具象怪物，引領他書寫出一部詭異的小說。
柯能堡以擅長的肉體恐怖美學，將創作的毀滅性具象化，讓觀眾見證成癮如何吞噬個體，藝術如何從痛苦中孵化。李的旅程既是逃避，也是無法回頭的深潛，他的故事在扭曲的現實與夢魘中不斷書寫，直到虛構與自我完全融合。
A surreal journey that weaves artistic obsession, drug addiction, and the torment of repression into a nightmarish vision.
Bill Lee, an exterminator by trade, becomes addicted to insecticide powder, gradually losing himself in a world where reality and hallucination blur. Here, his typewriter mutates into an insect, and the traumas and desires lurking in his subconscious manifest as grotesque creatures, guiding him to write a bizarre novel.
With his signature body horror aesthetics, Cronenberg gives form to the destructive nature of creativity, forcing the audience to witness how addiction consumes the individual and how art is birthed from pain. Bill’s journey is both an escape and an irreversible descent; his story continuously writes within the twisted space between reality and nightmare—until fiction and self become one.
🎬 𝘿𝙖𝙮 𝟳 𝑝𝑡.𝟹 ┈︎┈︎ ▸ 𝟑/𝟏𝟔 𝐒𝐮𝐧. 𝟏𝟖:𝟑𝟎
《 發條橘子 》𝑨 𝑪𝒍𝒐𝒄𝒌𝒘𝒐𝒓𝒌 𝑶𝒓𝒂𝒏𝒈𝒆
史丹利・庫柏力克 Stanley Kubrick｜英國 UK｜1971｜Color｜137 mins｜18+
英文發音，中文字幕 In English, with Mandarin subtitles
☆ 1972 奧斯卡金像獎最佳影片、最佳導演、最佳改編劇本獎提名 Best Picture, Best Director, and Best Adapted Screenplay Nominee, the Academy Awards
☆ 1972 威尼斯影展最佳外語片 Best Foreign Film, Venice Film Festival
作惡多端的青年亞歷與同黨成日沉溺性、犯罪、顛覆秩序，並著迷於儀式性的暴力美學，優雅哼著第九號交響曲，追求血脈賁張的危險快感。一次意外導致亞歷決定接受政府的矯正實驗換取早日出獄，經歷思想改造的反派，就會成為徹頭徹尾的「好人」嗎？
影史禁片經典放映，鮮豔華麗誇張扭曲，赤裸呈現欲望與壓迫，並精準切入反烏托邦社會中，重新定義「良善」、人格重塑與自由意志。透過物件符號賦予角色鮮明形象，庫柏力克以魚眼鏡頭放大感官的極致體驗，讓觀眾得以一窺亞歷眼中絢爛極惡的天堂景色。
Alex and his gang indulge in a life of crime, reckless pleasure, and the pursuit of chaos. Obsessed with the aesthetics of ritualized violence, he hums Beethoven’s Ninth Symphony with unsettling elegance, savoring the intoxicating thrill of danger. When a botched crime leads to his arrest, Alex agrees to undergo an experimental government rehabilitation program in exchange for early release. But can psychological conditioning truly transform a criminal, or does it strip away something far more fundamental?
A once-banned landmark of cinema, A Clockwork Orange is a dazzling, grotesque, and stylized dystopian vision that lays bare the tensions between desire and oppression. With razor-sharp precision, Kubrick dissects the constructs of morality, identity, and free will in a world where control is absolute. Through carefully crafted symbolic imagery, objects take on unsettling significance, shaping the film’s exploration of power and submission. Kubrick’s use of fisheye cinematography heightens the sensory experience, drawing audiences into Alex’s vividly depraved yet strangely mesmerizing world.
