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2021/06/06
060621_THANK YOU, dear Mr. A-rod and all lovely VOCUS friends!
NEW RELEASE, pls. visit:
1. Love365_GoogleBLOGGER/Facebook/Twitter:
https://love365

2021/06/06
060621_THANK YOU, dear Mr. A-rod and all lovely VOCUS friends!
NEW RELEASE, pls. visit:
1. Love365_GoogleBLOGGER/Facebook/Twitter:
https://love365

2021/06/06
Shell Ginger, greeting friendly,
Remind me to take rest, after driving.
Show time, buds in string,
Freely out from the bearing,
Consequently per

2021/06/06
Shell Ginger, greeting friendly,
Remind me to take rest, after driving.
Show time, buds in string,
Freely out from the bearing,
Consequently per

2021/06/06
Nature herself, demonstrates how to activate our body/brain, through the flowers.
Extend the physical by properly stretching, step outside the comfo

2021/06/06
Nature herself, demonstrates how to activate our body/brain, through the flowers.
Extend the physical by properly stretching, step outside the comfo

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Engage in what makes us feel energetic.
X, Y, Z, or A/B/C, whatever.
People start the journey of life, are certainly equipped with the distinguished

Engage in what makes us feel energetic.
X, Y, Z, or A/B/C, whatever.
People start the journey of life, are certainly equipped with the distinguished

本文分析導演巴里・柯斯基(Barrie Kosky)如何運用極簡的舞臺配置,將布萊希特(Bertolt Brecht)的「疏離效果」轉化為視覺奇觀與黑色幽默,探討《三便士歌劇》在當代劇場中的新詮釋,並藉由舞臺、燈光、服裝、音樂等多方面,分析該作如何在保留批判核心的同時,觸及觀眾的觀看位置與人性幽微。

本文分析導演巴里・柯斯基(Barrie Kosky)如何運用極簡的舞臺配置,將布萊希特(Bertolt Brecht)的「疏離效果」轉化為視覺奇觀與黑色幽默,探討《三便士歌劇》在當代劇場中的新詮釋,並藉由舞臺、燈光、服裝、音樂等多方面,分析該作如何在保留批判核心的同時,觸及觀眾的觀看位置與人性幽微。

( Whatever Happens/Tasting Menu/Barcelona Christmas Night& 愛情無論如何/歡迎光臨愛情餐廳/巴塞隆納夜未眠)_Love365/GOOGLEblogger & Facebook & Vocus方格子
Pause button, just cl

( Whatever Happens/Tasting Menu/Barcelona Christmas Night& 愛情無論如何/歡迎光臨愛情餐廳/巴塞隆納夜未眠)_Love365/GOOGLEblogger & Facebook & Vocus方格子
Pause button, just cl

Whoop, cheering.
Voice, resulted by the emotion.
What a reasonable! How naturally it is.
Do it, for showing our respect and love, to our buddy .

Whoop, cheering.
Voice, resulted by the emotion.
What a reasonable! How naturally it is.
Do it, for showing our respect and love, to our buddy .

在AI浪潮下,009819 中信美國數據中心及電力ETF 直接卡位算力與電力雙主軸,等於掌握AI最核心基建。2008從 Apple Inc. 與 iPhone 帶動供應鏈,到如今AI崛起,主線已由應用端轉向底層。AI發展離不開算力與電力支撐,009819的價值,在於押中「沒有它不行」的核心資產。

在AI浪潮下,009819 中信美國數據中心及電力ETF 直接卡位算力與電力雙主軸,等於掌握AI最核心基建。2008從 Apple Inc. 與 iPhone 帶動供應鏈,到如今AI崛起,主線已由應用端轉向底層。AI發展離不開算力與電力支撐,009819的價值,在於押中「沒有它不行」的核心資產。

“I LOVE YOU” 從我嘴中蹦出,是我在對我自己說,真心真意的說,就這樣說出口了。我的胸口立即感受舒暢,連打好幾個嗝,應該是塞住的鬱悶有個出口。我感到有力量開始流入,像是乾枯的河床有細水注入,它被滋潤了,原來我真的可以給予,以前認為我很普通,認為我不精通任何事無法貢獻,原來是假的。

“I LOVE YOU” 從我嘴中蹦出,是我在對我自己說,真心真意的說,就這樣說出口了。我的胸口立即感受舒暢,連打好幾個嗝,應該是塞住的鬱悶有個出口。我感到有力量開始流入,像是乾枯的河床有細水注入,它被滋潤了,原來我真的可以給予,以前認為我很普通,認為我不精通任何事無法貢獻,原來是假的。

《轉轉生》(Re:INCARNATION)為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,結合拉各斯街頭節奏、Afrobeat/Afrobeats、以及約魯巴宇宙觀的非線性時間,建構出關於輪迴的「誕生—死亡—重生」儀式結構。本文將從約魯巴哲學概念出發,解析其去殖民的身體政治。

《轉轉生》(Re:INCARNATION)為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,結合拉各斯街頭節奏、Afrobeat/Afrobeats、以及約魯巴宇宙觀的非線性時間,建構出關於輪迴的「誕生—死亡—重生」儀式結構。本文將從約魯巴哲學概念出發,解析其去殖民的身體政治。

這是一場修復文化與重建精神的儀式,觀眾不需要完全看懂《遊林驚夢:巧遇Hagay》,但你能感受心與土地團聚的渴望,也不急著在此處釐清或定義什麼,但你的在場感受,就是一條線索,關於如何找著自己的路徑、自己的聲音。

這是一場修復文化與重建精神的儀式,觀眾不需要完全看懂《遊林驚夢:巧遇Hagay》,但你能感受心與土地團聚的渴望,也不急著在此處釐清或定義什麼,但你的在場感受,就是一條線索,關於如何找著自己的路徑、自己的聲音。

Listen more, and speak less, before making the decision. Knowing, instead of criticizing. Unnecessity to ensure all is correct. Leave some space fo

Listen more, and speak less, before making the decision. Knowing, instead of criticizing. Unnecessity to ensure all is correct. Leave some space fo

Release the emotion, by singing, affecting ourselves efficiently, in the pleasant way. Power of the voice, closely accompanied with the energy of ...

Release the emotion, by singing, affecting ourselves efficiently, in the pleasant way. Power of the voice, closely accompanied with the energy of ...

許久沒跟朋友去KTV唱歌了,還真是有點想念,想念唱歌可以狂吼、可以抒情、可以低吟,可以悲傷的種種。我記得我和好友Alice的最高紀錄是連唱六小時。
歌聲好聽與否非關鍵(雖然,咳咳,我真的唱得還不錯啦),唱歌真的是人天生就會做的事情,不管聲音好不好聽,當我們還是小朋友的時候,會因為單純的喜悅而唱,生氣

許久沒跟朋友去KTV唱歌了,還真是有點想念,想念唱歌可以狂吼、可以抒情、可以低吟,可以悲傷的種種。我記得我和好友Alice的最高紀錄是連唱六小時。
歌聲好聽與否非關鍵(雖然,咳咳,我真的唱得還不錯啦),唱歌真的是人天生就會做的事情,不管聲音好不好聽,當我們還是小朋友的時候,會因為單純的喜悅而唱,生氣

Locate ourselves correctly, as possible as we could, to perform what BODY is good at, for doing what HEART loves.
Feel free to express, nowadays ..

Locate ourselves correctly, as possible as we could, to perform what BODY is good at, for doing what HEART loves.
Feel free to express, nowadays ..




