撰於24/06/23
八月三十一!在衛武營!有莫札特的費加洛婚禮序曲跟鋼琴協奏曲第20號!!!(激動尖叫)
不只如此還有舒九偉大!!!(超級激動尖叫)
這麼精彩的曲目一定要去聽的ㄅ,但我不是要講這三首(ㄟ),我要講唐喬凡尼比起小天使莫札特有名的《費加洛的婚禮》跟《夜后》,我真的比較喜歡也比較常聽《唐喬凡尼》,不過歌劇我還是沒全聽,只聽序曲跟最後那段
「唐喬凡尼!你向我遞出晚膳之約」!「而我,如約而至;回答,你是否會和我共進晚膳?」「懺悔吧!這是你最後的時辰!」
唐喬凡尼be like:但是,我拒絕!
最後那段真的超讚,YT上有一個版本還讓舞台噴火,超酷,拜託去看。
https://www.youtube.com/watch?v=7cb1QmTkOAI
我想對現代人類(尤其不信教的)來說,最後唐喬凡尼的結局的震撼力一定比不上與莫札特同時期的人類,現代人類一定覺得很無聊幹麻讓主角被拽進地獄,讓主角對抗神或罪惡不是比較好看嗎?但就,這就莫札特那時代的價值觀,我反而超愛他被揣進地獄的結局。
我知道齊克果先生超喜歡《唐喬凡尼》之後一直沒辦法將這件事趕出腦海,就,他品味怎麼那麼好(第三次激動尖叫),所以我就一直在幻想哪天可以跟齊克果去聽《唐喬凡尼》。
齊克果好基督教寶,他喜歡《唐喬凡尼》超級合理。在Either/Or這本裡,他寫了落落長,將莫札特和《唐喬凡尼》視為至上的天才,甚至超越貝多芬(但這我不同意,貝多芬我永遠的第一名),他根本莫札特迷弟。叫他不要再舔莫札特了,人家已經死了一百多年了。
"Immortal Mozart! You, to whom I owe everything, to whom I owe the loss of my reason, the wonder that overwhelmed my soul, the fear that gripped my inmost being; you, who are the reason I did not go through life without there being something that could make me tremble; you, whom I thank for the fact that I shall not have died without having loved…"
齊克果先生十九世紀的人,我想他看《唐喬凡尼》的時候一定感受到了sublime,驚訝與恐懼激發的美。
"From the moment my soul was first overwhelmed in wonder at Mozart’s music, and bowed down to it in humble admiration, it has often been my cherished and rewarding pastime to reflect upon how that happy Greek view that calls the world a cosmos, because it manifests itself as an orderly whole, a tasteful and transparent adornment of the spirit that works upon and in it — upon how that happy view repeats itself in a higher order of things, in the world of ideals, how it may be a ruling wisdom there too, mainly to be admired for joining together those things that belong with one another."
幸好齊克果寫文沒有很繞,但我不覺得我有理解他寫的任何一樣東西,我處於根本看不懂的狀態。
這還不是別人講的,只要搜尋Kierkegaard and Don Giovanni,就會跑出很多東西,還不必跑到JSTOR。
https://www.themarginalian.org/....../kierkegaard....../https://en.wikipedia.org/wiki/Either/Or
總之我要假裝齊克果陪我去聽音樂會,ㄚ那陀void是我,反正沒有人說我不能幻想,對ㄅ?