(此篇為遷移文章-2022-11-08發表於巴哈姆特)


感謝巴哈姆特和BenQ舉辦的活動

讓小弟有機會體驗台灣品牌頂級的MiniLED量子點液晶電視，一直以來我在選擇電視往往都是選擇日本或者韓國品牌，從來沒有考慮過台灣品牌。

這一次的試用，讓我倍感驚艷！BenQ S940-55的MiniLE

職場

國際

小空間遊戲電視推薦BenQ S55-940，規格給好給滿好棒棒！

以行動支持創作者！付費即可解鎖

科技

最近突然興起架設部落格的念頭，以往我總是在巴哈姆特、Mobile01、Facebook分享自己的一些想法、文章、照片以及開箱，但總是覺得不夠個人化，也無法好好的整文章及照片，本來我是想要花時間架設WordPress，在尋找各種資源的過程中意外發現了方格子，於是我就在這了！未來也會將以前發過的一些文章搬移來這好作紀錄。

小涉的異想世界

BenQ S940 低藍光切換效果

「你不需要很厲害才能開始，但你必須要開始才會很厲害。」

電影戲劇

新遊戲影音Preview：《聖獸之王》超香美術與深度戰鬥的完美結合

喜歡研究投資、打電動跟閱讀的中年大叔，認真研究投資目前進入第7個年頭，從股票入門再斜槓到房地產，正在努力通往自己的財富自由之路的途中。這條路學無止境，必須靠著不斷的學習與自我修養，才能達到真自由的彼岸，在這裡記錄自己對於生活、投資、房地產及財務自由的學習點滴，分享給也一起正在這條路上努力的夥伴們。

投資阿宅的自我修養

因為真的太喜歡《聖獸之王》了，所以第一次嘗試做了影片來介紹，希望大家會喜歡，製作技巧生疏還請見諒。

從發售消息一公布就一直關注著，玩了誠意滿滿的體驗版後，更期待正式版上市了，我們3月8日見！

00:00 前言
00:54 故事背景
01:10 地圖探索
02:11 深度戰鬥系統介紹
04:10 好感度系統介紹
05:27 香香的美術風格
05:50 可能的小缺點
06:50 結語


#聖獸之王 
#unicornoverlord

《聖獸之王》值得你花7分鐘了解的SRPG超潛力新作！超香美術與深度戰鬥的完美結合

投資理財

2021年1月28日，第一款針對Xbox Series X|S與PC開發的次世代心靈恐怖遊戲《靈媒》終於要在Xbox Game Pass推出了。

觀點

Xbox Series X的第一款次世代遊戲：靈媒（The Medium）


《靈媒》開場18分鐘遊戲演示 The Medium: The First 18 Minutes of Gameplay on Xbox Series X 。本影片內容與IGN總站18分鐘版本內容一致。
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點擊訂閱我們的頻道：https://www.youtube.com/channel/UCussVYe84vFbFfK9m9Znp6A?view_as=subscriber?sub_confirmation=1
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歡迎訪問我們的官方網站：http://www.ign.com.cn/
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#靈媒 #灵媒 #TheMedium

《靈媒》開場18分鐘遊戲演示 The Medium: The First 18 Minutes of Gameplay on Xbox Series X

Zdzisław Beksiński (pronounced [ˈzd͡ʑiswaf bɛkˈɕiɲskʲi]; 24 February 1929 – 21 February 2005) was a Polish painter, photographer and sculptor, specializing in the field of dystopian surrealism. Beksiński did his paintings and drawings in what he called either a 'Baroque' or a 'Gothic' manner. His creations were made mainly in two periods. The first period of work is generally considered to contain expressionistic color, with a strong style of "utopian realism" and surreal architecture, like a doomsday scenario. The second period contained more abstract style, with the main features of formalism.

Beksiński was stabbed to death at his Warsaw apartment in February 2005 by a 19-year-old acquaintance from Wołomin, reportedly because he refused to lend the teenager money.

Beksiński had no formal training as an artist. He was a graduate of the Faculty of Architecture at the Kraków Polytechnic with M.Sc. received in 1952. His paintings were mainly created using oil paint on hardboard panels which he personally prepared, although he also experimented with acrylic paints. He abhorred silence, and always listened to classical music while painting. Although he loved classical music, Beksinski also appreciated rock music. 

