古巴音樂與爵士樂的融合由來已久，在上個世紀40年代即已在紐約生根茁壯。相對的，古巴本土卻由於卡斯楚的統治反而與古巴爵士樂的發展絕緣。然而，經過這許多年以美國為主的發展，現在該是古巴本土的音樂家發聲的時刻了...

音樂藝文

文化生活

國際

<div class="draft-block draft--quotesSpecial center"><div class="content">在林肯爵士中心的Appel Room，台上的六人樂團 Nuevo Jazz Latino正帶來一波一波的能量高潮。緊接著薩克斯風手Yosvany Terry甩動著古巴傳統打擊樂器Chekere的前奏之後，鼓手Dafnis Prieto眼神一個示意，與打擊樂手Pedrito Martínez一起展開厚重的節奏，並由鋼琴手Elio Villafranca在貝斯手Carlos Henriquez反覆的低音上灑下詭譎刺激的和聲。Terry與小號手Mike Rodriguez的快速齊奏旋律彷彿重現古巴超級名團Irakere的激烈管樂聲響。如團名所昭示的，他們帶來了當代爵士樂與拉丁樂的完美結合。而樂團中有四位土生土長的古巴人，彷彿也在告訴世人：當代古巴爵士音樂的發展，該由土生土長的古巴人掌握主導權了...</div></div>
<div class="draft-block draft--p left"></div>
<div class="embed-block-prerender" data-type="html" data-url="https://www.youtube.com/watch?v=kc-VTBdTe3E"></div>

巴西音樂是資產豐富的寶庫。Choro、Samba、Bossa Nova、MPB，這些風格互相承襲卻又各具特色，更受到美國爵士樂深厚的影響。而現在，這些音樂類型與爵士樂在紐約與巴西兩地，又有了更為深化的融合...

世界音樂融合#3：巴西不是只有Bossa | Choro的逆襲以及當代巴西爵士

在林肯爵士中心的Appel Room，台上的六人樂團 Nuevo Jazz Latino正帶來一波一波的能量高潮。緊接著薩克斯風手Yosvany Terry甩動著古巴傳統打擊樂器Chekere的前奏之後，鼓手Dafnis Prieto眼神一個示意，與打擊樂手Pedrito Martínez一起展開厚重的節奏，並由鋼琴手Elio Villafranca在貝斯手Carlos Henriquez反覆的低音上灑下詭譎刺激的和聲。Terry與小號手Mike Rodriguez的快速齊奏旋律彷彿重現古巴超級名團Irakere的激烈管樂聲響。如團名所昭示的，他們帶來了當代爵士樂與拉丁樂的完美結合。而樂團中有四位土生土長的古巴人，彷彿也在告訴世人：當代古巴爵士音樂的發展，該由土生土長的古巴人掌握主導權了...

Nuevo Jazz Latino All Stars

印度音樂，充滿奇異音階聲響與縝密的節奏結構，一切有如數學般充滿秩序之美。當代紐約爵士樂壇的印度爵士融合潮流中，幾位印度裔美國人尤為顯眼。這一切都得歸因於60年代美國移民政策的改變...

世界音樂融合#1：數學秩序之美 | 印度音樂的影響

▎世界音樂融合

Dizzy Gillespie with the Kenny Clarke / Francy Boland Big Band, Denmark - November 4, 1970.

Manteca - Dizzy Gillespie

LP "La Bamba"       Columbia records   1963
 www.grooveaddict.org
credits:
Bass – Victor Venegas
Congas, Drums, Bongos – Mongo Santamaria
Drums – Ray Lucas
Flute – Mauricio Smith
Percussion – Osvaldo Martinez
Piano – Rodgers Grant
Saxophone – Bobby Capers, Pat Patrick
Trumpet – Marty Sheller

Record Company – Bill Grauer Productions Inc.
Recorded At – Plaza Sound Studios
Executive-Producer – Bill Grauer
Producer – Larry Maxwell, Orrin Keepnews
Recorded By – Ray Fowler

