以日本物哀的眼光，重新闡發〈長恨歌〉「此恨綿綿無絕情」之哀訴。

電影戲劇

閱讀書評

國際

幽深玄遠：能劇故事集

希望試著以華文分享能劇故事。

Pine的沙龍

此恨綿綿無絕期：能劇劇目〈楊貴妃〉

薄雲遮蔽月光，此乃幽玄之姿。

創作

LYS GAUTY – 14 JUILLET
Columbia DF 1134
 (Details Below)
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Please donate if you can. Even $1 will help me continue to share this great music
Thank you. 

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14 JUILLET – Columbia DF 1134
LYS GAUTY  1933
Acc by Pierre Chagnon & his Orchestra

Born in Levallois-Perret, France, Gauty was the daughter of a mechanic and seamstress. Aspiring to be an opera singer, she worked as a shop-girl at a tailor store called the Galeries Lafayette, saving some of her earnings, and portions donated to her by Gauty's parents to receive a classical music education at Nelson Fyscher in Paris. In 1922, Gauty began her musical career as a cabaret singer at variety shows arranged by operetta composer Georges Van Parys, who accompanied her on piano.[1] She married her booking agent, Swiss music director Gaston Groeuer, who had taken over ownership of the Theatre des Dix Heures in Brussels, Belgium. At the music hall, Gauty commenced her successful stretch in Parisian music halls, intermittently performing at the Theatre des Dix Heures for 12 years.[2]

She became a celebrated figure in music halls such as the Olympia, the Empire, the Alcazar, and the ABC. Gauty began recording in 1927, creating her most popular recorded performance in the same year—a French rendition of the Italian love-song, Parlami d'amore Mariù, re-titled Le Chaland Qui Passe.[3] Beginning in 1930, Gauty started to dabble in cinema soundtracks, singing for Maurice Gleize's Wedding Day. Another notable recording was made into the theme song for René Clair's film Quatorze Juliet in 1933. Le Chaland Qui Passe was also introduced into the 1934 film L'Atalante when it was renamed after the song in an attempt to become more popular among the public.[4]

Gauty was awarded a Grande Prix du Disque for her role in the French adaptation of German composer Kurt Weill's The Threepenny Opera. In addition, Weill supplied her with another of her popular songs, "La Complainte de la Seine". When a period of rampant anti-semitism had spread across France in the mid-1930s, Gauty was one of the few artists to show her support for the Jewish people by singing the composition "Israel-va-ten". In 1940, following a tour in South America, Gauty returned to France, which had been conquered by Nazi Germany. Under threat of deportation and questioned about her Jewish husband, she, like several other French musicians, agreed to perform in Germany throughout the Second World War. Before the war's conclusion, Gauty had escaped to Monaco where she performed with pianist Léo Ferré, who also composed songs for her.[1][4]

Upon her return to France, Gauty only briefly continued her music career. Considered as a "collaborator" in the Nazi regime, she was targeted by members of the French Resistance, and survived an assassination attempt. In her later years, Gauty owned a casino in Luchon and became a singing teacher. She died on 2 January 1994 in Cap d'Ail.[4] Her songs have been reissued on compilation albums throughout the years, including Le Chaland Qui Passe and Lys Gauty: Succès et Raretés.[5]

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   For the last 50 years I have been a professional jazz musician, 
Since 1970.  Jazz music is my passion and my education has been 
from many great musicians and from listening and reading everything 
that I could to feed my brain on music and history. 
   Because of the Covid-19 Pandemic I lost ALL of my 
work for the duration of the emergency. 
Now that I am back to work I will continue to 
share my music archives with the world so we can 
have a little pleasure to pass the time together, as long as I am able.
 
   Be well, Be Healthy, and stay positive. If you haven’t been vaccinated
Please get the vaccine as soon as possible to keep us all safe from viral mutations
and new infections.

   Subscribe to my channel to see lots more videos like this one. 
 ======Love from Tom & Corinne in New Orleans======
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LYS GAUTY – 14 JUILLET – Columbia DF 1134

川端康成《山之音》的死亡書寫3：〈雲焰〉

風任せの浮雲は、風任せの浮雲は、いったいどこに泊まるのだろうか。 


能劇劇目〈花月〉

小孩還不懂生死。                   

川端康成《山之音》的死亡書寫2：〈蟬翼〉

聽見山之音，還是死亡的聲音？

健康與情感

川端康成《山之音》的死亡書寫1：〈山之音〉

透過人們的使用脈絡，物品不單單只是從屬於日常或儀禮的一件「工具」。事實上，它因此被整合進使用者纏綿悱惻、難以名狀的情感旋渦之中，作為象徵物，它無聲不語，卻時時刻刻提醒著人們，那些試圖忘卻的、逃避的、放下的、不堪回首的過往，不會消失，令人戰慄。

茶碗的情慾人類學：讀川端康成《千羽鶴》

観阿弥作。

高野山僧一行上京途中，路過攝津國阿倍野附近。注意到坐在腐朽木塔上的老婆婆。這位老婆婆其實曾是絕世美女，頗負盛名的歌人，小野小町。僧人為了糾正老婆婆粗魯對待佛祖的行為，開始說教。老婆婆卻以相當含蓄的言語反駁之。僧人深深感到老婆婆非常人，對她深深行禮。

老婆婆自信滿滿地吟詠和歌，讓僧人更

Pine