這些那些關於即將成為過去的那一年

在這個名之為我的小宇宙



泛起過一片漣漪

和其他生命的交會與告別

或久別重逢

或不如歸去

留下些什麼

我們就逐漸長成那個模樣

記憶的刻痕是我們選擇的事實

似真還假

孰是孰非

有何干係

物質構築的既成事實

缺席的不在場證明



創作

文化生活

易沉迷，喜觀看，樂分享，這裡是心出走的起點。

YiYi的沙龍

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Yunchan Lim piano

Already a prodigious success at various international competitions, the Korean pianist received the Gold Medal at the 2022 Van Cliburn Competition in Fort Worth at the age of 18 – the youngest ever winner. ‘Lim is a one-in-a-million talent’, wrote the Dallas Morning News, while for jury chair Marin Alsop he is ‘that rare artist who brings profound musicality and prodigious technique organically together.’

PROGRAMME

John Dowland (1563-1626)
Pavana Lachrymae
(arranged by William Byrd)

Johann Sebastian Bach (1685-1750)
15 Sinfonias BWV787-801

INTERVAL

Ludwig van Beethoven (1770-1827)
7 Bagatelles Op. 33
15 Variations and a Fugue on an Original Theme in E flat 'Eroica Variations' Op. 35

Yunchan Lim piano - Live at Wigmore Hall

2023

回歸最原始的文字安排、章節設計，透過觀察Yunchan Lim獨特的性格特質、核心價值、藝術品味，以及音樂見解等四個不同的面向，進而結合他在Van Cliburn大賽以及台北獨奏會的曲目，試圖近一步理解並探究，從今年6月起全球古典音樂界所掀起的Limmania 任式狂熱。

音樂藝文

Yi起聽

879th THE HOUSE CONCERT 
2021. 12. 27. MON. 8pm
Live Streaming | JJAT DUO(2 Pianos): Ferruccio Lim, Busoni Bae(2 Pianos)

* 더하우스콘서트는 코로나19 방역수칙을 준수(거리두기, 마스크착용 등)하여 진행됩니다.  


𝗣𝗿𝗼𝗴𝗿𝗮𝗺

00:00 커버 

Johann Sebastian Bach (1685-1750)
7:42 Jesu, Joy of Man's Desiring, BWV147
11:23 Sheep May Safely Graze, BWV208
 
Maurice Ravel (1875-1937)
18:39 Boléro, M.81
34:14 La Valse, M.72

Camille Saint-Saëns (1835-1921)
47:16 Danse macabre, Op.40 
 
Camille Saint-Saëns (1835-1921)
54:31 The Carnival of the Animals, R.125 
1. Introduction and Royal March of the Lion
2. Cocks and Hens
3. Wild Asses
4. Tortoises
5. Elephants
6. Kangaroos
7. Aquarium
8. People with Long Ears
9. Cuckoo in the Heart of the Woods
10. Aviary
11. Pianists
12. Fossils
13. The Swan
14. Finale

∙ 유튜브 구독 https://bit.ly/3biAccs
∙ 홈페이지 http://www.thehouseconcert.com
∙ 블로그 http://blog.naver.com/thehouseconcert
∙ 인스타그램 http://www.instagram.com/thehouseconcert
∙ 페이스북 http://www.facebook.com/thehouseconcert

[🔴LIVE] JJAT DUO(2 Pianos)

任奫燦

「每次的表演都要唱出你深藏心中的歌。」Yunchan在一次專訪中提到，準備蕭邦第二號鋼琴協奏曲時，德國詩人里爾克這首關於玫瑰花、淚水與朝露的詩是他靈感的啟迪，亦是他心之所在。亦不諱里言爾克雖然不是音樂家，但卻是他最景仰的對象。這份對文學的熱愛，反映在他對作品的詮釋，真摯誠實、蘊含哲思、以詩入歌。

電影戲劇

“It is very difficult to play Brahms, op.118. It is like a confession, coming from the heart, there is nothing invented, nothing artificial in it. It is music of a genius. It is difficult to play as one must be and authentic musician one self.” 