Mongo Santamaria          Watermelon Man

El termino "Latin Jazz" ha sido usado, en un principio, para dar nombre a un ritmo producto de la fusión entre el Swing y las marchas de Son Cubano, o los "campaneos" del Mambo. Es así como los jazzeros norteamericanos conciben la orquestacion en el set con una claro enfasis en la subdivisión ternaria de las corcheas, a diferencia de los ritmos originales que son binarios. A partir de los años 70´s con el advenimiento del "Jazz/Fusión" el termino "Latin Jazz" se empieza a usar para denominar a toda aquella música que es producto de la fusión entre el jazz y los ritmos latinos. He aquí unas transcripciones propias de unos grooves "Latin Jazz" o "Swing Mambo" que hice del Gran ELVIN JONES

The name "Latin Jazz" was used, initially, to name a pace product of the fusion of Swing and Cuban son rhythms, or Mambo"campaneos". This is how Americans conceive jazzy orchestration on set with a clear emphasis on ternary subdivision of eighth notes, unlike the original rhythms that are binary. From the 70's with the advent of "Jazz / fusion" the term "Latin Jazz" came into use to refer to any music that is the result of the fusion of jazz and Latin rhythms. Here are a few grooves own transcriptions of "Latin Jazz" or " Swing Mambo" I did the Great ELVIN JONES.

Mas informacion / More Info:
https://www.facebook.com/GabrielLotoBateriaClases?ref=tn_tnmn

Elvin Jones "Swing Mambo" Drum Trancription - Gabriel Loto

Provided to YouTube by Universal Music Group

Night And Day (Rudy Van Gelder Edition / 2004 Digital Remaster) · Joe Henderson

Inner Urge

℗ 2004 Blue Note Records

Released on: 2004-01-01

Producer: Alfred Lion
Studio  Personnel, Mastering  Engineer, Recording  Engineer: Rudy Van Gelder
Composer  Lyricist: Cole Porter

Auto-generated by YouTube.

Night And Day (Rudy Van Gelder Edition / 2004 Digital Remaster)

JERRY GONZALEZ   FORT APACHE BAND { Earth Dance }

LA ORQUESTA DE EDDIE PALMIERI Y HERMAN OLIVERAS PALO PA RUMBA CON JUANCITO TORRES EN LA TROMPETA.

PALO PA RUMBA - EDDIE PALMIERI Y HERMAN OLIVERAS

Los Irakere son un alucinado viaje sonoro a tierras cubanas con raices africanas, ritmos cálidos y licores ardientes, mujeres que se dejan querer sin temor de sonrojarse, y la fiesta enferma de nobleza invadida por el más sofocante sentimiento ritual.

Irakere - 1979 - Misa Negra

Live at the Ver Van Mijn Bed Show in Holland

Irakere In Amsterdam - Juana 1600

Gonzalo Rubalcaba (Piano & Keyboard) 
Giovanni Hidalgo (Congas & Timbales) 
Jose Gola (Bass) 
Horacio 'Negro' Hernandez (Drums)

Recorded live @ 5th Clazz Continental Latin Jazz Festival in Madrid - Spain, 2015.




P. S.  I do not own this content/material.  Please do not hesitate to contact me if you have any urgent enquiries regarding this content/material.

Credit given to FivePassion for uploading this video originally.

Gonzalo Rubalcaba, Giovanni Hidalgo, Jose Gola & Horacio Hernandez (Full Concert)

The making-of Grammy nominated album "New Throned King", by Yosvany Terry's new ensemble "Afro Cuban Roots: Ye-dé-gbé".

Directed by Amilcar Navarro
Music composed by Yosvany Terry
Additional footage by Marcos Cullen

Featuring:
Dale Fitzgerald (Founder & Director of Jazz Gallery, NY) 
Pedro Martinez (percussions & vocals)
Yunior Terry (bass)
Osmany Paredes (piano)
Justin Brown & Sandy Perez (drums)
Roman Diaz (percussions)

https://www.youtube.com/channel/UChzZ7XQlsjsqP5XlKAhrxBQ

Jazz Cubano and Beyond: The Music of Yosvany Terry

Provided to YouTube by TuneCore

Ojun Degara · Yosvany Terry

New Throned King

℗ 2014 5Passion

Released on: 2014-04-01

Auto-generated by YouTube.

Ojun Degara

Provided to YouTube by TuneCore

Laroko · Yosvany Terry

New Throned King

℗ 2014 5Passion

Released on: 2014-04-01

Auto-generated by YouTube.

