想像一個人對音樂的熱愛、工作的熱忱，不管婚前還是產後，對她來說，音樂就是她生命中的魂，生活中的根，這是多麼重要的一件事。

音樂藝文

電影戲劇

國際

諏訪內晶子外，最令我激賞的女性小提琴家-希拉蕊．韓

Web3

四季，一位喜歡做菜給家人享用的一介煮夫，靠聲音就能接案配音的穩重男聲，卻在料理中誤打誤撞領悟出人生的另番哲學。

美味關係，料理與他們的產地。

Hilary Hahn’s album Eclipse features Dvořák’s spirited Violin Concerto. The violinist performed this tour de force from the Czech composer’s “Slavic period” in Frankfurt in April 2021.You can enjoy her captivating performance of the third movement (III. Finale. Allegro giocoso, ma non troppo) here.
 
Dvořák, a village butcher’s son raised in central Bohemia, incorporated the folk songs and dances he had heard as a boy in his mature musical language in defiance of the Austro-Hungarian Empire’s suppression of Czech culture and language. The Violin Concerto in A minor, Op.53, written between 1879 and 1882 for the great virtuoso Joseph Joachim, weaves folk-inspired themes typical of Dvořák’s Slavic period into the classical forms of sonata and rondo. It concludes with a stylized version of the furiant, a fiery Czech dance, part of what Hahn calls “a gigantic statement of human emotion.”
 
Hilary Hahn’s latest album, Eclipse, celebrates the power of authenticity. Recorded with the Frankfurt Radio Symphony and Andrés Orozco-Estrada, it sees the triple Grammy-winning violinist deliver interpretations of three works charged with universal emotions yet rooted in their composers’ musical heritage: Dvořák’s Violin Concerto, Ginastera’s Violin Concerto and Sarasate’s Carmen Fantasy. “This recording tells stories I didn’t understand until I returned to the stage after a long hiatus: the elation of coming into one’s own, the declaration of an artistic identity, and what it means to regain your native language through music,” says Hahn.
 
Listen to “Eclipse” here: https://dgt.link/eclipse
Discover the limited and exclusive fan box of “Eclipse” here: http://dgt.link/eclipse-special

Hilary Hahn & Andrés Orozco-Estrada – Dvořák: Violin Concerto in A Minor, Op. 53, B.108: III. Finale
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#hilaryhahn #violin #dvořák

Hilary Hahn & Andrés Orozco-Estrada – Dvořák: Violin Concerto in A Minor, Op. 53, B.108: III. Finale

旅行美食

創作

音色當然飄散的古典氣息，四季聽完仿佛可以想像莫札特彈奏亦如是。

文化生活

音樂筆記｜莫札特的古鋼琴專輯面世

Mozart expert and musicology scholar Robert Levin offers completions of sonata movements which Mozart never finished. Levin’s compositional vision for the fragments reveal the pianist’s profound knowledge and understanding of Mozart’s diction and the musical language of the composer’s time. On the Sonata movement in C major, K 42 (35a) Levin observes: “this cheerful triple-meter fragment breaks off after 25 bars, leaving us with the main and secondary themes. It should be obvious that the piece breaks off precisely at the beginning of a sequence intended to lead to the coda. My completion attempts to maintain the movement’s high spirits and outspoken character.”

ECM New Series releases the first complete recording of W.A. Mozart’s piano sonatas on the composer’s own fortepiano (Anton Walter, 1782). This comprehensive, 7-CD boxed set also comprises unfinished fragments by the Austrian composer, here completed by American pianist and Mozart-scholar Robert Levin in consideration of Mozart’s idioms and the compositional mannerisms of his era. Robert Levin’s interpretations of the piano sonatas, too, are informed by the performance practice customs of the First Viennese School, including improvised elements and decorations in the repeats. The recordings are accompanied by a 100-page booklet featuring an extensive essay on the sonatas by Mozarteum-director and Mozart-expert Ulrich Leisinger as well as a performer’s note by Levin, manuscript-scores and more.  

