我以圓形回應分裂。圓沒有起點與終點，它是一個心靈的容器，一個可以讓衝突暫停、讓理解發生的和解場域。 I respond to division with the circle. A circle has no beginning or end; it is a vessel of the spirit, a space where conflict can pause and understanding can emerge.
- 差異不是要被抹去，而是要不再受傷。Differences are not to be erased, but freed from harm.
- RHS不是一個答案，而是一個能承載差異的空間。RHS is not an answer it is a space that can hold difference.
- 和平不是共識的結果，而是共存的練習。Peace is not achieved through consensus, but practiced through coexistence.
- 當所有智慧加速，和平成為唯一無法被演算法計算的事物。When all intelligence accelerates, peace becomes the one thing algorithms cannot compute.
- 你可以不同意彼此，但仍能一起站在這裡。You may disagree, yet still stand together here.
讓觀看成為一種倫理實踐，在極端之後，重新想像人與世界的相處方式。making viewing an ethical practice reimagining the relationship between humans and the world after extremes.
- 展期 2026-01-17~ 2026-01-31
- 地點 臺南市新營文化中心 2f文物陳列室 ( 730台南市新營區中正路23號)
- 藝術家 積吶虹光 (Gina Hong Guang)
- 相關展覽參考連接 桃園光影文化館
- 上一場展覽 彰濱秀傳紀念醫院
- 下一場預告 德育護理健康學院(逸仙藝文中心)
中道宣言 : 積吶虹光的和解場域，青天白日滿地「虹」心球的當代實踐。
The Middle Way Manifesto: Field of Reconciliation through Rainbow Heart Spheres (RHS) by Gina Hong Guang
積吶虹光:中道宣言
Gina Hong Guang: The Middle Way Manifesto
- 藝術是心想生。我相信藝術不是來自權力、衝突或英雄式的自我表現，而是源於心靈深處對愛、和平與共存的渴望。 Art is born from the mind. I believe art does not arise from power, conflict, or heroic self-expression, but from the deep yearning of the soul for love, peace, and coexistence.
- 我選擇中道。在極端自由與極端控制之間，我以「水平」作為秩序，讓所有顏色，所有人，能站在同一高度。 I choose the Middle Way. Between extreme freedom and extreme control, I use the “horizontal” as an order, allowing all colors, all people, to stand at the same height.
- 美不是裝飾，美是博愛。當藝術低到如塵埃，它才真正屬於所有人，並具備療癒世界的能力。 Beauty is not decoration it is universal love. When art descends to the level of dust, it truly belongs to everyone and gains the power to heal the world.
- 我以圓形回應分裂。圓沒有起點與終點，它是一個心靈的容器，一個可以讓衝突暫停、讓理解發生的和解場域。 I respond to division with the circle. A circle has no beginning or end; it is a vessel of the spirit, a space where conflict can pause and understanding can emerge.
- 我的藝術不說服，而是陪伴。在公共空間中，我讓虹光出現，邀請人們慢下來，感知彼此共享同一個光譜的事實。 My art does not persuade it accompanies. In public spaces, I let the rainbow light appear, inviting people to slow down and perceive the fact that we share the same spectrum.
積吶虹光，《虹心球 (RHS)》，2019，壓克力顏料、紙。並非以對立為方法，而在高度分裂的時代創造了一個可停留的和解場域。Gina Hong Guang, Rainbow Heart Sphere (RHS), 2019, acrylic on canvas and paper.Not using opposition as a method, she creates a space of reconciliation in an era of profound division.
策展論述
《中道宣言》是一項以美學作為倫理工具的當代藝術實踐。積吶虹光（Gina Hong Guang）長期發展的《青天白日滿地「虹」心球》系統，回應當代世界因極端對立、身份政治與意識形態分裂所產生的結構性張力，嘗試建立一個可被經驗的和解場域。
作品的形式語言高度提煉：
- 彩虹（虹光）作為跨文化的普世符號，指向多元、慈悲與共存。
- 圓形（心球）則象徵無始無終的中道、平衡與完整。
透過這組視覺結構，積吶虹光對高度政治化的符號進行美學上的祛魅，使其脫離單一立場，轉化為一種可被觀看與內化的倫理經驗。
在方法論上，積吶虹光以東方「中道精神」對西方抽象藝術的極端自由進行修正。畫面中垂直、動態的筆觸象徵自由與能量；水平、穩定的結構象徵平等與秩序。兩者並置，形成一種「被倫理承載的自由」，拒絕個人英雄主義，也拒絕形式上的激進對抗。
本展同時納入積吶虹光建立的文本系統《RHS-1～RHS-94 虹心球光譜哲學短詩全集》。
RHS並非作品說明，而是一套可被引用、再策展的語言模組系統。每一則短詩對應一個光譜狀態與心靈層次，與視覺作品構成平行結構，使展覽同時運作於圖像與語言、觀看與閱讀之間。
在白立方體去敘事、去情境的空間中，多顆「虹心球」彼此獨立又相互映照，形成一個由差異構成的共同體模型：
獨立而不孤立，自由而不極端，共存而非同質。
《中道宣言》並非政治宣言，而是一種當代藝術對普世價值 自由（Liberty）、平等（Equality）、博愛（Fraternity） 的重新部署。主張：藝術不只是批判現實，而應在形式與感知層面，提供人類在極端之中重新尋找平衡的可能。
Curatorial Statement
The Middle Way Manifesto is a contemporary art practice that employs aesthetics as a tool of ethics. Gina Hong Guang’s long-term development of the Blue Sky, White Sun, Full Ground “Rainbow Heart Sphere” system responds to the structural tensions generated by extreme polarization, identity politics, and ideological divides in the contemporary world, attempting to create an experientially accessible space of reconciliation.