An exhibition in Warsaw in 1964 was his first major success, as all his paintings were sold.

Beksiński undertook painting with a passion, working intensely and whilst listening to classical music. He soon became the leading figure in contemporary Polish art. In the late 1960s, Beksiński entered what he himself called his "fantastic period", which lasted up to the mid-1980s. This is his best-known period, during which he created very disturbing images, showing a gloomy, surrealistic environment with very detailed scenes of death, decay, landscapes filled with skeletons, deformed figures and deserts. These paintings were quite detailed, painted with his trademark precision. At the time, Beksiński claimed, "I wish to paint in such a manner as if I were photographing dreams". 

The late 1990s were a very tragic time for Beksiński. His wife, Zofia, died in 1998; a year later, on Christmas Eve 1999, his son Tomasz (a popular radio presenter, music journalist and movie translator) committed suicide. Beksiński discovered his son's body. Unable to come to terms with his son's death, he kept an envelope "For Tomek in case I kick the bucket" pinned to his wall. 

On 21 February 2005, Beksiński was found dead in his flat in Warsaw with 17 stab wounds on his body; two of the wounds were determined to have been fatal. Robert Kupiec, the teenage son of his longtime caretaker, and a friend were arrested shortly after the crime. On 9 November 2006 Robert Kupiec was sentenced to 25 years in prison, and his accomplice, Łukasz Kupiec, to 5 years by the court of Warsaw. Before his death, Beksiński had refused to loan Robert Kupiec a few hundred złoty (approximately $100 USD). 
[from Wikipedia]

My first video: 
https://www.youtube.com/watch?v=hFC20XFwAxU

Music: Zero Ohms "Glimpsing The Eternal"

Zdzisław Beksiński

Let's be clear - this isn't a traditional triple-A juggernaut. But it is Xbox's first next-gen exclusive and we're pretty sure that The Medium simply wouldn't be possible on last-gen machines. Not only that, while not perfect, there's a lot of really impressive technology on display here. John takes a closer look...

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The Medium Tech Review: A Closer Look At Xbox's First Next-Gen Exclusive

就在上個月底，科技巨頭的亞馬遜，公開發表了傳聞已久的串流遊戲服務 ｢Luna」，正式進軍雲端遊戲市場。當然，這也讓雲端遊戲，陷入了一個三大科技巨頭的對決，參賽巨頭除了亞馬遜之外，還包括了去年上線的 Google Stadia，以及今年九月正式上市的微軟 xCloud。到底這場大戰會怎麼打下去呢？

職場產業

亞馬遜 Luna 參戰！三大科技巨頭的雲端遊戲大戰與串流遊戲的未來！| 科技巨頭解碼#22

科技巨頭解碼，是一個討論科技產業趨勢與解析科技巨頭動向的付費電子報。我們將以專業的角度，來讓讀者理解，科技與商業的力量將如何改變我們所生活的世界，我們又該做些什麼，來跟上這個快速變遷的時代。

科技巨頭解碼

在現今又或者說是過去，遊戲的購買往往都是以買斷的形式進行，玩家只要買一次收到實體版後就等同擁有了永久的權利，哪怕是二次轉賣給其他人也是一樣，這種方式套用在不論遊戲以外的何種交易都非常正常，也是非常單純給你錢，給我擁有權的作法。然而隨著網路時代發達與遊戲容量的提升、通路成本加大，數位遊戲的比重也逐年增

遊戲訂閱服務的大時代，對玩家與開發者來說是否值得？

你沒看錯，這裡並不是槍枝愛好者的社團、本篇文章也並不是真槍或一般打BB彈的玩具槍分享文；這些都是在電視遊樂器上使用的光線槍。

<p>淺談電視遊樂器上的「貝瑞塔光線槍」</p>

淺談電視遊樂器上的「貝瑞塔光線槍」

<p>「鐵騎」與「鐵騎大戰」是一個非常特別的遊戲，甚至可說是一個藝術品。整個遊戲為了「擬真」，真的是不惜工本，但他在商業上是失敗的……甚至根本不可能成功的。</p>


XBOX