    Hi there，相信很多人對曾以〈Call Me Maybe〉(2011)、〈I Really Like You〉(2015) 等歌曲大爆紅的 Carly Rae Jepsen 不陌生吧，在睽違了近兩年後他終於又要發新專輯啦！在經歷了2019、2020年《Dedicated》及

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文化生活

預熱新專輯！Carly Rae Jepsen 新單曲〈Beach House〉好聽又幽默！

Listen to Beach House here: 
https://CarlyRaeJepsen.lnk.to/BeachHouse
Presave The Loneliest Time: 
https://carlyraejepsen.lnk.to/TheLoneliestTime 
 
Follow Carly Rae Jepsen
Instagram: https://CarlyRaeJepsen.lnk.to/Instagram
Twitter: https://CarlyRaeJepsen.lnk.to/Twitter
TikTok: https://CarlyRaeJepsen.lnk.to/TikTok
Facebook: https://CarlyRaeJepsen.lnk.to/Facebook
YouTube: https://CarlyRaeJepsen.lnk.to/YouTube
 
//
 
Boy #1 made a picnic for two
Saw he was nervous, I thought it was cute
Until I found out that his mom made the food
(It was good though)
 
Boy #2 had a beautiful face
Highly agreed to go back to his place
His wife really had some impeccable taste
(She was sweet though)
 
I’ve been on this ride
This rollercoaster’s
A carousel
And I’m getting nowhere
 
Boys around the world
I want to believe that
When you chase a girl
It’s not just hunting season
I can see the future, say it like you mean it
 
I’ve got a beach house in Malibu
And I’m probably gonna hurt your feelings
I’m probably gonna hurt your feelings
I’m probably gonna hurt you
 
Boy #12 had a look in his eye
Brought up his ex and he started to cry
Told me he loved me the very first night
(Oh no)
 
Who knows what I’m in for with boy #
I can’t keep count anymore
 
I’ve been on this ride
This rollercoaster’s
A carousel
And I’m getting nowhere
 
Boys around the world
I want to believe that
When you chase a girl
It’s not just hunting season
I can see the future, say it like you mean it
 
I’ve got a beach house in Malibu
And I’m probably gonna hurt your feelings
 
I’m probably gonna hurt you
 
I’ve got a weekend in paradise and
I’m probably gonna never call you
 
I’m probably gonna hurt you
 
I got big plans to take care of you,
I just need to borrow ten thousand dollars
 
I’m probably gonna hurt you
 
I’ve got a lake house in Canada and
I’m probably gonna harvest your organs
 
I’m probably gonna hurt you
 
I’ve got a beach house in Malibu
And I’m probably gonna hurt your feelings
 
Boys around the world
I want to believe that
When you chase a girl
It’s not just hunting season
I can see the future, say it like you mean it
 
I’ve got a beach house in Malibu
And I’m probably gonna hurt your feelings
 
#CarlyRaeJepsen #BeachHouse #TheLoneliestTime

©2022 Schoolboy/Interscope Records/604 Records (in Canada)

Music video by Carly Rae Jepsen performing Beach House. © 2022 School Boy/Interscope Records

http://vevo.ly/sSkVIP

Carly Rae Jepsen - Beach House (Official Video)

R.I.P. Alvin Lucier (1931-2021).*2021.12 新上架推薦-- 鯨浪 / HYBS / BEACH HOUSE / MUTEMATH / Laufey / 反正我很閒...

電影戲劇

♪ 音樂雜記 | 2021.12 紀錄 | 實驗音樂家Alvin Lucier逝世 (1931-2021)

Editie 016 van het Festival voor Nieuwe Muziek 'Dag in de Branding'
ALVIN LUCIER PROJECT / in aanwezigheid van Alvin Lucier
20 mei 2010 / 19:00 uur / Korzo-5Hoog en de buitenlocatie: Het Hemels Gewerlf

Alvin Lucier (born May 14, 1931) is an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception

17:00 uur / Korzo5HOOG
1    Still Lives (1995) / Reinier van Houdt, piano 
2    Opera with Objects (1997) for performer(s) with resonant objects, composed for Sam Ashley / Pepe Garcia, Slagwerk Den Haag 
3    947 (2001) for flute and pure wave oscillators / Anne La Berge, flute
18:00 / Foyer Korzo5HOOG / Festivaldiner 
19.30 / Op locatie in de Bink 36 (tegenover Korzo5HOOG)
1    Music for Solo Performer (1965) for enormously amplified brain waves and percussion / Performer Alvin Lucier
2    Bird and Person Dyning (1975) for performer & microphones, amplifiers, loudspeakers and electronic birdcall / performers Lucier & Nicolas Collins
20.30 / Korzo5HOOG 
1    Vespers (1968) acoustic orientation by means of echolocation, for players with hand-held echolocation devices / Slagwerk Den Haag
2    A Tribute to James Tenney (1986) for solo double bass and pure wave oscillators / Chris Dahlgren, Contra bas
3    Broken Line (2006) for flute, vibraphone and piano - Anne La Berge, flute - Pepe Garcia, vibraphone / Nora Mulder, piano
4    Nothing is Real (Strawberry Fields Forever) (1990) for piano, amplified teapot, tape recorder and miniature sound system / Performer Alvin Lucier
22.00 / Op locatie in Kijkduin bij Het Hemels Gewelf van James Turrell / Gratis Toegang
1    Sferics (1981) (GRATIS TOEGANG) sound installation and recordings of ionospheric disturbances, for large-loop antennas, tape recorder and playback system

