vocus logo

方格子 vocus

Let's talk about a picture! ( Episode 12 )

更新 發佈閱讀 5 分鐘
raw-image

In this picture, you can see a young woman painting over the word "FOREVER" with a white paint roller. As she paints, three letters begin to disappear under the white paint, leaving only the bold and black "OVER" visible.

In my opinion, I think the wall used to be really clean, but it slowly got dirtier over time. It once symbolized a promise to stay together forever, but now it's buried under layers of dust. The girl in the picture looks like she was just left by her boyfriend or husband, and sorrow fills her expression. When she finally chose to move on, she painted over the wall with bright colors - covering the letters "F","R", and "E", so that only the word "OVER" remained. She turned "FOREVER" into "OVER", which is a quiet but powerful way of letting go. However, it might not have been that she wanted to end the relationship. Maybe it's a pain, a belief or a difficult phase in her life.

This picture makes me think about the time in my life when I studied at a previous university. During that time, I really liked a senior girl in the guitar club. She shone like a star and taught me so much in the club-like how to organize a performance event, tips for playing guitar and singing, and how to stay calm on stage. More importantly, she gave me the courage to perform. But she already had a boyfriend back then. It took me two years to finally realize that I had to move on. I used to believe that if I liked her forever, I would eventually win her heart. But later, I realized that holding on only made me feel more lost and unable to focus on myself. So, in the end, I chose to let everything go and leave the past behind. Yeah, I'm delighted with my life now.

To end, let me share a quote about love-Hermann Hesse's thoughts on what it means to let go.

"Some of us think holding on makes us strong, but sometimes it is letting go"-Hermann Hesse

Alright, if you enjoy this article, don't forget to like, share and follow me! Thanks for reading!

留言
avatar-img
燭火餘暉 ( David )
40會員
76內容數
Hello~各位讀者,我是新手作家燭火餘暉,這是我的第一本生活雜文詩集,類別偏向現代詩,會有比較多的白話文,內容取材自生活中遇過的大小事和自己的親身經歷和生活經驗,期望透過寫現代詩抒發心情,挖掘自己的內心世界並赤裸裸地呈現出來。希望各位讀者會喜歡~也歡迎各位讀者和我一起討論、交流分享!^^
燭火餘暉 ( David )的其他內容
2025/09/26
Even though modern society still faces issues like wealth gaps and unequal access to resources, we should never give up on ourselves.
Thumbnail
2025/09/26
Even though modern society still faces issues like wealth gaps and unequal access to resources, we should never give up on ourselves.
Thumbnail
2025/09/07
Hope that we can become the generation that not only advances civilization but also protects the Earth.
Thumbnail
2025/09/07
Hope that we can become the generation that not only advances civilization but also protects the Earth.
Thumbnail
2025/09/06
Modern people are no longer reading books. They keep up with the times and use electronic devices daily to stay informed about current events.
Thumbnail
2025/09/06
Modern people are no longer reading books. They keep up with the times and use electronic devices daily to stay informed about current events.
Thumbnail
看更多
你可能也想看
Thumbnail
賽勒布倫尼科夫以流亡處境回望蘇聯電影導演帕拉贊諾夫的舞台作品,以十段寓言式殘篇,重新拼貼記憶、暴力與美學,並將審查、政治犯、戰爭陰影與「形式即政治」的劇場傳統推到台前。本文聚焦於《傳奇:帕拉贊諾夫的十段殘篇》的舞台美術、音樂與多重扮演策略,嘗試解析極權底下不可言說之事,將如何成為可被觀看的公共發聲。
Thumbnail
賽勒布倫尼科夫以流亡處境回望蘇聯電影導演帕拉贊諾夫的舞台作品,以十段寓言式殘篇,重新拼貼記憶、暴力與美學,並將審查、政治犯、戰爭陰影與「形式即政治」的劇場傳統推到台前。本文聚焦於《傳奇:帕拉贊諾夫的十段殘篇》的舞台美術、音樂與多重扮演策略,嘗試解析極權底下不可言說之事,將如何成為可被觀看的公共發聲。
Thumbnail
柏林劇團在 2026 北藝嚴選,再次帶來由布萊希特改編的經典劇目《三便士歌劇》(The Threepenny Opera),導演巴里・柯斯基以舞台結構與舞台調度,重新向「疏離」進行提問。本文將從觀眾慾望作為戲劇內核,藉由沉浸與疏離的辯證,解析此作如何再次照見觀眾自身的位置。
Thumbnail
柏林劇團在 2026 北藝嚴選,再次帶來由布萊希特改編的經典劇目《三便士歌劇》(The Threepenny Opera),導演巴里・柯斯基以舞台結構與舞台調度,重新向「疏離」進行提問。本文將從觀眾慾望作為戲劇內核,藉由沉浸與疏離的辯證,解析此作如何再次照見觀眾自身的位置。
Thumbnail
本文深入解析臺灣劇團「晃晃跨幅町」對易卜生經典劇作《海妲.蓋柏樂》的詮釋,從劇本歷史、聲響與舞臺設計,到演員的主體創作方法,探討此版本如何讓經典劇作在當代劇場語境下煥發新生,滿足現代觀眾的觀看慾望。
Thumbnail
本文深入解析臺灣劇團「晃晃跨幅町」對易卜生經典劇作《海妲.蓋柏樂》的詮釋,從劇本歷史、聲響與舞臺設計,到演員的主體創作方法,探討此版本如何讓經典劇作在當代劇場語境下煥發新生,滿足現代觀眾的觀看慾望。
Thumbnail
《轉轉生》為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,融合舞蹈、音樂、時尚和視覺藝術,透過身體、服裝與群舞結構,回應殖民歷史、城市經驗與祖靈記憶的交錯。本文將從服裝設計、身體語彙與「輪迴」的「誕生—死亡—重生」結構出發,分析《轉轉生》如何以當代目光,形塑去殖民視角的奈及利亞歷史。
Thumbnail
《轉轉生》為奈及利亞編舞家庫德斯.奧尼奎庫與 Q 舞團創作的當代舞蹈作品,融合舞蹈、音樂、時尚和視覺藝術,透過身體、服裝與群舞結構,回應殖民歷史、城市經驗與祖靈記憶的交錯。本文將從服裝設計、身體語彙與「輪迴」的「誕生—死亡—重生」結構出發,分析《轉轉生》如何以當代目光,形塑去殖民視角的奈及利亞歷史。
Thumbnail
"Some of us think holding on makes us strong, but sometimes it is letting go"-Hermann Hesse
Thumbnail
"Some of us think holding on makes us strong, but sometimes it is letting go"-Hermann Hesse
Thumbnail
培養逆境抵抗力,放大簡單的快樂,打破不滿足的慣性
Thumbnail
培養逆境抵抗力,放大簡單的快樂,打破不滿足的慣性
追蹤感興趣的內容從 Google News 追蹤更多 vocus 的最新精選內容追蹤 Google News