Website: https://www.ecmrecords.com
Facebook: https://www.facebook.com/ecmrecords
Instagram: https://www.instagram.com/ecm_records

Robert Levin - Lecture on Mozart's incomplete sonatas | ECM Records

出生於喬治亞的麗莎·巴蒂雅許維莉 (Lisa Batiashvili) 可謂家學淵源，因為她的父親也是一名小提琴家，母親則是鋼琴家。且早在麗莎4歲就開始跟著父親學習小提琴。

🎧🎻麗莎·巴蒂雅許維莉 (Lisa Batiashvili)

Provided to YouTube by Universal Music Group

Szymanowski: Violin Concerto No. 1, Op. 35 - III. Tempo comodo. Allegretto · Lisa Batiashvili · The Philadelphia Orchestra · Yannick Nézet-Séguin · Karol Szymanowski

Secret Love Letters

℗ 2022 Deutsche Grammophon GmbH, Berlin

Released on: 2022-08-19

Associated  Performer, Violin: Lisa Batiashvili
Orchestra: The Philadelphia Orchestra
Conductor: Yannick Nézet-Séguin
Producer, Recording  Producer: Andrew Mellor
Producer, Recording  Producer, Studio  Personnel, Editor, Mixer, Mastering  Engineer: Jonathan Allen
Studio  Personnel, Recording  Engineer: Brett Cox
Composer: Karol Szymanowski

Auto-generated by YouTube.

Szymanowski: Violin Concerto No. 1, Op. 35 - III. Tempo comodo. Allegretto

自從買了Roon，聽音樂這件事也讓孩子開始有了參與感


親子與教育

🎙關於Roon的使用，你理解過嗎？（ep.01）

自古以來，無論是平面藝術、音樂藝術甚至是文學領域，創作靈感的多元交錯也讓藝術呈現有了更多可能。

🎻音樂是時間的藝術 / Music is the art of time

Max Richter – The New Four Seasons – Vivaldi Recomposed – Summer 3 (Official Video)
Listen to 'The New Four Seasons': https://DG.lnk.to/recomposed
 
A decade on from the release of his mesmerising Recomposed album, the composer returns to the sound world of Vivaldi’s Four Seasons, accompanied by violinist Elena Urioste and the musicians of Chineke! Orchestra.
 
Having performed Recomposed live many times in the last decade, he was inspired by a special rendition of the work on period instruments to take “a new trip through the text using Vivaldi’s own colours”. The New Four Seasons applies a Baroque palette to the score in which he transforms or subverts fragments from the original four violin concertos by refracting them through different musical prisms, spinning them into different shapes and colours and enveloping them in completely different orchestral settings.
 
Richter has revisited the electronics too, here opting for Moog synths from the 70s – “the equivalent of the Stradivarius”. Asked about the difference in sound between modern and period strings, he laughs: “I heard someone say it’s the difference between smooth peanut butter and crunchy peanut butter, which encapsulates it really well!”

Max Richter - The New Four Seasons – Vivaldi Recomposed: Summer 3 (Official Video)

Max Richter – The New Four Seasons – Vivaldi Recomposed – Autumn 3 (Official Video)
Listen to 'The New Four Seasons': https://DG.lnk.to/recomposed 

A decade on from the release of his mesmerising Recomposed album, the composer returns to the sound world of Vivaldi’s Four Seasons, accompanied by violinist Elena Urioste and the musicians of Chineke! Orchestra.

Having performed Recomposed live many times in the last decade, he was inspired by a special rendition of the work on period instruments to take “a new trip through the text using Vivaldi’s own colours”. The New Four Seasons applies a Baroque palette to the score in which he transforms or subverts fragments from the original four violin concertos by refracting them through different musical prisms, spinning them into different shapes and colours and enveloping them in completely different orchestral settings.

Richter has revisited the electronics too, here opting for Moog synths from the 70s – “the equivalent of the Stradivarius”. Asked about the difference in sound between modern and period strings, he laughs: “I heard someone say it’s the difference between smooth peanut butter and crunchy peanut butter, which encapsulates it really well!”

Music video by Max Richter, Elena Urioste, Chineke! Orchestra performing Richter: Autumn 3. © 2022 StudioRichterMahr, under exclusive license to Deutsche Grammophon GmbH,  Berlin

http://vevo.ly/3d1uex

Max Richter - The New Four Seasons – Vivaldi Recomposed – Autumn 3 (Official Video)

Provided to YouTube by Universal Music Group

Richter: Winter 2 (2022) · Max Richter · Elena Urioste · Chineke! Orchestra

The New Four Seasons - Vivaldi Recomposed

℗ 2022 StudioRichterMahr, under exclusive license to Deutsche Grammophon GmbH, Berlin

Released on: 2022-06-10

Producer, Associated  Performer, Programming: Max Richter
Studio  Personnel, Recording  Engineer, Mixer: Rupert Coulson
Studio  Personnel, Asst.  Recording  Engineer, Editor: Alice Bennett
Studio  Personnel, Mastering  Engineer: Götz-Michael Rieth
Associated  Performer, Violin: Elena Urioste
Orchestra: Chineke! Orchestra
Composer: Max Richter

Auto-generated by YouTube.

