冰島鋼琴家維京格・歐拉夫森2024年國家音樂廳演出巴赫《郭德堡變奏曲》，本篇樂評分析其獨特詮釋，肯定其創新，但也指出其在挑戰經典作品時，受限於「作品概念」框架的不足，並進一步探討古典音樂演奏的困境與未來發展。

音樂藝文

電影戲劇

文化生活

以行動支持創作者！付費即可解鎖

顏采騰，音樂文字工作者，國藝會表演藝術評論台駐站評論人。專長音樂美學、古典音樂、批判理論。
這裡紀錄了我的音樂評論、各類思索與隨筆。

音樂，劇場，思考｜采騰的藝文隨筆

At the centre of the album is an interlude from Rameau’s final opera, ‘Les Boréades’, written in 1763 when Rameau was 80. Ólafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: “The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.” As all these mythical beings summoned to the stage have something to do with the arts and with time’s passing, Ólafsson allowed himself to call my transcription simply ‘The Arts and the Hours’, with a nod to the Greek aphorism best known in its Latin version as “Ars longa, vita brevis”. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity. Watch pianist Víkingur Ólafsson (“Artist of the Year” at the Gramophone Awards 2019) performs Rameau's 'The Arts and the Hours'.

"There is a timeless quality to the music that we felt was matched by the spirit of the gorgeous house. It is about time’s passing and art - ‘Ars longa vita brevis’ - and as a counterpoint to the three verses in the music we have three different characters appearing in their respective homes, surrounded by objects they are passionate about and which they have gathered over a long period of time. It is about listening to your heart." - Víkingur Ólafsson

"As we continued to talk about this, we started to discuss people that are obsessive collectors and go through their whole life collecting specific things, archiving them and taking care of their collection at their home. It is often really fascinating how people can be in love with random things and to see their sensitivity and delicacy that go into these collections." - Magnús Leifsson

Directed by Magnús Leifsson.

More from Víkingur Ólafsson
More from Víkingur on Instagram: https://www.instagram.com/vikingurolafsson/
More from Víkingur on Facebook: https://www.facebook.com/vikingur.olafsson/
More from Víkingur on Youtube: https://www.youtube.com/vikingurolafsson
Concert dates on his website: https://vikingurolafsson.com/

Víkingur Ólafsson – Rameau: Les Boréades: The Arts and the Hours (Transcr. Ólafsson)
Discover 'Debussy Rameau": https://DG.lnk.to/rameau-debussy
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#VíkingurÓlafsson #Rameau #Piano

Víkingur Ólafsson – Rameau: Les Boréades: The Arts and the Hours (Transcr. Ólafsson)

Listen to Víkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg
Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/

Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,” says the Icelandic pianist. 

The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. 

Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. 

“The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.” comments Víkingur Ólafsson. 
 
Find out more about Víkingur Ólafsson here:

https://www.instagram.com/vikingurolafsson/
https://www.facebook.com/vikingur.olafsson/
https://twitter.com/VikingurMusic
https://www.tiktok.com/@vikingurolafsson

Víkingur Ólafsson - J.S. Bach: Goldberg Variations, BWV 988: Aria (Official Music Video)
Subscribe here for more classical video clips – The Best Of Classical Music: http://bit.ly/Subscribe-DG
 
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Find Deutsche Grammophon Online
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#deutschegrammophon #classicalmusic #stage+

Víkingur Ólafsson - J.S. Bach: Goldberg Variations, BWV 988: Aria (Official Music Video)

Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/ 
Listen to and order Víkingur Ólafsson`s new album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg 

Discover Víkingur Ólafsson`s full concert performances on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/

Celebrated for his visionary interpretations of J.S. Bach, Víkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,” says the Icelandic pianist. 

The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.” comments Víkingur Ólafsson. 

Find out more about Víkingur Ólafsson here:
https://www.instagram.com/vikingurolafsson/
https://www.facebook.com/vikingur.olafsson/
https://twitter.com/VikingurMusic
https://www.tiktok.com/@vikingurolafsson


Production Company: sensor.tv https://sensor.tv/ 
Directed by: Erlendur Sveinsson http://www.erlendursveinsson.com/ https://www.instagram.com/mr.erlendur... 
Produced by: Kristín Ósk Sævarsdóttir Director of Photography: Baldvin Vernharðsson Stylist & Make Up: Sigrún Ásta Jörgensen Gaffer: Hákon Hjartarsson PA: Bryndís Sigurðardóttir Editor: Úlfur Teitur Traustason Color: Ágúst Ari Þórisson 

Subscribe here for more classical video clips – The Best Of Classical Music: https://bit.ly/Subscribe-DG
 
Find Deutsche Grammophon Online Homepage: http://deutschegrammophon.com 
Facebook: http://fb.com/deutschegrammophon 
Twitter: http://twitter.com/dgclassics 
Instagram: http://instagram.com/dgclassics 
Newsletter: https://deutschegrammophon.com/newsle... 

