His joy is raw in a way that makes me feel like I can unzip my skin suit and show him all the ooze inside. But not yet. There is a sadness about his fervor, the way it feels slightly put on, as if he has something to prove. He looks over at me when we reach the top. The wind cards through his hair. Behind his eyes, I see myself fractured into pieces. Suddenly it feels painful to be this ordinary, to be this open to him, as he looks at me and pretends I am not just a cheaper version of a fast Italian car.
I didn’t tell him I was a virgin because I could not bear to be treated tenderly. I didn’t want him to be careful. I wanted it to be over with. So when it hurt and I was too proud to say stop and so said more, I believed, like a Catholic or a Tortured Artist, that the merit of a commitment correlates directly to the pain you endure in its pursuit.
I think of my parents, not because I miss them, but because sometimes you see a black person above the age of fifty walking down the street, and you just know that they have seen some shit. You know that they are masters of the double consciousness, of the discreet management of fury under the tight surveillance and casual violence of the outside world. You know that they said thank you as they bled, and that despite the roaches and the instant oatmeal and the bruise on your face, you are still luckier than they have ever been, such that losing a bottom-tier job in publishing is not only ridiculous but offensive.
I’ve made my own hunger into a practice, made everyone who passes through my life subject to a close and inappropriate reading that occasionally finds its way, often insufficiently, into paint. And when I am alone with myself, this is what I am waiting for someone to do to me, with merciless, deliberate hands, to put me down onto the canvas so that when I’m gone, there will be a record, proof that I was here.
I think of how keenly I've been wrong. I think of all the gods I have made out of feeble men.