Laroko

Album out now! Download on iTunes - http://smarturl.it/CaribbeanTinge

Hailing from Havana, Cuba, and now based in New York City, the Grammy-nominated and classically trained pianist/percussionist/composer Elio Villafranca is deeply rooted in the rhythmic traditions of the Caribbean while also expansive in his embrace of finest elements of traditional and modern jazz. 

Comprised of some of the most respected jazz A-listers and Caribbean hand-drum masters in New York City, Villafranca's captivating Jass Syncopators entwine the best of traditional and contemporary jazz with the rhythms of four Island cultures, creating a distinctive musical gumbo on Caribbean Tinge, Villafranca's 7th release as a leader.

The Making of Caribbean Tinge: An Interview with Elio Villafranca

Elio Villafranca - piano
Sean Jones - tp.
Greg Tardy - sax
Gregg August - bass
Willie Jones III - dr.
Juango Gutierrez - percussion
Camilo Molina - percussion
Mateo Gonzales - percussion
Julia Loiza Gutierrez-Rivera - dancer

Elio Villafranca & The Jass Syncopators Live at Dizzy's - Caribbean Tinge

Cinque is a suite about the Congolese tradition, throughout the Caribbean, Cuba, Puerto Rico, Jamaica, Santo Domingo, and Haiti. The music is inspire on the life of Joseph Cinque, a slave born in Sierra Leon, captured illegally and brought to Cuba to be sold to a sugar cane plantation. During this journey he revolted and gained his freedom while on board of the ship Amistad.

Cinque - Music of the Caribbean by Elio Villafranca

Elio Villafranca CINQUE - II movement "The Capture" with Santa Cruz Symphony orchestra and Union Afroboliviana.

Elio Villafranca CINQUE - II movement "The Capture" with Symphony orchestra and Union Afroboliviana

Provided to YouTube by PIAS

Oyá · Roman Diaz

L'o Da Fun Bata

℗ Motema

Released on: 2015-06-11

Producer: Pedrito Martinez
Mixing Engineer: Willy Torres
Composer: Roman Diaz
Composer: Ogduardo Diaz Anaya

Auto-generated by YouTube.

Oyá

Singing for Oya at Roman Diaz ‘L’ó dá fún Bàtá’ CD Release party:
The ladies: Amma McKenn, Denise Ola DeJean, Amma Oloriwa!, Tima Baker, Nina Rodriguez, Melvis Santa 
The gentleman: Roman Diaz, Pedrito Martinez, Sandy Perez, Clemente Medina

Singing for Oya at Roman Diaz ‘L’ó dá fún Bàtá’ CD Release party. Joes  Pub Jan 2016

David Virelles Mbókò

David Virelles : Piano
Eric McPherson : Drums
Román Díaz : Percussion
Rashaan Carter : Bass

Projections by Janet Goldner

With Mbókò, pianist-composer David Virelles – based now in New York but born and bred in Cuba – has taken the folkloric rhythms of Afro-Cuban religious ritual and transmuted them into a 21st-century music resonating with mystery and meaning. Mbókò, can mean “fundament” or “sugar cane” or “The Voice,” not the human voice but The Voice that is believed in Abakuá culture to be the voice of a spirit, or spirits.

24th Vision Festival
Roulette Intermedium, Brooklyn
June 15th, 2019

© All images and music are copyrighted to their respective owners. 
This video is for entertainment only, non profit.
This video is intended to promote a beautiful piece of music and the art of photography or filming. It has no commercial purpose. Music and images belong to their respective owners. Absolutely no copyright infringement. 
If one of the copyright owners whereabouts this abuse or somehow offensive, please contact me and I delete the video soon.

David Virelles “Mbókò” w Eric McPherson, Román Diaz & Rashaan Carter @ 24th Vision Festival, Roulett

David Virelles
Gnosis

David Virelles: piano, marímbula, vocals
Román Díaz: lead vocals and percussion (bonkó enchemiyá, ekón, nkomos, erikundi, itones, nkaniká, marímbula, claves, mayohuacán, pilón, carapacho de jicotea, coconut shells)
Allison Loggins-Hull: piccolo, flute
Rane Moore: clarinet, bass clarinet
Adam Cruz: percussion (steel pan, claves)
Alex Lipowski: percussion (orchestral bass drum, temple blocks, bongos, gong)
Matthew Gold: percussion (marimba, glockenspiel)
Mauricio Herrera: percussion (ekón, nkomos, erikundi, claves) 
Thomas Morgan: double bass
Yunior Lopez: viola
Christine Chen: violoncello
Samuel DeCaprio: violoncello
Melvis Santa, Mauricio Herrera: vocals

+++++ CD / Download / 180g Vinyl: http://hyperurl.co/z9vckb
+++++ iTunes: http://bit.ly/2jw2qt9

In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher. 