The formal language of the work is highly refined:
- The rainbow (rainbow light) functions as a cross-cultural, universal symbol, pointing to plurality, compassion, and coexistence.
- The circle (heart sphere) symbolizes the Middle Way, balance, and wholeness without beginning or end.
Through this visual structure, Gina Hong Guang performs an aesthetic “demystification” of highly politicized symbols, detaching them from singular positions and transforming them into an ethical experience that can be seen, internalized, and reflected upon.
Methodologically, she applies the Eastern philosophy of the Middle Way to temper the extreme freedom of Western abstract art. Vertical, dynamic brushstrokes signify freedom and energy; horizontal, stable structures signify equality and order. By juxtaposing these elements, she creates a form of “ethically grounded freedom” that rejects both individual heroism and radical formal confrontation.
The exhibition also incorporates the textual system she developed: RHS-1–RHS-94, Complete Collection of Rainbow Heart Sphere Spectral Philosophy Short Poems. RHS is not a set of work descriptions but a modular language system that can be cited, re-curated, and referenced. Each short poem corresponds to a spectral state and a level of consciousness, forming a parallel structure with the visual works, allowing the exhibition to operate simultaneously in image and language, seeing and reading.
Within the white cube, de-narrativized, de-contextualized space, multiple “Rainbow Heart Spheres” exist independently while reflecting one another, forming a community model composed of difference:
independent but not isolated, free but not extreme, coexisting rather than homogenized.
The Middle Way Manifesto is not a political declaration, but a contemporary art repositioning of universal values Liberty, Equality, Fraternity. It asserts that art should not only critique reality but also, at the level of form and perception, provide humanity with the possibility of finding balance amidst extremes.
虹心球 (RHS)：極端之後的共存場域。在高度對立的時代，展覽以抽象視覺語言建立一個不以立場為前提的觀看空間，使差異共存，對話延續。Rainbow Heart Sphere (RHS): A Space for Coexistence After Extremes.In an era of profound division, the exhibition uses abstract visual language to create a viewing space free from preconceptions, where differences can coexist and dialogue can continue.
RHS-1～RHS-94 虹心球光譜哲學短詩文本
RHS-1–RHS-94: Rainbow Heart Sphere Spectral Philosophy Short Poems
本系統以「中道」為縱軸、「虹光」為橫軸，每一則RHS為一個心的狀態、一個倫理位置、一顆可被再策展的思想節點。文字不解釋作品，而與作品共同構成場域。This system positions the Middle Way along the vertical axis and rainbow light along the horizontal axis. Each RHS corresponds to a state of the heart, an ethical stance, and a conceptual node that can be re-curated. The texts do not explain the works; rather, they operate in parallel with the artworks to constitute the exhibition space as a whole.
RHS-1～RHS-94 虹心球光譜哲學短詩文本（部分章節參考）RHS-1–RHS-94: Rainbow Heart Sphere Spectral Philosophy Short Poems (Selected Sections)
本系統呈現為一個概念與視覺框架，突顯其作為可被再策展的模組化語言系統的角色，兼具詩意與哲學性，適合展覽文本、出版目錄或學術引用。This system functions as a conceptual and visual framework, highlighting its role as a modular, re-curatable language system. It carries both poetic and philosophical dimensions, suitable for exhibition texts, catalogs, or academic references.
積吶虹光Gina Hong Guang 簡介
「積吶虹光」寓意為：將生命的「積」累與「吶」入轉化為充滿希望的「虹」光。其創作橫跨繪畫、裝置與場域特定性實踐，核心關注當代世界中因極端對立、身份政治與意識形態分裂所引發的社會裂痕。以「中道精神」作為美學與倫理的核心方法，嘗試在自由與平等、個體與共同體、政治符號與普世價值之間，建立一個可被感知的「和解場域」。
積吶虹光曾獲澳門國際藝術學院新進博覽會、美國Pratt平面視覺設計獎、國際版畫與素描雙年展等肯定，作品並獲國立臺灣美術館典藏。其藝術養成深受德國工業設計美學的理性訓練影響，同時亦對西方抽象表現主義進行批判性繼承，特別回應馬克・羅斯科（Mark Rothko）與傑克遜・波洛克（Jackson Pollock）的形式語言。
在形式上，將羅斯科的色域與幾何結構，結合波洛克所象徵的動態線條能量，轉化為垂直與水平交織的視覺系統。垂直筆觸象徵自由與動能，水平秩序則對應平等與中道，兩者的並置形成一種「被規範的自由」，回應當代社會對平衡與共存的迫切需求。
其代表性系列《青天白日滿地「虹」心球》以圓形作為唯一畫面結構，透過彩虹光譜對高度政治化的符號進行美學祛魅與再轉化。圓形在作品中不僅是形式選擇，更是一種跨文化的本體論，象徵圓滿、無始無終、平等與包容。每一件作品被視為一個獨立的「心靈容器」，引導觀者在觀看中暫停、反思，並回到內在的平衡狀態。
積吶虹光提出以下藝術觀作為其創作的倫理基礎：
藝術是心想生；藝術是低到如塵埃的美學，美即博愛；當代藝術不應只停留於創新與自由；當代藝術必須回應地球的極端問題，中道即平等。在其實踐中，「彩虹」不再只是自然現象或象徵符號，而是一種視覺化的倫理模型，其核心價值，自由（Liberty）、平等（Equality）與博愛（Fraternity），LEF。透過色彩的並存與秩序的平衡，作品試圖為當代社會提供一種非對抗性的想像路徑，重新思考人類作為「地球公民」的共同命運。
