歷經十餘載.早已習慣舒適圈
也清楚.這樣下去不會有結果
但就是.無法自拔的沉淪下去

<div class="draft-block draft--p left">歷經十餘載.早已習慣舒適圈</div>
<div class="draft-block draft--p left">也清楚.這樣下去不會有結果</div>
<div class="draft-block draft--p left">但就是.無法自拔的沉淪下去</div>
<div class="draft-block draft--p left">每每看到.聽到.多不公允的事</div>
<div class="draft-block draft--p left">就算鼓起勇氣.挺身提出諫言</div>
<div class="draft-block draft--p left">場下鴉雀無聲.獨留自己面對</div>
<div class="draft-block draft--p left">因為太在意.去爭取眾人權益</div>
<div class="draft-block draft--p left">有人在爭取時.只會默默不語</div>
<div class="draft-block draft--p left">成事後.卻享得來不易的果實</div>
<div class="draft-block draft--p left">也該是厭倦了.</div>
<div class="draft-block draft--p left">也該是清醒了.</div>
<div class="draft-block draft--p left">既然主事者.不顧正途</div>
<div class="draft-block draft--p left">那麼跟隨者.不需盡心</div>
<div class="draft-block draft--p left">天天鍾響上工.鐘響下工</div>
<div class="draft-block draft--p left">何須成天憂心忡忡.擔心害怕.</div>
<div class="draft-block draft--p left">到頭來.也不會有人感激.</div>
<div class="draft-block draft--p left">還惹來.精簡人力被開鍘.</div>
<div class="draft--imgNormal draft-block"><div><div style="height:undefinedpx" class="image-block-prerender" data-src="" data-width="0" data-height="0" data-position="center"></div><figcaption class="imageCaption draft-block" style="cursor:text;display:block"></figcaption></div></div>
<div class="draft-block draft--p left">越做越無奈.或許是該清醒了~</div>

創作


"人無活百歲
却懷千歲憂”
會想到不一定會發生
會發生的不一定會想到
不然
何來意外之說！
人的煩惱百百款
無人煩惱相同款
既然如此
無事不惹事
遇事不怕事
一切當順其自然！
有事，面對、解決、接受
人生無法盡如人意
有酸、甜、苦、辣
那才叫做人生！
歡歡喜喜過一天
憂憂愁愁、嘛是一天！
千萬不要

石美卿的沙龍

《選擇…..》

捨得似光鮮亮麗的生活，放下似稱意順心的人生。




莎SA的沙龍

是捨不得，還是放不下？

過去那些被情緒困擾的時刻，苦撐著、煎熬著，一旦回想又認不住心酸起來，待過深淵的人，沒有一件事是容易的。

陳然冉的沙龍

該來的事情自然不會被拖延，所以你也不要著急。

想起一些過往的事，知道了什麼叫作嘗試把人生搞得烏煙瘴氣、自找麻煩，旅居海外的現在將其拋之於身後大老遠的，想要遠遠地留在過去。
時間或距離上都顯得特別遙遠。
很多經歷本就具有破壞性，還是有成長吧，只是有時候覺得越活越回去。
刻意把人事物放在界線之外，用安全警戒線製造出自己的舒適圈，閒雜人等不得入內。


呼吸著自由，不見得自由。

原本就可以過的舒舒服服的
原本就可以躺著數數天上的星辰
原本就可以找個安靜的小屋隱身不出
但我的心卻不准
有什麼辦法呢？
勉強自己做些挑戰的事
免得失去了鬥志
活到老，學到老
此話並不精確
學到老，才能活的更老
因此
我為難了舒適圈
想必舒適圈不會跟我計較吧
畢竟
和你同一國的人，那麼多


克魯小子的沙龍

為難舒適圈

懲罰
表徵的數字，含括全部，述說著
體力的衰退 ，記憶的流失，模糊的視力
好爭好鬥 ，左派的認定，軀殼層層剝離、 透視。
人們〜 活在假象中，以自我認知滿足欺騙
空間的窒息， 困綁的靈魂窒息〜待流失
在某一段歲月裡總是會覺得人生特別的不順，
投了50封履歷找不到一個面試機會，
總會等到光亮的一天。


