巴哈是「德國人」嗎？「神聖羅馬帝國」和 「羅馬帝國」有什麼關係？  



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<div class="draft-block draft--p left">2020/4/12 早上，陶瓷媧收到一封來自「芳草格格」的來信，內容是：</div>
<div class="draft-block draft--p left"><span style="font-weight: bold; ">最近聽巴哈音樂，發現有些資料說他是「神聖羅馬帝國」人，有些資料說他是「德國人」，把我都弄糊塗了。到底，巴哈是不是德國人？「神聖羅馬帝國」和 「羅馬帝國」有什麼關係？ 日耳曼人就是德國人嗎？ </span></div>
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2020/4/12 早上，陶瓷媧收到一封來自「芳草格格」的來信，內容是：

最近聽巴哈音樂，發現有些資料說他是「神聖羅馬帝國」人，有些資料說他是「德國人」，把我都弄糊塗了。到底，巴哈是不是德國人？「神聖羅馬帝國」和 「羅馬帝國」有什麼關係？ 日耳曼人就是德國人嗎？ 

文化迷因

In his six Suites for unaccompanied violoncello, J. S. Bach invented a style that is specific to that instrument, while exploring all its technical possibilities to the full. Over the years, the Suites have become a monument of the cello repertoire, to which all cellists return regularly. Some of the greatest of them did not record these works until they reached their years of maturity (Casals was over sixty, Rostropovich was sixty-three), while others have not hesitated to present several versions (Yo-Yo Ma, 1990, 1998; Janos Starker, 1957, 1963, 1983). Ophélie Gaillard is among the latter. Her first recording of the Suites, released on the Ambrosia label in 2000, was highly acclaimed internationally by the critics and her performance earned her a French Classical Music Award (Victoire) as a "Revelation" in the Solo Instrumentalist category. Ten years later, at the request of Nicolas Bartholomée, artistic director of the label, she agreed to record a new version on a cello made in 1737 by Matteo Goffriller, a contemporary of J. S. Bach. Ophélie Gaillard had already given us a reference performance of these pieces. Now we discover a prodigiously renewed vision of this masterpiece." http://eboutique.harmoniamundi.com/johann-sebastian-bach-cello-suites.html Recording producer: Nicolas Bartholomée Film director: Guillaume L'Hôte Filmed at Grenier de la Mothe, Bailleul Neuville
http://www.littletribeca.com

Visit the official Aparté website: http://www.apartemusic.com/

Bach: Prélude, Cello suite Nr.1 | Ophélie Gaillard

拉丁彌撒05天主經

在古羅馬時代，去澡堂放鬆心情是最流行的文化，也是當時最重要的社交場所。對工作充滿熱誠的澡堂建築師路西斯﹝阿部寬飾﹞，時常感嘆羅馬的澡堂缺乏新意，但自己卻苦無靈感，在某次意外後，他竟然能穿梭於古代羅馬和現代日本的澡堂之間，一切嶄新的現代澡堂技術都超乎路西斯的想像，擁有高度澡堂文明的「扁臉族」﹝日本人﹞更是震撼路西斯的心靈，在時代的衝擊和文化的差異下，路西斯是否能帶著意外獲得的「靈感」回去拯救古羅馬世界呢?

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神鬼戰士 Gladiator (Trailer) 角斗士

The Holy Roman Empire is a confusing mess of feudalism and statehood, so I tried my best to explain it.

List of states in the HRE:
http://hrestates.blogspot.com/2008/12/alphabetical-list-of-states-of-holy.html

The Holy Roman Empire-A Confusing Concept of Craziness

J.S. Bach, Kantate BWV 67 „Halt im Gedächtnis Jesum Christ": Nr. 1 Coro | solistenensemble stimmkunst | Stiftsbarock Stuttgart (Konzertmeisterin: Lisa Immer) | Leitung: Kay Johannsen

Aufführung im Rahmen des Zyklus Bach:vokal, Stiftskirche Stuttgart, 11.4.2013. Weitere Infos: www.bach-vokal.de, www.stiftsmusik-stuttgart.de

J.S. Bach, Kantate BWV 67 „Halt im Gedächtnis Jesum Christ": Nr. 1 Coro | Kay Johannsen

The Water Music Suite, by Baroque composer George Frideric Handel.

Hear iconic music from the great composers with our new interactive book, The Classic FM Family Music Box: clssicfm.co/musicbox

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芳草格格：巴哈是德國人嗎？神聖羅馬帝國和羅馬帝國有關係嗎？

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付費限定文章芳草格格：巴哈是德國人嗎？神聖羅馬帝國和羅馬帝國有關係嗎？

以行動支持創作者！付費即可解鎖

付費限定文章
芳草格格：巴哈是德國人嗎？神聖羅馬帝國和羅馬帝國有關係嗎？