edited by Viola Rusche 
audio recorded live by Juan Parra 
camera Martin Zawadzki, Viola Rusche 
soundmix Juan Parra 
© Viola Rusche & Hauke Harder
VIOLA RUSCHE & HAUKE HARDER, NO IDEAS BUT IN THINGS 
- The composer Alvin Lucier / Trailer
https://www.youtube.com/watch?v=ZahY5IjbkZU

Alvin Lucier Project 7/6 Nothing is Real

Alvin Lucier *(1931): Music on a long thin wire (1980).


****

The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.

Your collaboration will be appreciated.

Alvin Lucier: Music on a long thin wire (1980)

Alvin Lucier (*1931): Panorama, for trombone and piano (1993).

Roland Dahinden, trombone
Hildegard Kleeb, pianoforte.

"Panorama" 
 In the Spring of 1993, Roland Dahinden and Hildegard Kleeb gave me a panoramic photograph of the Swiss and Austrian Alps, as seen from their hometown of Zug, Switzerland. I was planning a skiing trip to Switzerland and had asked them to bring me back some travel brochures. At the same time I was thinking about composing a piece for them. As soon as I saw the photograph I got the idea to transcribe the mountain ranges into musical notation. The trombonist would "draw" the mountains by sliding continuously throughout the piece, breathing when necessary. The pianist would punctuate the mountain peaks with single tones and intervals. Since the transposed altitudes of the mountain peaks never match the fixed pitches of the piano's tempered tunings, the discrepancies in pitch between the trombone and piano tones are heard as audible beats, bumps of sound which occur as sound waves coincide. In 1993, Sol LeWitt was asked to make a wall drawing for the Kunstmuseum in Zug. Roland Dahinden was commissioned to provide music for the installation. Around this time Sol asked me to trade a work with him for his collection of artists' works. He gave me a wall drawing for my house; I gave him the original score of my "Navigations for Strings." I invited Roland and Hildegard, who were living in Middletown at the time, to accompany me to Sol's home in Chester, to make the trade. While we were there, Roland asked Sol what he had in mind for Zug. Sol replied that he had not yet decided. During a lull in the conversation, I mentioned that I was writing a piece for Roland and Hildegard using a panoramic photograph of the Alps, taken from Zug. He immediately asked if he could borrow the photograph, saying he would base his wall drawing on it. The work was first performed on November 6, 1993 at Wesleyan University.
(Alvin Lucier)

***

The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly Italian) which involves thousands of people around the world. If someone, for any reason, would deem that a video appearing in this channel violates the copyright, please inform us immediately before you submit a claim to Youtube, and it will be our care to remove immediately the video accordingly.

Alvin Lucier: Panorama (1993)

【ROCK 歌詞版MV】
歡迎訂閱滾石唱片YouTube官方頻道 → http://bit.ly/RockRecords
#PK14《#滾滾紅塵》歌詞版MV

「主唱低沉嚴肅的說唱，讓作品深邃而沉重，
反抗或警世意味，著實反應後龐克搖滾的原味精神。」
♫ 數位平台全面正式上架 → https://RockRecordsCo.lnk.to/Rock40028

成立於1997年南京，後移居北京，歷經多次改組的四人樂隊。
受新浪潮、後龐克音樂影響，拒絕主流流行樂，
擁抱前衛龐克、實驗龐克、神經質搖滾或抑鬱龐克。

P.K.14 的獨特來自於不安分的音樂。
歌曲以抽象又意識形態的方式表現，
不安或怪誕的唱腔，既顯得藝術，
又時常晦澀地觸動個人、勸戒社會、隱喻現實。

P.K.14對羅大佑作品情有獨鍾，既結合東方情感又能融合西方敘事民謠。
選曲30年前 #陳淑樺 的「滾滾紅塵」，P.K.14做出獨一無二的改編。

主唱習慣以歌詞先行的方式創作詞曲，
藉由歌詞的語感揣摩作曲或編曲的行進。
尤其P.K.14改編以四拍說唱夾雜原曲三拍節奏，打亂了結構反而有了更獨特的律動。

以吉他、貝斯營造奇異不安的旋律，
以空間系效果、重複演奏與回聲營造詭譎陰暗的環境。
主唱低沉嚴肅的說唱，讓作品深邃而沉重，
悲傷的宿命感、反抗或警世意味，著實反應龐克搖滾的原味精神。