最优质古典音乐 – 此处订阅: http://bit.ly/Subscribe-DG 
Le meilleur de la musique classique. Pour vous abonner cliquez ici: http://bit.ly/Subscribe-DG 最高のクラシック音楽―登録はこちら: http://bit.ly/Subscribe-DG 최고의 클래식음악을 구독하세요: http://bit.ly/Subscribe-DG Подписаться на лучшую классическую музыку:: http://bit.ly/Subscribe-DG La mejor música clásica - Suscríbase aquí: http://bit.ly/Subscribe-DG  

#bach #goldbergvariations #vikingurolafsson #piano #deutschegrammophon #classicalmusic #stageplus

Víkingur Ólafsson: Goldberg Variations (Album Trailer)

鋼琴家

結構

創作

挑戰

國家音樂廳

巴赫

專輯

演出

創新

不夠成功的「演奏作為再創作」：評歐拉夫森的《郭德堡變奏曲》

導演托德・埃克特（Todd Eckert）和混合實境開發團隊Tim Drum，於2022年末拍攝了坂本龍一的鋼琴演奏，並打造出虛擬音樂會《鏡：KAGAMI》，讓人們透過MR裝置親炙已故大師的風采。這樣一場投入最前沿科技的展演，或許是反思上述問題的絕佳機會。

Un concerto rivoluzionario, durante il quale video e immagini in realtà virtuale “danzano” insieme, accompagnate dal sottofondo musicale realizzato da Ryuichi Sakamoto. È lo spettacolo “Kagami”, in programma a Pesaro a partire dal 30 agosto 2024

Kagami - Ryuichi Sakamoto

坂本龍一

影像

紀念

觀眾

音樂會

穿戴裝置

數位

干擾

大師

在失真之中，最後一次散發靈光——《鏡：KAGAMI》的新感知形式與技術隱喻

國家交響樂團 (NSO) 的歌劇音樂會《飛行的荷蘭人》演出成功，結合簡約舞臺設計、精湛音樂詮釋，成功展現華格納作品的意象與情感。文章分析導演的簡約象徵風格、音樂詮釋的多元性，以及歌劇音樂會形式的可能性，並評論歌手、合唱團的演出。

荷蘭

國家交響樂團

飛行

特色

仙塔

合唱團

導演

NSO歌劇音樂會《飛行的荷蘭人》：簡約、多元與歌劇音樂會形式的省思

爵士大師恩立可・皮拉努奇（Enrico Pieranunzi）與鍵盤演奏家奧加・帕先科（Olga Pashchenko），不約而同地帶來了史卡拉第的鍵盤奏鳴曲。爵士即興、鋼琴與大鍵琴古典演奏，兩場音樂會的不同演奏取徑，為我們帶來了「如何演奏過去作品」的思考空間。

Two centuries after Scarlatti, György Ligeti composed his Musica ricercata (1950s), in which he devised a then-new piano writing. This spirit of radical novelty shares many elements with the Scarlattian sonatas, as evidenced by the intertwined listening of both composers alternating on harpsichord and piano.

00:00 Domenico Scarlatti (1685-1757): Sonata in D Minor K 213
06:19 György Ligeti (1923-2006): Musica ricercata No. 2. Mesto, rigido e cerimoniale

09:37 Domenico Scarlatti: Sonata in D Major K 397
13:42 György Ligeti: Musica ricercata No. 3. Allegro con spirito

Olga Pashchenko, Harpsichord and Piano

Concert (excerpt) "Scarlatti in Ligeti" from the cycle "Scarlatti's imprint"
https://www.march.es/es/madrid/concierto/huella-scarlatti-v-scarlatti-ligeti

2 November 2022
Fundación Juan March, Madrid

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#OlgaPaschenko #Scarlatti #MarchVivo

Scarlatti in Ligeti: Harpsichord & Piano | Pashchenko · MarchVivo

規範

新天堂樂園

鋼琴

爵士

洛克

影響力

空間

文本規範作為限制與潛能：從史卡拉第談《新天堂樂園》義大利電影爵士夜、《當大鍵琴遇上現代鋼琴》