Richter: Winter 2 (2022)

雖然沒有年輕人那股激情，但穩重的表達，似乎是說著大師此時的情感早已回歸音樂純粹，讓聆聽者以自身的當下的情感為依歸，主觀的自我覺察，超越情感的昇華了。

🎧高齡93歲的老大師，詮釋布拉姆斯！心境成熟，技巧無須雕琢！

Provided to YouTube by NAXOS of America

Symphony No. 3 in F Major, Op. 90: III. Poco allegretto · Gewandhausorchester Leipzig · Herbert Blomstedt

Brahms: Symphonies Nos. 3 & 4

℗ 2022 PENTATONE

Released on: 2022-05-13

Orchestra: Gewandhausorchester Leipzig
Conductor: Herbert Blomstedt
Composer: Johannes Brahms

Auto-generated by YouTube.

Symphony No. 3 in F Major, Op. 90: III. Poco allegretto

Provided to YouTube by NAXOS of America

Symphony No. 3 in F Major, Op. 90: IV. Allegro · Gewandhausorchester Leipzig · Herbert Blomstedt

Brahms: Symphonies Nos. 3 & 4

℗ 2022 PENTATONE

Released on: 2022-05-13

Orchestra: Gewandhausorchester Leipzig
Conductor: Herbert Blomstedt
Composer: Johannes Brahms

Auto-generated by YouTube.

Symphony No. 3 in F Major, Op. 90: IV. Allegro

✔今天來點爵士樂

第一次聽見這首作品，大概是2010年前後，那時因為人生遭逢巨變，身心靈都起了相當大的變化，為了尋求慰藉，瘋狂迷上馬勒。

🎻C小調第二號交響曲《復活》/ 古斯塔夫·馬勒

Full-length concert: http://www.digitalconcerthall.com/concert/20347/?a=youtube&c=true
Gustav Mahler: Symphony No. 2 / Sir Simon Rattle, conductor · Rundfunkchor Berlin · Berliner Philharmoniker / Recorded at the Berlin Philharmonie, 31 January 2015
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Mahler: Symphony No. 2 / Rattle · Berliner Philharmoniker

Gustav Mahler: 2. Sinfonie c-Moll für Sopran, Alt, gemischten Chor und Orchester (Auferstehung) | Liederhalle Stuttgart, Juli 2017
00:00 - I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
23:02 - II. Andante moderato. Sehr gemächlich. Nie eilen
34:05 - III. In ruhig fließender Bewegung
44:36 - IV. „Urlicht“ (aus „Des Knaben Wunderhorn“). Sehr feierlich, aber schlicht
50:47 - V. Im Tempo des Scherzos. Wild herausfahrend – Langsam. Misterioso

Christiane Karg, Sopran
Gerhild Romberger, Alt
Chor des Bayerischen Rundfunks
SWR Vokalensemble
SWR Symphonieorchester
Dirigent: Christoph Eschenbach

SWR Classic - Klangvielfalt erleben!
Web: http://www.SWRClassic.de/konzertvideos
Facebook: https://www.facebook.com/SWRClassic
Twitter: https://twitter.com/SWRSymphonie

Christoph Eschenbach | Gustav Mahler: 2. Sinfonie, Auferstehung | SWR Classic

第一乐章：00:00
第二乐章：24:08
第三乐章：36:24
第四乐章：47:24
第五乐章：52:55

女高音：Sheila Armstrong
女中音：Janet Baker
指挥：莱昂纳德·伯恩斯坦
Edinburgh Festival Chorus
伦敦交响乐团
Edinburgh Festival 1974

C小调第二号交响曲《复活》，是古斯塔夫·马勒于1888至1894年间所谱之交响曲作品。本曲是除第八号交响曲外，最受欢迎且最成功的马勒作品。

此曲以原题为葬礼 ("Totenfeier") 的进行曲作为开端，而该部分是由马勒本人在1888年间完成，加上其他三个乐章，成为这首交响曲的前四个乐章。原本他欲添加更多的内容，但却毫无灵感。直至1894年，著名指挥汉斯·冯·彪罗与世长辞，马勒去参加他的葬礼。在葬礼期间，他听到教堂响起的克洛普斯托克的赞美诗《复活》("Die Auferstehung"), 为他创作复活交响曲添加灵感，并为后来之章节附设从克洛普斯托克改编之合唱部分。

