2022.11.26 臺南海馬迴光畫館 紀實與感受

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<div class="draft-block draft--p left">2022.11.26 臺南海馬迴光畫館 紀實與感受</div>
<ul>
  <li class="draft-block draft--li">走上樓梯來到第一個展場，一張張照片投影在第一面牆上。輪播時還會竄出嚓嚓的聲音，像那些照片是某人珍藏的久遠久遠的回憶一般。</li>
  <li class="draft-block draft--li">第二面牆上，一副蛙鏡掛在牆上，行李箱攤開在地，旁邊有一張小北百貨可以買到的那種塑膠椅。白綠相間。</li>
  <li class="draft-block draft--li">上了二樓，和一樓一樣燈光昏暗，一只魚缸、三張凳子上頭有三本薄薄的冊子。一旁的牆上穿了一個夾鏈袋，夾鏈袋裝了半滿的水，裡頭有一隻黑白相間的魚，不會動，假的。夾鏈袋上擺著音響。</li>
  <li class="draft-block draft--li">三本非虛構故事，字句輕巧，嵌著半世紀以來背負於綠島人民、台灣集體記憶沉沉的擔。綠島，政治受難犯，鱸鰻溝。腦中迸出前陣子剛看完的流麻溝十五號。</li>
</ul>
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走上樓梯來到第一個展場，一張張照片投影在第一面牆上。輪播時還會竄出嚓嚓的聲音，像那些照片是某人珍藏的久遠久遠的回憶一般。

第二面牆上，一副蛙鏡掛在牆上，行李箱攤開在地，旁邊有一張小北百貨可以買到的那種塑膠椅。白綠相間。

上了二樓，和一樓一樣燈光昏暗，一只魚缸、三張凳子上頭有三本薄薄的冊子。一旁的牆上穿了一個夾鏈袋，夾鏈袋裝了半滿的水，裡頭有一隻黑白相間的魚，不會動，假的。夾鏈袋上擺著音響。

三本非虛構故事，字句輕巧，嵌著半世紀以來背負於綠島人民、台灣集體記憶沉沉的擔。綠島，政治受難犯，鱸鰻溝。腦中迸出前陣子剛看完的流麻溝十五號。

看展小記：《Following Around ——她是從本島來的駐村藝術家》劉紀彤個展

2022.12.01
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2022, the year overflowing with joy, love, and brightness.