2023-05-15|閱讀時間 ‧ 約 12 分鐘

聽歌_巴哈無伴奏小提琴奏鳴曲_<發條鳥年代記-第二部預言鳥篇>

    我還是只放了四首[巴哈無伴奏小提琴奏鳴曲]在日誌上...
    其實我更喜歡他的無伴奏大提琴...聽CD時十足安慰我的心...

    在youtube可以聽到很多首歌與古典樂曲的年代...
    找幾片錄音CD也是不錯的選擇...
    有些真的很喜歡...之後會試著買CD來珍藏與聆聽...

    我沒試過聽整片MP3...
    (從沒自己下載選歌選曲處理過...這可能需要一些非我所能的技術來處理)

    或者我什麼音樂也不會聽地過著生活...

    *Henryk Szeryng Bach Sonatas & Partitas Sonata 1 Adagio
    http://www.youtube.com/watch?v=wl0HKVDFKHQ

    *Henryk Szeryng Bach Sonatas & Partitas Sonata 1 Fuga
    http://www.youtube.com/watch?v=RjSG2SVwDMY

    *Henryk Szeryng Bach Sonatas & Partitas Sonata 2 Grave
    http://www.youtube.com/watch?v=HGqSQ1-fHAA

    *H. Szeryng Sonatas & Partitas Sonata 2 Allegro
    http://www.youtube.com/watch?v=Si49fbtQWFM

    http://www.bbc.co.uk/music/reviews/wm4z
    Johann Sebastian Bach Sonatas and Partitas for Solo Violin (feat. violin: Isabelle Faust)
    Tracks
    1 Partita No. 2 in D minor, BWV 1004: I. Allemanda
    2 Partita No. 2 in D minor, BWV 1004: II. Corrente
    3 Partita No. 2 in D minor, BWV 1004: III. Sarabanda
    4 Partita No. 2 in D minor, BWV 1004: IV. Giga
    5 Partita No. 2 in D minor, BWV 1004: V. Ciaccona
    6 Sonata No. 3 in C major, BWV 1005: I. Adagio
    7 Sonata No. 3 in C major, BWV 1005: II. Fuga
    8 Sonata No. 3 in C major, BWV 1005: III. Largo
    9 Sonata No. 3 in C major, BWV 1005: IV. Allegro assai
    10 Partita No. 3 in E major, BWV 1006: I. Preludio
    11 Partita No. 3 in E major, BWV 1006: II. Loure
    12 Partita No. 3 in E major, BWV 1006: III. Gavotte en rondeau
    13 Partita No. 3 in E major, BWV 1006: IV. Menuet I / V. Menuet II
    14 Partita No. 3 in E major, BWV 1006: VI. Bouree
    15 Partita No. 3 in E major, BWV 1006: VII. Gigue
    BBC Review
    The recording is a peach, perfectly framing Faust’s superb musicianship.

    Andrew McGregor 2010-06-24
    Any violinist will tell you that Bach’s six suites for solo violin are miraculous creations. And they’ve had a fascinating history on disc, with some of the 20th century’s greatest violinists recording the set. But with the rise of the baroque specialist playing period instruments and alive to the latest scholarship, the kind of sounds and style of playing changed.
    Sigiswald Kuijken’s pioneering recording in 1981 is at the vanguard of a steady stream of fine baroque violinists, like Monica Huggett, John Holloway, Lucy van Dael, and Rachel Podger – who’s a particular favourite for the sheer exuberance and joy of her playing, as well as everything she can teach us about the different colours you experience with gut strings at a lower pitch, and the myriad ways in which a baroque bow affects phrasing and articulation. A new generation of modern violinists has been listening, and learning, as you’ll know if you’ve heard the likes of Viktoria Mullova, Julia Fischer or Alina Ibragimova in their recent recordings of solo Bach, each of them adopting different aspects of the baroque violinist’s art, and experimenting with bows, strings, vibrato and phrasing.
    Now we can add Isabelle Faust, whose sound is deliciously straight with little or no vibrato, and bowed with such sensitivity to Bach’s phrasing that you could almost kid yourself at times that she’s using a baroque bow. But a couple of features are especially telling: her instinct for ornamentation in the repeats, and the sense of cumulative musicianship – a momentum that builds not just in individual movements like the great Chaconne that ends Bach’s D minor Partita, but through each suite. The Chaconne is on the brisk side, but beautifully built from the opening chords, and the Adagio and Fugue that open the C major Sonata are also particularly well handled by Faust, the slow opening movement stroked into life, before the different voices of Bach’s monumental fugue are laid before us.
    Faust’s playing has elements of Mullova’s power, Ibragimova’s intimacy, Fischer’s bravura, and Podger’s delight in Bach’s dances, and the recording is a peach, perfectly framing her musicianship. There’s only one thing wrong with it: there are only three of the six suites here, the D minor and E major Partitas and the C major Sonata, and I’m impatient for volume two.
    (This work is licensed under a Creative Commons Licence. If you choose to use this review on your site please link back to this page. )我有放上連結喔...




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    聽歌_巴哈無伴奏小提琴奏鳴曲_<發條鳥年代記-第二部預言鳥篇>
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