Video Credits:

Director – Vincent Oshin
Director of Photography – Shawn Peters
Sound – Joren Reid 
Editor – Geoff Albores

This album was made possible with the generous support of The Shifting Foundation.

ECM 2526 

Website: https://www.ecmrecords.com
Facebook: https://www.facebook.com/ecmrecords
Instagram: https://www.instagram.com/ecm_records

David Virelles – Gnosis | ECM Records

Aruán Ortiz Quintet:  Aruán Ortiz, piano; Jeremy Pelt, trumpet; David Gilmore, guitar; Rashaan Carter, bass; Eric McPherson, drums Live @ Cornelia Street Cafe, New York City,  July 16th, 2010

Aruán Ortiz Quintet perform "Alameda" in NYC

Provided to YouTube by Entertainment One U.S., LP

Diaspora · Aruan Ortiz

Santiarican Blues Suite

℗ Sunnyside Communications

Released on: 2012-04-10

Artist: Aruan Ortiz

Auto-generated by YouTube.

Diaspora

Dafnis Prieto - Manuel Valera - Charles Flores - Peter Apfelbaum - Felipe Lamoglia - Avishai Cohen - Modern Drummer Festival 2008 - from the DVD: Modern Drummer Festival 2008
...more Videos here at DRUMMERWORLD: http://www.drummerworld.com

Dafnis Prieto: EMERGENCY CALL

From the album "Triangles and Circles" by Dafnis Prieto Sextet
Released by Dafnison Music, 2015.

Peter Apfelbaum - Sop Sax
Manuel Valera - Piano
Johannes Weidenmueller - Bass
Dafnis Prieto - Drums

Video by Makoto Matsuo

Dafnis Prieto Blah Blah

Provided to YouTube by The Orchard Enterprises

Mirrors · Manuel Valera · New Cuban Express

In Motion

℗ 2014 Criss Cross Jazz

Released on: 2014-09-10

Auto-generated by YouTube.

Mirrors

Amazon http://amzn.to/1b8r6YI  |  iTunes http://bit.ly/1jODA0o
The official music video for The Invasion Parade, the title track from Alfredo Rodriguez' latest album, available now.
More info:
http://www.alfredomusic.com
http://www.mackavenue.com/alfredorodriguez

Alfredo Rodriguez - The Invasion Parade [OFFICIAL VIDEO]

Provided to YouTube by CDBaby

Synesthesia · Greg Diamond · Seamus Blake · Stacy Dillard · Mike Eckroth · Peter Slavov · Henry Cole · Mauricio Herrera

Avenida Graham

℗ 2016 Zoho Music L.L.C.

Released on: 2016-11-04

Auto-generated by YouTube.

Synesthesia

Provided to YouTube by CDBaby

El Martillo · Greg Diamond

Conduit

℗ 2021 Greg Diamond

Released on: 2021-11-15

Auto-generated by YouTube.

El Martillo

David Virelles
Antenna

David Virelles: acoustic piano, Hammond B3 organ, Roland JUNO-6, Vermona electric piano, Wurlitzer electric piano, prepared piano, programming, samples
Alexander Overington: electronics, samples, cello
Henry Threadgill: alto saxophone
Román Díaz: vocals
Etián Brebaje Man: vocals
Marcus Gilmore: drums, electronic percussion
Rafiq Bhatia: guitar
Mauricio Herrera: percussion
Los Seres: percussion 