獨樹一格的改編，或說風格、或說感受，令人印象深刻。

關於滾石40
滾石撞樂隊 40團拼經典
1980年滾石唱片成立迄今，陪伴無數顆仰賴音樂的心。
適逢滾石40，滾石唱片邀請40支華語樂隊改編翻唱滾石過去經典作品，
一同參與這場「滾石撞樂隊」的音樂盛事。

「經典是回憶，樂團是未來。」
各種音樂的風格與表情，透過40團音樂好手拆解、重組、創造、詮釋，
成為重新演繹後的全新樣貌。
有些成為搖滾，有些變得龐克，參雜民謠、電子、嘻哈 ...，
如何保留舊經典的精神，如何加入新潮流的創意，
成為「40團拼經典」中的最大亮點。

40年 — 40團 — 40歌
這些40年來膾炙人口的作品，就要再次拋光打亮，
用新曲風新生命新的音樂火花重新面世，再次注入你的生活和生命。

關於原曲
陳淑樺 — 滾滾紅塵
1990
收錄專輯   [ 一生守候 ]
 

滾滾紅塵
詞曲：羅大佑
編曲：P.K.14
製作：歐陽漢客

起初不經意的你　
qǐ chū bù jīng yì de nǐ 

和少年不經世的我
hé shào nián bù jīng shì de wǒ 

紅塵中的情緣　
hóng chén zhōng de qíng yuán 

只因那生命匆匆不語的膠著
zhǐ yīn nà shēng mìng cōng cōng bù yǔ de jiāo zhuó

想是人世間的錯　
xiǎng shì rén shì jiān de cuò 

或前世流傳的因果
huò qián shì liú chuán de yīn guǒ 

終生的所有　
zhōng shēng de suǒ yǒu 

也不惜換取剎那陰陽的交流
yě bù xí huàn qǔ chà nà yīn yáng de jiāo liú 

本應屬於妳的心　
běn yīng shǔ yú nǐ de xīn 

它依然護緊我胸口
tā yī rán hù jǐn wǒ xiōng kǒu 

為只為那塵世轉變的面孔後面翻雲覆雨的手
wèi zhǐ wèi nà chén shì zhuǎn biàn de miàn kǒng hòu miàn fān yún fù yǔ de shǒu

來易來　去難去　
lái yì lái 　qù nán qù

數十載的人世遊
shù shí zǎi de rén shì yóu 

分易分　聚難聚　
fēn yì fēn 　jù nán jù

愛與恨的千古愁
ài yǔ hèn de qiān gǔ chóu 

於是不願走的妳　
yú shì bù yuàn zǒu de nǐ　

要告別已不見的我
yào gào bié yǐ bù jiàn de wǒ

至今世間仍有隱約的耳語　
zhì jīn shì jiān réng yǒu yǐn yuē de ěr yǔ 

跟隨我倆的傳說
gēn suí wǒ liǎng de chuán shuō 

來易來　去難去　
lái yì lái 　qù nán qù

數十載的人世遊
shù shí zǎi de rén shì yóu 

分易分　聚難聚　
fēn yì fēn 　jù nán jù

愛與恨的千古愁
ài yǔ hèn de qiān gǔ chóu 

於是不願走的妳　
yú shì bù yuàn zǒu de nǐ　

要告別已不見的我
yào gào bié yǐ bù jiàn de wǒ

至今世間仍有隱約的耳語　
zhì jīn shì jiān réng yǒu yǐn yuē de ěr yǔ 

跟隨我倆的傳說
gēn suí wǒ liǎng de chuán shuō 


P.K.14是：
許波，施旭東，雷壇壇，楊海崧

和聲：七茗
特約鍵盤和吉他：歐陽漢客

錄音：P.K.14
錄音棚：Psychic Kong，北京
混音：歐陽漢客
混音棚：第二個家，烏默爾，瑞典
製作人：歐陽漢客
母帶棚：第二個家，烏默爾，瑞典
母帶：韓默思

P.K.14 are：
Xu Bo, Shi Xudong, Jonathan Leijonhuvuad, Yang Haisong

Backing Vocals: Qi Ming
Additional Overdubs: Henrik Oja

Recorded by P.K.14 at Psychic Kong Beijing.
Mixed by Henrik Oja at Second Home, Umeå, Sweden.
Mastered by Mats Hammarström at Second Home, Umeå, Sweden.


#請分享按讚開小鈴鐺喔

.

P.K.14【滾滾紅塵 Red dust】歌詞版MV Lyric Video

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我還在外頭觀察這失去靈魂的木盒子，勉強對著其中一隻白石獅按下快門，感覺自己彷彿和這掏空的廟堂一起掉了漆。