宮崎：人生中最重要的事情就是很麻煩的

電影戲劇

國際

【觀後感】宮崎駿：十載同行 — 第四集

咕咕，請給我一點時間，好好想一下怎麼運作我的沙龍。

鴿子的沙龍

自我成長

宮崎駿：“想”做並不等於“能”做，導演不是一個輕鬆的工作

【觀後感】宮崎駿：十載同行 — 第三集

宮崎：我想帶給別人歡樂，這是我的動力（本篇會揭露宮崎駿的兒時回憶）

【觀後感】宮崎駿：十載同行 — 第二集

In the sequel to my last video, The Sad Truth of Being A Mangaka, I looked into the life of Japanese animators instead. Today I discuss the salary, hours, and working conditions of animators in Japan and just how difficult of a job it is. Why is it so harsh? Why don't things change? Watch to find out!

► Important Note:
Many of the actual artists used for video material in this video are independent and satisfied animators within the industry, unrelated to much of the actual content of the video. They have been used largely for background content and visual entertainment purposes rather than as an explicit example of the many suffering artists out there. Thanks to Archipel for many of the clips I used for this video; check out their channel for a variety of incredible videos and interviews with some of Japan's most renowned and genuine artists. https://www.youtube.com/c/ArchipelDocks

► To read up more on the topic:
https://www.allanimangas.com/2021/01/animators-dark-side.html?m=1
https://www.nytimes.com/2021/02/24/business/japan-anime.html
https://www.cbr.com/attack-on-titan-studio-mappa-pay-controversy/
https://soranews24.com/2015/04/29/want-to-be-an-animator-in-japan-brace-yourself-for-long-hours-poverty-as-you-start-your-career/

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► Tags:
#anime #animator #makinganime

► Thumbnail Design & Visuals:
https://twitter.com/cerealwbananas

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The Sad Truth of Being A Japanese Animator

宮崎：天賦會在日復一日的工作中消耗殆盡，靈感才是最重要的