马勒告诉他的一部分友人，乐章的设计采取了叙述的模式。在这模式当中，首段乐章代表一个葬礼并且提出疑问，如“有无死亡后生活？”；第二乐章则是对已故者快乐生活时代的回想；第三乐章代表完全损失信心，和信任生活是毫无意义的；以一首歌为本的第四乐章，表现一个信念的再生——强调“我来自上帝，也将回归上帝”；至于第五乐章，在第三乐章以及首个疑问的回返之后，在“实现上帝的爱”与“承认永恒生活”的主题中结束。

简介来源：维基百科 https://zh.wikipedia.org/wiki/%E7%AC%AC2%E8%99%9F%E4%BA%A4%E9%9F%BF%E6%9B%B2_(%E9%A6%AC%E5%8B%92

马勒C小调《第二号交响曲》（复活）中德字幕 │Mahler Symphony No. 2 "Resurrection" in C Minor, Chinese/German Subtitles

貝多芬很擅長營造＂氣氛＂讓聆聽者一直往遠方的理想奔去，而且層層疊疊，越聽越發覺得遭到貝多芬設計！但，卻心甘情願啊！

🎻Beethoven：Violin Concerto in D major, Op. 61

Violinist Isabelle Faust and the Rotterdam Philharmonic Orchestra, led by Mark Elder, perform Beethoven's 'Violin Concerto' in Het Concertgebouw during The Sunday Morning Concert of Sunday the 25th of February 2018.

Beethoven: Violin Concerto in D major, Op. 61
Rotterdam Philharmonic Orchestra 
Mark Elder [conductor]
Isabelle Faust [violin]

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Beethoven: Violin Concerto - Rotterdam Philharmonic Orchestra and Isabelle Faust - Live HD

Frankfurt Radio Symphony and Frankfurt Radio Big Band live!
  
hr-Sinfonieorchester – Frankfurt Radio Symphony
Christian Tetzlaff, Violin
Andrés Orozco-Estrada, Conductor

Ludwig van Beethoven:
Violin Concerto D major op. 61

(Appearance)  00:00
I. Allegro ma non troppo  00:30
II. Larghetto  24:42
III.Rondo  34:04

Beethoven cadenza arranged by Christian Tetzlaff

hr-Sendesaal Frankfurt, 20 May 2020


Note:
In accordance with the current restrictions imposed by the Corona pandemic in Germany, this livestream series currently only features ensembles up to chamber orchestral size. The required minimum distances are respected. Streaming is also carried out in a reduced setting.
____________

Hinweis:
Entsprechend den derzeit geltenden Einschränkungen im Rahmen der Corona-Pandemie in Deutschland treten in dieser Livestream-Reihe aktuell nur Ensembles bis kammerorchestraler Größe auf. Die erforderlichen Mindestabstände werden dabei respektiert. Auch das Streaming erfolgt in einem reduzierten Setting.

Stage@Seven: Beethoven: Violin Concerto – Christian Tetzlaff / Andrés Orozco-Estrada

我收藏的第一張錄音－韋瓦第的《四季》小提琴協奏曲。

🌱［四季唱片行］｜[生命中的首張古典唱片收藏]

Amsterdam Sinfonietta en violiste Janine Jansen spelen Vivaldi's 'Vier jaargetijden' tijdens het Internationaal Kamermuziek Festival 2014.

La Primavera/Spring/Lente
Spring Movement 1 (Allegro) - 0:04
Spring Movement 2 (Largo) - 3:31
Spring Movement 3 (Allegro) - 6:02

L'estate/Summer/Zomer
Summer Movement 1 (Allegro non molto) - 10:22
Summer Movement 2 (Adagio) - 15:41
Summer Movement 3 (Presto) - 17:54

L'autunno/Autumn/Herfst
Autumn Movement 1 (Allegro) - 21:01
Autumn Movement 2 (Adagio molto) - 26:10
Autumn Movement 3 (Allegro) - 28:41

L'inverno/Winter
Winter Movement 1 (Allegro non molto) - 32:05
Winter Movement 2 (Largo) - 35:21
Winter Movement 3 (Allegro) - 37:00

Opname: 29 juni 2014 tijdens het Internationaal Kamermuziek Festival Utrecht in TivoliVredenburg.

獨樂樂不如眾樂樂