Lena   漫談人生

是磨難還是成長

突然想起 在分岔的道路
獨自一人
下起了宛若要壓跨自己的傾盆大雨
但是
就算想逃也無處可去
閉上眼
矗立在黑暗中 反覆質問著


Q太的沙龍

映入眼簾（22/01/06）



日復一日的看著＿枯竭
可是＿卻無能＿力挽＿
是無力
也
是
不願
白費力氣
 


在這條＿無＿盡的道上
總是舉目四顧的＿
茫然
 
＿肩不能挑
手＿不能提
於重擔前＿
＿焦躁

而

＿茫
慌＿
 
於＿現實前
不得不＿
低頭
與
恨飲
 
怒 從 衷 來
 
深知＿不是不願
接＿那些重責
而

以默Emo的沙龍

聽＿亂想

健康與情感

文化生活

大家好：很高興能參與這個大團體，與先進們一起學習，不足之處望多指教！

音樂藝文

<div class="draft-block draft--p left">喔喔!!!這個我是不是有在哪個留言貼過啊?我超喜歡這合奏版的卡農!!~你經常可以寫這些浪漫的文字，我就沒辦法~~^^;</div>
<div class="draft-block draft--p left">現在都用電子樂譜了嗎??我們以前練鋼琴還要一頁一頁翻，超麻煩。</div>

字裡行間

🍀 ➺ ↬
寫文，畫畫及寫小說，做自己想要做的事！🌸



旅行美食

國際

海外旅居小日子

散文與短篇、小眾文學集散地，生活揉捻成故事，用文字賦予靈魂重量，來一趟人間，得活得盛放燦爛，連遺書都要寫得浪漫。

人生爬滿了詩

詩是一個心情，一段想法，一齣片斷，一筐世界，一粒奈米......不管是誰, 都能享受這美好的滋味

職場產業

人生沒有過不去的坎

人生總會在錯誤中修正，做事不往後看不遺憾過日，遺留下的經驗是淬練過的美好。文章以分享淺談人生、遙望職場怪論、論說人際特質、笑談人格行為、談論工作百科、書寫日常顯影。路不是單一終循至回歸線。人生沒有過不去的坎，只有過不去的自己。 珍惜最美好的自己。            

有時候生活上充斥著讓人心累的人事物，漸漸地
朋友的聚會不想去、家人的言語不想回應
心中的陰暗不斷的擴大，然後陰暗的氣泡破碎，一切又恢復正常

接著又是下一次的輪迴
逐漸的，臉上的笑容不知何時已經很久沒有在掛上嘴
生活也變得固定
上班下班睡覺
日復一日
因此，漸漸的
心很累
所以
想要改變
但是，怯懦

和眾人一起討論如何讓自己的生命過得更開心，擺脫自己的迷茫，並嘗試執行，打破虛度人生的方法

泡澡的太陽的沙龍

好累，方向，前進

拈題二十

自2020年初，我們被動地進入了一場漫長的生存戰疫，面對的，本是看不見的天敵，然因緣所會，人事交織，各有所私，天災，便有了人禍的特質，於大事件中的個人，所有無力、未知、種種驅力趨生避死，感蕩心靈，故有此集。

胡兒的沙龍

3.微生

啡贏不可的沙龍

無奈  該清醒了

<p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">歷經十餘載.早已習慣舒適圈</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">也清楚.這樣下去不會有結果</span></p><p class="lexical__paragraph" style="text-align: left;"><div class="ad-placeholder" style="min-height: 124px;"></div><span style="white-space: pre-wrap;">但就是.無法自拔的沉淪下去</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">每每看到.聽到.多不公允的事</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">就算鼓起勇氣.挺身提出諫言</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">場下鴉雀無聲.獨留自己面對</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">因為太在意.去爭取眾人權益</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">有人在爭取時.只會默默不語</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">成事後.卻享得來不易的果實</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">也該是厭倦了.</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">也該是清醒了.</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">既然主事者.不顧正途</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">那麼跟隨者.不需盡心</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">天天鍾響上工.鐘響下工</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">何須成天憂心忡忡.擔心害怕.</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">到頭來.也不會有人感激.</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">還惹來.精簡人力被開鍘.</span></p><p class="lexical__paragraph" style="text-align: left;"><span style="white-space: pre-wrap;">越做越無奈.或許是該清醒了~</span></p>