Youri

0:00 Brahms piano concerto no.1 

-Chicago Symphony 
July 6 1980 Ravinia

2:07 Brahms piano concerto no.2 

-Rai national orchestra 
may 5 1983

"One must perform Schubert with sincerity and purity, I mean, not naively, but with an angelic goodness...sometimes with flame, but without bravura"

"I played Schubert Moment Musicaux, filling myself with the music, whose sadness is so breath trending"

4:41 Schubert 90-4 

A woman alone

On the evening of Remembrance Day, a woman, while playing the piano, contemplates the war. She especially thinks of the role that her mother played in this.

For example, Ger Verrips had written the piece "A woman alone", about a woman who wanted to be a pianist but never became. In that piece, text was illustrated with pieces of music played by none other than Youri Egorov. He had just fled from Russia to the Netherlands at that time and had nothing to do at that time. Hans Kerkhof of the music department drew my attention to that fact and said that Egorov was happy to cooperate. In that piece he had to play certain pieces, making mistakes and interrupting every now and then. But he played so beautifully, so beautifully, that we didn't dare to intervene, and the pieces actually became too long

An excerpt from 'A woman alone'


Auteur Ger Verrips
Regisseur Ad Löbler

Omroep VARA 

Uitzending 4 mei 1977
Speelduur 34 minuten 


Thank you for Wim de Haan and Great artist Nathan Lee

Youri Egorov Speaks of Humanity

YunchanLim, the Poetry

Yunchan對於樂曲鉅細靡遺的分析，讓他有足夠的自信，能夠在舞台上放下顧忌，慷慨地對在場所有人敞開心胸(deliver and receive)，把每次的演出都當成天鵝之歌般的淋漓盡致，毫不保留。         

#KBS클래식​(Classic) #강남심포니오케스트라 #Bach #바흐



[강남심포니 오케스트라 제91회 정기연주회@KBS중계석]
#바흐 / 시칠리아노 작품 1031
#J.S.Bach / Siciliano BWV 1031
#피아노(Piano) / 임윤찬(Yunchan Lim)


#장소 / 예술의전당 콘서트홀
#연주일자 / 2022년 5월 4일
#방영일 / 2022년 6월 9일




 [KBS클래식 더보기]
바로가기 : https://www.youtube.com/channel/UCyehTGXOlmDGDBOavSD1kWQ

임윤찬(Yunchan Lim) - J.S.Bach / Siciliano BWV 1031 / KBS20220609

YunchanLim and ...

Yunchan 以布拉姆斯風格迥異的四首敘事曲揭開序幕，繼之以孟德爾頌的幻想曲，下半場則是李斯特的兩首傳奇曲和但丁詩篇讀後感，從第一個音開始，Yunchan就帶領在場所有人跟著他的琴音起伏，沉浸在樂曲篇章，看似黝黯無邊，彷彿墜落深淵而絕望之際，遠處傳來微光伴隨，行過死亡幽谷...

Yunchan Lim plays Mendelssohn fantasie in f sharp minor op.28

YunchanLim and the Taipei Recital

Yunchan思索的，與其說是展現自己的能力，毋寧更像是他用這些曲目彼此間的承繼，向這些作曲家致敬，進而邀請閱聽大眾，順著這些音符的點而線到面，感受並建構出古典音樂的風格脈絡。

YunchanLim and the Cliburn

正如同我們在卡拉瓦喬的《聖馬太蒙召喚》中所目睹的那場奇蹟。一抹神秘的光源從右上角穿透至黝暗的室內空間，光線的切面連結人物交錯的目光和手勢，構築出靜謐空間中的線性動態，指引我們望向畫布左下方，低頭數著桌面硬幣的年輕男子，營造出在世俗土壤綻放出了神聖光源的那個瞬間。

閱讀書評

Yi起看

寄情於物敘事於景 論《我的出走日記》之圖像與象徵

看似平淡無奇的情節，運用了極多的戲劇書寫技巧:反覆、堆疊、高潮、反高潮、平鋪直敘、倒敘、插敘、事件、衝突、反轉，用得精巧，恰到好處，彷彿不經意輕拂過心頭般的力道，充滿詩意的運鏡，在營造戲劇張力之餘，更讓觀者在不知不覺中沉浸入出走的氛圍，萌生解放的意圖。從壓抑晦澀的生活中，淬煉出這場獨一無二的觀看。

YiYi