導演魯本·奧斯倫在這部電影展示了他將人害怕掉臉的一面，化成笑料的能力。《The Square》描繪了文化精英的表內不一：一方面以平等包容的態度示人，私底下卻是滿心偏見。若具體說出這種虛偽的來源，與我們身處在一個包容平等只是流於象徵形式的政治氛圍有關，這不得不由片中極具象徵意義、名為The Squar

電影戲劇

國際

【影評】《The Square》：誰談道德，誰便是不道德

"I Googled the Definition of a Feminist" - Dave Chappelle

Slavoj Žižek on Political Correctness: Why “Tolerance” Is Patronizing
New videos DAILY: https://bigth.ink
Join Big Think Edge for exclusive video lessons from top thinkers and doers: https://bigth.ink/Edge
----------------------------------------------------------------------------------
Philosopher and cultural critic Slavoj Žižek has a bone to pick with the PC movement. While he doesn’t buy into the right-wing paranoid view that the politically correct among us are "evil people who want to destroy the American way of life," he does think they’re doing some damage. Žižek questions whether censoring our expression really addresses racial tension – or does it merely give birth to a politer form of racism (or sexism, or religious and political differences)? Tolerance has started to work against its own agenda, becoming a patronizing insult to those who think differently to you, a way of brushing off and compartmentalizing differences rather than listening and connecting. Žižek recommends we add a tasteful dose of obscenity and humor to our interactions with each other in order to make them more genuine. Covering up racism with nicer words doesn’t eradicate it, but laughing at each other’s differences –  in the right way  – can unite a world of "others". Slavoj Žižek's most recent book is Refugees, Terror and Other Troubles with the Neighbors: Against the Double Blackmail
----------------------------------------------------------------------------------
SLAVOJ ŽIŽEK:

Slavoj Žižek is a Slovenian philosopher and cultural critic. He is a professor at the European Graduate School, International Director of the Birkbeck Institute for the Humanities, Birkbeck College, University of London, and a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia. His books include Living in the End Times, First as Tragedy, Then as Farce, In Defense of Lost Causes, four volumes of the Essential Žižek, and Event: A Philosophical Journey Through a Concept.

Žižek received his Ph.D. in Philosophy in Ljubljana studying Psychoanalysis. He has been called the "Elvis of philosophy" and an "academic rock star." His work calls for a return to the Cartesian subject and the German Ideology, in particular the works of Georg Wilhelm Friedrich Hegel, Immanuel Kant and Friedrich Wilhelm Joseph Schelling. Slavoj Žižek's work draws on the works of Jacques Lacan, moving his theory towards modern political and philosophical issues, finding the potential for liberatory politics within his work. But in all his turns to these thinkers and strands of thought, he hopes to call forth new potentials in thinking and self-reflexivity. He also calls for a return to the spirit of the revolutionary potential of Lenin and Karl Marx.
----------------------------------------------------------------------------------
TRANSCRIPT:

Slavoj Žižek: I know that there is a lot of sexual harassment, racism and so on in our lives and I don't doubt that the majority of people who promote political correctness mean it sincerely. I'm not saying that. I'm not saying in the way of right wing paranoia that they are evil people who want to destroy American way of life, I'm just saying this that the way they approach the problem is that instead of resolving it the predominant effect is just to keep it under check and allowing the true problem, racism, sexism, to survive in a more covered up version and so on and so on. For example, I always like this extreme example. Let's take racist jokes. Yes they function in a racist way, but for me the true overcoming of racism is not that you prohibit racist jokes, but that you establish a social, not even only social change, new society, but even such a change of atmosphere that you can tell exactly the same jokes without appearing a racist. When you are simply in a true relationship of equality, respect and so on, sometimes dirty jokes, even gently racist jokes done in a non-racist way, by this I mean that you including yourself and you make fun of yourself and so on, they're incredible. I think your American term is icebreakers.

\r\nBecause it's easy to be a non-racist in this political correct way oh I respect your food, your national identities, no. When does it happen real contact with another? I claim it's very difficult to arrive at it without a small exchange of an obscenity. It works in a wonderful way. So I claim for me and ideal post racist situation is let's say I am an Indian and you are an African American. We are telling all the time dirty jokes to each other about each other about ourselves, but in such a way that we just laugh and the more we are telling them the more we are friends. Why? Because in this way we really resolved the tension of racism. What I'm afraid, now coming back to your question, with political correctness is that it's a des...

For the full transcript, check out https://bigthink.com/videos/slavoj-zizek-on-political-correctness

Slavoj Žižek on Political Correctness: Why “Tolerance” Is Patronizing | Big Think

創作

故事以一件在美術館前展示的裝置藝術《廣場》宣傳文案：
「廣場是信任與關懷的殿堂，在裡頭，我們有同樣的義務與權利。」


音樂藝文

文化生活

向左走？向右走?方寸內外的真實與藝術

失離的文化：針貶社會之重

平等至上→人民除外
《抓狂美術館》以優雅而狂放的趣味之惡，玩弄現代藝術與社會上流。

【懷特獨白】抓狂美術館：大眾與文化公共的距離，關於廣場的藝術宣言行動

去年由佩德羅．阿莫多瓦領軍擔任評審團主席的坎城影展，將首獎頒給了由瑞典導演魯本・奧斯倫（Ruben Östlund）執導的《抓狂美術館》（The Square）；阿莫多瓦直言他其實深受另一部獲得評審團大獎的同運電影《BPM》感動，那麼身為評審團主席的他為何會催票失敗？