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Aesthetic discipline and the absence of intersectionality & conclusion
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Representation of the Victimhood  & Power Configurations and Cultural Expectations in Wave Makers and I May Destroy You
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Plot Summary & The reason of chosing these two series
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How Do We Watch the Trauma of Others? 
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Aesthetic discipline and the absence of intersectionality & conclusion
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Representation of the Victimhood  & Power Configurations and Cultural Expectations in Wave Makers and I May Destroy You
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Plot Summary & The reason of chosing these two series
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How Do We Watch the Trauma of Others? 
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First-Person Documentary as Political Practice: Trauma, Voice, and Resistance in Black Box Diaries
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The very first static shot in this film begins with the early hours of the morning, dim light goes through a curtain, revealing the shadow of a woma
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First-Person Documentary as Political Practice: Trauma, Voice, and Resistance in Black Box Diaries
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The very first static shot in this film begins with the early hours of the morning, dim light goes through a curtain, revealing the shadow of a woma
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Ed Atkins exhibition at Tate Britain
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Ed Atkins exhibition at Tate Britain