作品名稱：VirtualscapeB360 /漂流在宇宙的記憶碎片
「102º_GPSMAS + 121º_GPSTW＝virtualscape 」系列
作品尺寸：20.4 x 40.8cm
作品媒材：數位多媒體，照片， EA藝術微噴
兩組不同經緯度的影像，藉著對比影像與標示的ＧＰＳ，以兩種存在網路呈現兩組人文社會、風土民情的的變化。影像不僅是現象的再現，也是通往另一個時空的通道。在人生中面臨不同地域的文化與事物衝擊，以致內在產生破碎巨變，剎那間試圖捕抓自我，潛意識僅能看到在漂流的記憶碎片。
此一圖像是從virtualscape系列影像作品中的影像、照片中擷取出來凝結的狀態，就像在作品多媒體虛擬空間中那麼虛幻不實，彷彿不存在又在場一樣。無奈的是這些記憶不僅會自行飄移，且漂流在宇宙間，迅速虛空所吞噬。在資訊文明的後人類時代，人類的存在與浩瀚的宇宙相比，似乎像是漂流在宇宙的碎片。
Two sets of images with different latitudes and longitudes, by contrasting the images with the marked GPS points, present the changes in two sets of human society, culture, and local customs in two different online networks. Images are not only representations of phenomena but also passages to another time and space. When facing the impact of different cultures and things in different geographical locations in life, the inner self undergoes significant transformations. In a moment, it attempts to capture itself, but the subconscious can only see fragments of drifting memories.
This image is extracted and condensed from the Virtualscape series of image works, just as elusive and unreal as it is in the multimedia virtual space of the work, as if it does not exist and yet is present. Unfortunately, these memories not only drift on their own but also drift in the universe, rapidly consumed by the void. In the post-human era of the information civilization, human existence seems like fragments adrift in the universe compared to the vast cosmos.