+++ Available on 10" Vinyl + Download +++       

Amazon: http://bit.ly/2p3zCcS
iTunes: http://bit.ly/2pZvyaI

The music of Cuban-born, Brooklyn-based pianist David Virelles conjures a hallucinatory world in which ancient Afro-Cuban rhythms and ritual reverberate in the here and now. His latest ECM offering is Antenna, music attuned to a timeless rhythmic-cultural current even as it pulses with a vibrantly urban, modernist energy. Antenna – a six-track, 22-minute EP to be released exclusively on vinyl and digitally – sees Virelles channel Afro-Cuban percussion into an electro-acoustic, almost psychedelic swirl, one that melds jazz improvisation and organic grooves with digital refraction, shadowy synthesizers, otherworldly field recordings and Cuban street poetry. Antenna is an undulating, throbbing, dizzying dream of sound. Mbòkó, the pianist’s ECM leader debut from 2014, featured in Best Of The Year lists in The New York Times, NPR, iTunes and The Village Voice, among others. The Guardian described Mbòkó as “a jazz-infused world-music project beyond categories,” adding: “Virelles looks set to make big differences in contemporary music for years to come.”

This album was made possible with the generous support of The Shifting Foundation.

ECM 3901

https://www.ecmrecords.com

David Virelles – Rumbakuá | ECM Records

Video created by David Virelles and Romulo Sans. Antenna EP coming out on November 18, 2016, on ECM Records!

David Virelles IDEOGRAMAS

For more information about Dafnis Prieto, visit: https://dafnisonmusic.com
Kokayi - Vocals
Jason Lindner - Keyboards
Dafnis Prieto - Drums

Dafnis Prieto Proverb Trio - The Magic Danzonete

Album: President Alien

Ya me estoy cansando de tu abandono
ya me estoy cansando de tu abandono
que ya mujer me estoy cansando de tu abandono
ya me estoy cansando de tu abandono

Y cuando la noche desnuda llega
solo me quedé con mi sufrimiento
es la angustia ________la triste espera
solo me quedé con mi yerbabuena

CORO
Ay mi yerbabuena
solito me quedé
y con mi cumbia riquita
solito me quedé
y con mi música bonita
solito me quedé
con mi mojito que me cura
solito me quedé
solito me quedé
Ay mi yerbabuena
solito me quedé

Y aquí estoy abandonado mami
solo me has dejado
cabizbajo con mi mente puesta en el pasado
ido dolido porque todo se ha perdido
las sueños y las esperanzas
vuelan  como la mañana
y el silencio me despierta
te confundo con mi almohada
cuando fumo tu silueta me echa humooo

Te fuiste para La Habana
cerquita pero lejana
te fuiste para La Habana y me dejaste (con las ganas)
cuatro semanas con María y con Juana.

Ya me estoy cansando de tu abandono
ya me estoy cansando de tu abandono
que ya mujer me estoy cansando de tu abandono
ya me estoy cansando de tu abandono

Y cuando la noche desnuda llega
solo me quedé con mi sufrimiento
es la angustia ________la triste espera
solo me quedé con mi yerbabuena

CORO
Ay mi yerbabuena
solito me quedé
y con mi cumbia riquita
solito me quedé
y con mi música bonita
solito me quedé
con mi mojito que me cura
solito me quedé
solito me quedé

(Ay que rico está)

solito me quedé
solito me quedé
solito me quedé

Todo el mundo con la lengua afuera todo el mundo

Todo el mundo con la lengua afuera todo el mundo...

Agua corriente de arroyo que llega hasta el mar
yo quiero ser como tu no quiero enemistar

Agua corriente de arroyo que llega hasta el mar
yo quiero ser como tu no quiero enemistar

Agua corriente de arroyo que llega hasta el mar
yo quiero ser como tu no quiero enemistar

Solito me quedé. Yerbabuena

Download the album on iTunes ! - http://bit.ly/1aiNsYn
Get the album on Amazon - http://bit.ly/1aiNsYn
Subtítulos en español - Clic en (CC) debajo de la video

Discover the story behind The Pedrito Martinez Group and its music, from Pedrito's beginnings in Cayo hueso, Cuba, to the group coming together in NYC!
www.pedritomartinezmusic.com

付費限定文章
世界音樂融合#2：往時間軸的兩側同時移動 | 當代古巴爵士樂

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付費限定文章世界音樂融合#2：往時間軸的兩側同時移動 | 當代古巴爵士樂

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付費限定文章
世界音樂融合#2：往時間軸的兩側同時移動 | 當代古巴爵士樂