<div class="draft-block draft--p left">
              <a href="/user/@youuyouu" target="_blank" class="draft--mention">
                <i class="icon-mention"></i>
                <span>二宮</span>
              </a>
             第一張...大約2週前有在IG貼過。字..就多練習，抓出手感。合奏版..尤其有大提琴，更有感覺ㄟ。你還會鋼琴?多才多藝喔，哪天秀一段啊~  </div>
<div class="draft-block draft--p left"></div>

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Canon in D by Johann Pachelbel, arranged and performed by Brooklyn Duo. Get the sheet music here: https://bit.ly/2Xp2H1r

❤️Please like and subscribe ❤️

SPECIAL THANKS to Earthworks Microphones for helping us make this shoot happen (and for making the best microphones!). Also, big thanks to Paul Jacobson from Avatar Productions and Pierre Rueda for their video expertise.

Hi guys! Sorry for the long wait since our last video. We've been busy recording tons of new stuff and we're excited to share it all with you very soon! 
Some of you know that we occasionally play for weddings. As you can imagine, we get a LOT of requests for Canon in D, and we discovered that there were no good arrangements available anywhere for piano and cello! Hard to believe given its popularity. So we decided to make our own! We tried to stick as closely to the original as possible (which was written for three violins and basso continuo), and we performed it *not* at a snail's pace so the bride can actually make it down the aisle without putting everyone to sleep. 🙊(Yeah, we said it! Nobody likes a slow processional!) Also, the number one complaint about this piece from cellists is always how booooring it is to play because they literally have to play the same 8 bass notes over and over for the entire piece. Problem solved with this arrangement because the cello never has to play the bass! 🙌(The piano does, but we get lots of other fun stuff too so it's ok!) So for all you musicians out there playing weddings, we hope you enjoy playing this arrangement a little more than the ones you were used to...You can get it from www.musicnotes.com. 😊Be sure to let us know in the comments if you do! 

Brooklyn Duo:
Marnie Laird, piano
Patrick Laird, cello

SUBSCRIBE to our other channel, BROOKLYN CLASSICAL!  http://bit.ly/1MVKVEl

Brooklyn Duo uses Earthworks microphones.

Patrick performs exclusively on Pirastro strings (http://www.pirastro.com).

http://www.brooklynduo.com

BROOKLYN DUO BIO:

Founded in 2014, Brooklyn Duo has quickly established itself as one of today’s most successful classical crossover ensembles. Through its creative arrangements and live video performances, the piano and cello duo has garnered a huge following, with over 800,000 YouTube subscribers, and over 150 million streams annually on platforms such as Spotify and Pandora Radio.

In 2014, on a whim, the couple arranged and recorded two pop covers  and released them on YouTube. Amazingly, Shakira noticed the duo’s cover and promoted it to her 130 million-plus fan base, saying: “We're loving Brooklyn Duo's piano/cello cover of Empire! Great work guys." The boost that resulted from that exposure and the positive response they were getting on YouTube encouraged the couple to continue creating videos. (Other notable shout-outs since then include ones from Taylor Swift, a-ha and Pearl Jam.)

Today, Marnie and Patrick have released over 100 videos on their Brooklyn Duo YouTube channel and 9 albums of covers, spanning artists from The Beatles to Metallica to Ariana Grande. In 2016, the couple started a second YouTube channel, Brooklyn Classical, with the goal of introducing classical music to a larger audience through high quality, live performances. Brooklyn Classical often hosts high-profile guest artists, including the world-renowned Dover and Escher string quartets, percussionist Ivan Trevino and cellist Cicely Parnas.

In 2017, Marnie and Patrick partnered with Carnegie Hall and Ensemble Connect to produce a cover of a-ha’s “Take On Me”. The video went viral and garnered millions of views in just a few months. Popular classical music stations Classic FM and WQXR regularly share Brooklyn Duo’s music on their social media pages, with Classic FM calling the duo “masters of the artfully planned pop cover.” Their music has also been featured on several television shows, including Grey's Anatomy and Pretty Little Liars. 

#brooklynduo